Cibachrome print

A high quality colour print made from a colour transparency enlarged directly onto reversal colour paper. The paper is unique in that dyes are incorporated into the emulsion on the paper instead of being formed chemically. This gives exceptional colour image brilliance. The paper is exposed to a transparency and the colours are recorded by complementary layers in the paper. A dye destruction print made in this way is more permanent than a chromogenic print.

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Queen Elizabeth II, by Yousuf Karsh, 1943 - NPG P335 - © Karsh / Camera Press

Queen Elizabeth II
by Yousuf Karsh
1943
NPG P335

Millie (Millicent Small), by David Wedgbury, 1969 - NPG x76439 - © National Portrait Gallery, London

Millie (Millicent Small)
by David Wedgbury
1969
NPG x76439

Sir (Bertram) Clough Williams-Ellis, by John Hedgecoe, 1969 - NPG P780 - © John Hedgecoe

Sir (Bertram) Clough Williams-Ellis
by John Hedgecoe
1969
NPG P780

'Adam and the Ants', by Allan Ballard, 1981 - NPG x125374 - © Allan Ballard / Scope Features

'Adam and the Ants'
by Allan Ballard
1981
NPG x125374

Nigel Ernest James Mansell, by Terry O'Neill, mid 1980s - NPG x87441 - © Terry O'Neill

Nigel Ernest James Mansell
by Terry O'Neill
mid 1980s
NPG x87441

David Edward Jenkins, by Alistair Morrison, 1985 - NPG P355 - © Alistair Morrison

David Edward Jenkins
by Alistair Morrison
1985
NPG P355

Cleveland Watkiss, by Chris Garnham, February 1989 - NPG x38129 - © estate of Chris Garnham / National Portrait Gallery, London

Cleveland Watkiss
by Chris Garnham
February 1989
NPG x38129

Brian David Josephson, by Liam Woon, 1990 - NPG P443 - © Liam Woon / National Portrait Gallery, London

Brian David Josephson
by Liam Woon
1990
NPG P443

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