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Coco Chanel, 1935 by Man Ray Museum Ludwig Cologne, Photography Collections (Collection Gruber) © Man Ray Trust / ADAGP © Copy Photograph Rheinisches Bildarchiv Köln

Man Ray Portraits: the art of dressing for the camera

I’m leading a tour of the Man Ray Portraits exhibition on 16 May themed around all things sartorial. Of course, Man Ray is the creator of iconic portraits of two of the best known designers of the twentieth century: Coco Chanel and Elsa Schiaparelli, both of which feature in the exhibition. And Man Ray worked within the industry himself for a number of years, contributing his innovative Surrealist fashion photographs to magazines including Vogue, Harper’s Bazaar and the lesser known Charm, as Curator Terence Pepper discusses in the exhibition catalogue. More fundamentally however, details of dress are revealed throughout the exhibition to be instrumental in creating the arresting style of photographic portraiture that Man Ray is celebrated for.…

By Inga Fraser, Assistant Curator (Contemporary & 20th Century Collections)

  • 4 Comments

20 March 2013

  • Exhibitions
  • 20th Century
  • Photography
La-Doo-Ke-A, Buffalo Bull, a Grand Pawnee Warrior, Pawnee by George Catlin, 1832 © Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr.

George Catlin: the curators’ view

The co-curators of the exhibition George Catlin, American Indian Portraits, Stephanie Pratt and Joan Carpenter Troccoli, discuss their work on the project together.…

By Stephanie Pratt and Joan Carpenter Troccoli, Co-curators of George Catlin, American Indian Portraits

  • 2 Comments

6 March 2013

  • 19th Century
Chevalier D’Eon by Thomas Stewart, after Jean Laurent Mosnier, oil on canvas, 1792, NPG 6937

Soldier, spy, celebrity transvestite?

What does it mean to be a hero? Working for a gallery that celebrates individual achievement means that we often come across surprising life stories. For me, however, few are as inspiring as that of the Chevalier D’Eon and it was exciting to work on the acquisition of his portrait for the Collection. In the eighteenth century, homosexuality was punishable by death, there was no understanding of transsexuality and men who dressed in women’s clothing were viciously persecuted. Yet despite such oppression, D’Eon managed to forge two very successful careers: firstly as a man, working as a soldier, diplomat and spy, and then as a woman.…

By Clare Barlow, Assistant Curator

  • 6 Comments

20 February 2013

  • 18th Century
Front cover of Vu, Issue No. 144 (17 December 1930) Private Collection

Man Ray Portraits in print – continuing research and dialogue

One of the many challenges in assembling a major exhibition on such a well-known photographer and artist as Man Ray was how best to share new research and balance the introduction of great, but lesser known works, together with great prints of his most iconic works. Similarly his published work in magazines of the 1920s and 1930s such as Vanity Fair, Vogue and Harper’s Bazaar has been examined but I was fascinated to find that no survey to date had looked at in depth as his work published in the great French news weekly VU magazine. What was most exciting was that copies of Vu were still available for purchase in specialised book shops in Paris or through French ebay. Some of these have found their way into the National Portrait Gallery’s exhibition showcases and the accompanying catalogue.…

By Terence Pepper, Curator of Photographs

  • 18 Comments

14 February 2013

  • Exhibitions
  • 20th Century
  • Photography
T.S. Eliot: Cubist Version by Patrick Heron, 194–8 © The estate of Patrick Heron. All Rights Reserved, DACS, 2013

Installing a new display: Patrick Heron’s portraits of TS Eliot

I am often asked, ‘what is the best part of being a curator?’ This question is difficult to answer because there are so many possible responses. Writing about art comes near the top, as does researching and acquiring new works for the collection. Working with living artists is also enormously exciting and invariably illuminating. However, at this minute I am tempted to say that displaying great works of art is still, after almost thirty years of curating, the biggest thrill. There is something about seeing a painting or a drawing finally taking its place within a long-planned exhibition that constantly surprises. In that moment, familiar images suddenly appear in a different light and become vital.…

By Paul Moorhouse, 20th Century Curator

  • 3 Comments

6 February 2013

  • 20th Century
Catherine of Aragon, by an Unknown artist, oil on panel, c. 1520, L246. By permission of the Archbishop of Canterbury and the Church Commissioners.

Henry and Catherine Reunited

The recent conservation of a rare early portrait of Catherine of Aragon, which is on long-term loan from Lambeth Palace, has presented the Gallery with the opportunity to display portraits of Henry VIII and Catherine of Aragon together as a pendant ‘pair’. The two works, from around the same date, are of a similar scale with a similar green damask background, and it is likely that they are both examples of portrait ‘types’ that would have been placed together in this way, nearly five hundred years ago.…

By Charlotte Bolland, Project Curator (Making Art in Tudor Britain)

  • 3 Comments

30 January 2013

  • Exhibitions
  • Tudor & Elizabethan
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