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Jonathan Richardson

(1667-1745), Portrait painter

Sitter in 8 portraits
Artist associated with 126 portraits
One of the most successful native-born portraitists of the first decades of the eighteenth century, Richardson was the master of Thomas Hudson and George Knapton. He owned a superb collection of Old Master drawings. His Theory of Painting published in 1715, inspired the young Joshua Reynolds to become an artist. Richardson was exceptionally fond of drawing portraits of himself and his close friends; Horace Walpole later commented that 'after his retirement form the business the good old man seems to have amused himself with writing a short poem and drawing his own or his son's portrait every day'.

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Alexander Pope, by Jonathan Richardson - NPG 1179

Alexander Pope

by Jonathan Richardson
oil on canvas, circa 1737
On display in Room 9 on Floor 3 at the National Portrait Gallery
NPG 1179

Anne Oldfield, by Edward Fisher, published by  John Spilsbury, after  Jonathan Richardson - NPG L269.B5.22

Anne Oldfield

by Edward Fisher, published by John Spilsbury, after Jonathan Richardson
mezzotint, circa 1760-1785
On display in Room 11 on Floor 3 at the National Portrait Gallery
NPG L269.B5.22

John Milton, by George Vertue, after  Jonathan Richardson, after a bust attributed to  Edward Pearce - NPG D38836

John Milton

by George Vertue, after Jonathan Richardson, after a bust attributed to Edward Pearce
line engraving and etching, (circa 1660)
NPG D38836

Mordecai Abbot, by Robert White, after  Jonathan Richardson - NPG D31187

Mordecai Abbot

by Robert White, after Jonathan Richardson
line engraving, published 1700
NPG D31187

Matthew Prior, by Francis Kyte, after  Jonathan Richardson - NPG D31251

Matthew Prior

by Francis Kyte, after Jonathan Richardson
mezzotint, early to mid 18th century
NPG D31251

Daniel Turner, by George Vertue, after  Jonathan Richardson - NPG D27560

Daniel Turner

by George Vertue, after Jonathan Richardson
line engraving, early to mid 18th century
NPG D27560

Daniel Turner, by George Vertue, after  Jonathan Richardson - NPG D27561

Daniel Turner

by George Vertue, after Jonathan Richardson
line engraving, early to mid 18th century
NPG D27561

Daniel Turner, by George Vertue, after  Jonathan Richardson - NPG D27562

Daniel Turner

by George Vertue, after Jonathan Richardson
line engraving, early to mid 18th century
NPG D27562

Anne Oldfield, by John Simon, after  Jonathan Richardson - NPG D27620

Anne Oldfield

by John Simon, after Jonathan Richardson
mezzotint, circa 1700-1725
NPG D27620

Edmund Calamy, by George White, after  Jonathan Richardson - NPG D19043

Edmund Calamy

by George White, after Jonathan Richardson
mezzotint, circa 1700-1725
NPG D19043

Anne Oldfield, by John Simon, after  Jonathan Richardson - NPG D20164

Anne Oldfield

by John Simon, after Jonathan Richardson
mezzotint, circa 1700-1725
NPG D20164

John Sheffield, 1st Duke of Buckingham and Normanby, by Edward Francis Finden, after  Jonathan Richardson - NPG D32303

John Sheffield, 1st Duke of Buckingham and Normanby

by Edward Francis Finden, after Jonathan Richardson
stipple engraving, (1703-1705)
NPG D32303

George Granville, Baron Lansdowne, after a painting attributed to Jonathan Richardson - NPG D14839

George Granville, Baron Lansdowne

after a painting attributed to Jonathan Richardson
line and stipple engraving, (circa 1710)
NPG D14839

David Boyle, 1st Earl of Glasgow, by John Smith, after  Jonathan Richardson - NPG D11578

David Boyle, 1st Earl of Glasgow

by John Smith, after Jonathan Richardson
mezzotint, 1711
NPG D11578

Daniel Turner, by George Vertue, after  Jonathan Richardson - NPG D6992

Daniel Turner

by George Vertue, after Jonathan Richardson
line engraving, engraved 1712
NPG D6992

Sir Richard Steele, after Jonathan Richardson - NPG D18744

Sir Richard Steele

after Jonathan Richardson
mezzotint, (1712)
NPG D18744

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