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Henry Addington, 1st Viscount Sidmouth (1757-1844), Prime Minister

Sitter associated with 66 portraits
Addington was invited to be Prime Minister in 1801, when William Pitt resigned after the King refused to grant Catholic MPs the right to sit in Parliament. Known for his reactionary politics, Addington was opposed to the abolition of slavery and Catholic emancipation.

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745

The House of Commons 1793-94

by Karl Anton Hickel
oil on canvas, 1793-1795
On display at Palace of Westminster, London
NPG 745

5774

Henry Addington, 1st Viscount Sidmouth

by Sir William Beechey
oil on canvas, engraved 1803
NPG 5774

999

The Trial of Queen Caroline 1820

by Sir George Hayter
oil on canvas, 1820-1823
On display in Room 17 at the National Portrait Gallery
NPG 999

D13001

'Swearing to the cutting monster or- a scene in Bow Street'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 20 May 1790
NPG D13001

D12467

'The dagger scene; - or - the plot discover'd'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 30 December 1792
NPG D12467

D12470

'A smoking club'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 13 February 1793
NPG D12470

D12593

'The giant factotem amusing himself'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 21 January 1797
NPG D12593

D12614

'Parliamentary-reform, - or - opposition-rats, leaving the house they had undermined'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 28 May 1797
NPG D12614

D12763

'Lilliputian-substitutes, equiping for public service'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 28 May 1801
NPG D12763

D12781

'Sketch of the interior of St Stephens, as it now stands'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 1 March 1802
NPG D12781

D12788

'Hope' (William Dickinson; Robert Jenkinson, 2nd Earl of Liverpool; Henry Addington, 1st Viscount Sidmouth)

by James Gillray, published by Hannah Humphrey
hand-coloured etching and aquatint, published 8 April 1802
NPG D12788

D12795

'The nursery, with Britannia reposing in peace'

by and published by James Gillray
hand-coloured etching, published 4 December 1802
NPG D12795

D12799

'A phantasmagoria; - scene - conjuring-up an armed-skeleton'

by and published by James Gillray
hand-coloured etching and aquatint, published 5 January 1803
NPG D12799

D12801

'Bat-catching'

by and published by James Gillray
hand-coloured etching and aquatint, published 19 January 1803
NPG D12801

D12807

'Doctor Sangrado curing John Bull of repletion - with the kind offices of young Clysterpipe & little Boney -'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 2 May 1803
NPG D12807

D13039

'Evacuation of Malta' (Napoleon Bonaparte; Henry Addington, 1st Viscount Sidmouth)

by James Gillray, published by Hannah Humphrey
hand-coloured soft-ground etching, published 9 February 1803
NPG D13039

D23286

Henry Addington, 1st Viscount Sidmouth

attributed to Thomas Athow, after Thomas Phillips, after John Singleton Copley
watercolour, early 19th century
NPG D23286

D12829

'The state waggoner, and John Bull - or - the waggon too much for the donkeys!'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 14 March 1804
NPG D12829

D12830

'Britannia between death and the doctor's'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 20 May 1804
NPG D12830

D13106

storming Heaven; - with, the gods alarmed for their everlasting-abodes'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, engraving and aquatint, published 1 May 1804
NPG D13106

D12841

'Uncorking old-sherry'

by James Gillray, published by Hannah Humphrey
hand-coloured etching and aquatint, published 10 March 1805
NPG D12841

D12847

'The wounded lion'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 16 July 1805
NPG D12847

D13110

'End of the Irish farce of Catholic Emancipation'

by James Gillray, published by Hannah Humphrey
hand-coloured etching and aquatint, published 17 May 1805
NPG D13110

D12858

'Le diable-boiteux, - or - the devil upon two sticks, conveying John Bull to the land of promise'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 8 February 1806
NPG D12858

D12859

'The cabinetical-balance'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 16 February 1806
NPG D12859

D12860

'Making-decent; - i.e. - Broad-Bottomites getting into the grand costume'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 20 February 1806
NPG D12860

D12861

' - "More pigs than teats", - or - the new litter of hungry grunters, sucking John-Bull's-old-sow to death'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 5 March 1806
NPG D12861

D12866

'The bear and his leader'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 19 May 1806
NPG D12866

D12869

'Bruin in his boat, - or - the manager in distress'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 20 June 1806
NPG D12869

D12870

'Sketch for a monument of disappointed-justice'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 9 July 1806
NPG D12870

D12871

'Visiting the sick'

by James Gillray, published by Hannah Humphrey
hand-coloured etching and aquatint, published 28 July 1806
NPG D12871

D12872

'Westminster conscripts under the training act'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 1 September 1806
NPG D12872

D12884

'Political mathematician's, shaking the Broad Bottom'd hemispheres'

by James Gillray, published by Hannah Humphrey
hand-coloured etching and engraving, published 9 January 1807
NPG D12884

D12885

'John Bull and the sinking-fund - a pretty scheme for reducing the taxes & paying-off the national debt!'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 23 February 1807
NPG D12885