Mary of Modena (1658-1718), Queen of James II
Sitter associated with 54 portraits
Roman Catholic Queen of James II and only daughter of Alfonso IV, Duke of Modena, Mary intended to enter a convent until her marriage with James (1673). She then dedicated herself to the conversion of England, but her support of her husband's pro-Catholic policies made her unpopular. The fear of a Catholic succession to the throne, caused by the birth of their son James Francis Edward in 1688, led to the invitation of William of Orange to England.
by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, 1703
NPG D10654
by and published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, 1703
NPG D11523
published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, 1715-1724
NPG D31090
by and published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, circa 1715-1724
NPG D7857
by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, circa 1715-1724
NPG D7858
by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, circa 1715-1724
NPG D7859
by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, circa 1715-1724
NPG D7860
by and published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, circa 1715-1724
NPG D7861
published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, 1715-1724
NPG D11919
Mary of Modena ('Mary Queen of James II quitting the Kingdom')
by James Stow, published by Robert Bowyer, afte John Opie
line engraving, published 1796
NPG D32755
by Sir George Scharf, after John Smith, after Sir Godfrey Kneller, Bt
pencil, circa 1857-1895 (1703)
NPG D21675
by John Smith, published by Alexander Browne, after Nicolas de Largillière
mezzotint, 1686
NPG D17883
by John Smith, published by Alexander Browne, after Nicolas de Largillière
mezzotint, 1686
NPG D17884
by John Smith, published by Alexander Browne, after Nicolas de Largillière
mezzotint, 1686
NPG D19613
Royalty, Rulers and Aristocracy
Place
Italy













