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John Milton

(1608-1674), Poet

Sitter associated with 72 portraits
Milton is regarded as one of the greatest English poets and a master of political pamphleteering. Forceful and idealistic, he served the Commonwealth as Latin Secretary but was arrested upon the restoration of Charles II. The tragic circumstances of his life – a difficult first marriage, the death of two wives, and his eventual blindness in 1652 – are reflected in the occasional melancholy of his work. Milton is best known for Paradise Lost (1667; 1674), an epic poem of Heaven, Hell, God, Satan, and angels: ‘Of things invisible to mortal sight’. Intense cultural interest in the nature of blindness meant that artists and writers continued to be fascinated by his experience of blindness in the Romantic and Victorian periods.

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John Milton, by Carl August Deis, after  Frederick Newenham - NPG D5685

John Milton

by Carl August Deis, after Frederick Newenham
mezzotint, mid 19th century
NPG D5685

John Milton, by James Faed the Elder, published by  Henry Graves & Co, after  John Faed - NPG D38838

John Milton

by James Faed the Elder, published by Henry Graves & Co, after John Faed
mezzotint, published 20 June 1859
NPG D38838

Unknown man called John Milton, by Charles William Sherborn, after  Samuel Cooper - NPG D21194

Unknown man called John Milton

by Charles William Sherborn, after Samuel Cooper
etching, 1883
NPG D21194

Called John Milton, published by Paul and Dominic Colnaghi & Co, after  Samuel Cooper - NPG D19172

Called John Milton

published by Paul and Dominic Colnaghi & Co, after Samuel Cooper
etching, published 30 August 1883
NPG D19172

Called John Milton, published by Photographische Gesellschaft, after  Pieter van der Plas - NPG D38840

Called John Milton

published by Photographische Gesellschaft, after Pieter van der Plas
photogravure, circa 1900
NPG D38840

John Milton, after Unknown artist - NPG D38832

John Milton

after Unknown artist
photograph, 1961 (circa 1629)
NPG D38832

Web image not currently available

John Milton

by John Simon, sold by Thomas Bowles Sr, and sold by John Bowles, after Robert White
mezzotint, circa 1725-1750
NPG D19747

Web image not currently available

John Milton

by Jonathan Richardson, after a portrait attributed to William Faithorne
etching, 1734
NPG D19741

Web image not currently available

John Milton

by Jacobus Houbraken, published by John & Paul Knapton
line engraving, 1741
NPG D20372

Web image not currently available

John Milton

by George Vertue, after William Faithorne
engraving, published 1750
NPG D19543

Web image not currently available

John Milton

published by John Bowles
mezzotint, circa 1750-1775
NPG D19753

Web image not currently available

John Milton

by George Vertue, after William Faithorne
engraving
NPG D19542

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Tom Cook

25 August 2019, 12:22

The current bio is quite good, but maybe needs a touch of revision, as well as its punctuation correcting. Milton’s first marriage seems not to have been wholly unhappy; his first and second wives both died before him; his work is not generally despairing (though his version of Satan is), with Paradise Lost in particular being a grand reconciliation to humanity’s shortcomings; and finally, though Paradise Regained is an epic, it’s not nearly as well known as Paradise Lost, while Samson Agonistes isn’t an epic at all, but rather a verse drama. Feel free to use the following version if you think it reads nicely:

Milton is regarded as one of the greatest English poets and a master of political pamphleteering. Forceful and idealistic, he served the Commonwealth as Latin Secretary but was arrested upon the restoration of Charles II. The tragic circumstances of his life – a difficult first marriage, the death of two wives, and his eventual blindness in 1652 – are reflected in the occasional melancholy of his work. Milton is best known for Paradise Lost (1667; 1674), an epic poem of Heaven, Hell, God, Satan, and angels: ‘Of things invisible to mortal sight’. Intense cultural interest in the nature of blindness meant that artists and writers continued to be fascinated by his experience of blindness in the Romantic and Victorian periods.