Search the Collection

William Hogarth

(1697-1764), Painter and engraver

Sitter associated with 19 portraits
Artist associated with 128 portraits
Hogarth began painting in 1727, soon producing life-size portraits and 'comic histories' such as The Rake's Progress and Marriage à-la-mode. An abrasive social commentator, he was appointed Sergeant Painter to George II in 1757. At a time when foreign artists flocked to London, Hogarth was concerned with the status of native artists, recommending that they seek inspiration from the infinite variety of contemporary human existence and advocating for the Englishness of English art. He wrote The Analysis of Beauty in 1753, which argued that shapes and colours in nature are geared towards 'entertaining the eye with the pleasure of variety.' His engravings were more highly esteemed in his time than his paintings.

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Make a donation Close

List Thumbnail

'The Times', Plate 1, by William Hogarth - NPG D21366

'The Times', Plate 1

by William Hogarth
etching and engraving, published 1762
NPG D21366

Daniel Lock, by James Macardell, after  William Hogarth - NPG D37394

Daniel Lock

by James Macardell, after William Hogarth
mezzotint, (1762)
NPG D37394

Daniel Lock, by James Macardell, after  William Hogarth - NPG D37395

Daniel Lock

by James Macardell, after William Hogarth
mezzotint, (1762)
NPG D37395

Daniel Lock, by James Macardell, after  William Hogarth - NPG D3601

Daniel Lock

by James Macardell, after William Hogarth
mezzotint, (1762)
NPG D3601

Daniel Lock, by James Macardell, after  William Hogarth - NPG D3602

Daniel Lock

by James Macardell, after William Hogarth
mezzotint, (1762)
NPG D3602

Daniel Lock, by James Macardell, after  William Hogarth - NPG D3603

Daniel Lock

by James Macardell, after William Hogarth
mezzotint, (1762)
NPG D3603

Thomas Morell, by James Basire, after  William Hogarth - NPG D5300

Thomas Morell

by James Basire, after William Hogarth
line engraving, published 1762
NPG D5300

Thomas Morell, by James Basire, after  William Hogarth - NPG D5301

Thomas Morell

by James Basire, after William Hogarth
line engraving, published 1762
NPG D5301

Thomas Morell, by James Basire, after  William Hogarth - NPG D5302

Thomas Morell

by James Basire, after William Hogarth
line engraving, published 1762
NPG D5302

Henry Fielding, after William Hogarth - NPG D11271

Henry Fielding

after William Hogarth
line engraving, after 1762
NPG D11271

Thomas Morell, by James Basire, after  William Hogarth - NPG D14121

Thomas Morell

by James Basire, after William Hogarth
etching, published 1762
NPG D14121

Henry Fielding, after William Hogarth - NPG D14407

Henry Fielding

after William Hogarth
line engraving, after 1762
NPG D14407

Charles Churchill ('The Bruiser'), by and published by William Hogarth - NPG D47438

Charles Churchill ('The Bruiser')

by and published by William Hogarth
line engraving, published 1 August 1763
NPG D47438

John Wilkes, by William Hogarth - NPG D1362

John Wilkes

by William Hogarth
etching, published 16 May 1763
NPG D1362

John Wilkes, by William Hogarth - NPG D8506

John Wilkes

by William Hogarth
etching, published 16 May 1763
NPG D8506

John Wilkes, by William Hogarth - NPG D13903

John Wilkes

by William Hogarth
etching, published 16 May 1763
NPG D13903

'The Bruiser' (Charles Churchill), by and published by William Hogarth - NPG D15099

'The Bruiser' (Charles Churchill)

by and published by William Hogarth
etching, published 1 August 1763
NPG D15099

William Hogarth, by William Hogarth - NPG D8195

William Hogarth

by William Hogarth
line engraving, 1764 (1757)
NPG D8195

William Hogarth, by and published by Charles Townley, after  William Hogarth - NPG D35900

William Hogarth

by and published by Charles Townley, after William Hogarth
mezzotint, published June 1781
NPG D35900

Related People

Category

Place

Comments back to top

We are currently unable to accept new comments, but any past comments are available to read below.

If you need information from us, please use our Archive enquiry service . Please note that we cannot provide valuations. You can buy a print or greeting card of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at around £6 for unframed prints, £16 for framed prints. If you wish to license an image, select the portrait of interest to you, then look out for a Use this image button, or contact our Rights and Images service. We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.