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Sir William Beechey

(1753-1839), Portrait painter

Sitter in 7 portraits
Artist associated with 253 portraits
Portrait painter and pupil of Zoffany, but greatly influenced by Reynolds. After five years working in Norwich Beechey settled in London in 1787. He was appointed portrait painter to Queen Charlotte in 1793. Although overshadowed by the young Lawrence, he continued a successful portrait practice for many years.

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William Frederick, 2nd Duke of Gloucester

by William Say, after Sir William Beechey
mezzotint, early 19th century
NPG D38900

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James Cecil, 1st Marquess of Salisbury

by William Say, after Sir William Beechey
mezzotint, circa 1803-1834
NPG D11332

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Sir William Douglas, Bt

by William Say, after Sir William Beechey
mezzotint, circa 1803-1834
NPG D11350

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William Frederick, 2nd Duke of Gloucester

by William Say, after Sir William Beechey
mezzotint, early 19th century
NPG D11360

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William Frederick, 2nd Duke of Gloucester

by and published by William Say, after Sir William Beechey
mezzotint, published 26 April 1807
NPG D38901

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Sir William Beechey

by Robert Cooper, published by T. Cadell & W. Davies, after Sir William Beechey
stipple engraving, published 1814 (1799)
NPG D19447

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Thomas Cadell the Elder

by Henry Meyer, after William Evans, after Sir William Beechey
stipple engraving, circa 1825-1850
NPG D21553

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Queen Adelaide (Princess Adelaide of Saxe-Meiningen)

by Samuel William Reynolds, after Sir William Beechey
stipple, mezzotint and etching, 1831
On display at Boston Manor House, Brentford
NPG D38577

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George Henry Law

by Henry Meyer, after Sir William Beechey
mezzotint, 1838, based on a work of 1814
NPG D49860

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Charles Simeon

by William Finden, after Sir William Beechey
stipple engraving, published 1847 (1808)
NPG D5984

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Charles Simeon

by William Finden, after Sir William Beechey
stipple engraving, published 1847 (1808)
NPG D5986

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Charles Simeon

by William Finden, after Sir William Beechey
stipple engraving, published 1847 (1808)
NPG D5987

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