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Room 2

Making Tudor Portraits

We can gain insights into how Tudor artists worked by combining historical research with scientific analysis. Examination of surviving paintings reveals the materials and techniques that artists used, while records of 16th-century society provide glimpses of their lives. Many of the most successful Tudor artists trained and worked in London, drawn to the city in search of wealthy clients or to escape religious persecution in continental Europe. They were often generalists, equally capable of designing jewels or lavish entertainments as creating portraits and painted interiors. From the mid-16th century, artists were increasingly commissioned to produce stand-alone portraits in oil paint. Some used canvas or linen supports, but most portraits were painted on wooden panels.

6 portraits on display in Room 2 on Floor 3 at the National Portrait Gallery

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Queen Mary I, by Hans Eworth - NPG 4861

Queen Mary I

by Hans Eworth
oil on panel, 1554
On display in Room 2 on Floor 3 at the National Portrait Gallery
NPG 4861

Gerlach Flicke; Henry Strangwish (Strangways), by Gerlach Flicke - NPG 6353

Gerlach Flicke; Henry Strangwish (Strangways)

by Gerlach Flicke
diptych, oil on paper or vellum laid on panel, 1554
On display in Room 2 on Floor 3 at the National Portrait Gallery
NPG 6353

Sir Henry Sidney, by Unknown artist - NPG 2823

Sir Henry Sidney

by Unknown artist
oil on paper, late 16th century
On display in Room 2 on Floor 3 at the National Portrait Gallery
NPG 2823

Sir Henry Sidney, by Unknown artist - NPG 1092

Sir Henry Sidney

by Unknown artist
oil on panel, 1573
On display in Room 2 on Floor 3 at the National Portrait Gallery
NPG 1092

Queen Elizabeth I, by Nicholas Hilliard - NPG 190

Queen Elizabeth I

by Nicholas Hilliard
oil on panel, circa 1575
On display in Room 2 on Floor 3 at the National Portrait Gallery
NPG 190