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John Raphael Smith

(1752-1812), Portrait painter, engraver and pastellist

Sitter in 1 portrait
Artist associated with 192 portraits
Portrait-painter, mezzotint engraver and print publisher. He was known especially for his small-scale pastel portraits.

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Benjamin Preedy, by John Raphael Smith, after  Unknown artist - NPG D3949

Benjamin Preedy

by John Raphael Smith, after Unknown artist
mezzotint, circa 1770-1808
NPG D3949

Sophia Weston, by John Raphael Smith, published by  Mary Ashley (née Wickstead), formerly Mrs Worlidge, after  Thomas Worlidge - NPG D37837

Sophia Weston

by John Raphael Smith, published by Mary Ashley (née Wickstead), formerly Mrs Worlidge, after Thomas Worlidge
mezzotint, published 1 May 1771
NPG D37837

Mrs Sidney, by John Raphael Smith, after  Richard Cosway - NPG D41695

Mrs Sidney

by John Raphael Smith, after Richard Cosway
mezzotint, published 11 October 1771
NPG D41695

Mrs Sidney, by John Raphael Smith, after  Richard Cosway - NPG D4242

Mrs Sidney

by John Raphael Smith, after Richard Cosway
mezzotint, published 11 October 1771
NPG D4242

Jonathan Britain, by John Raphael Smith, published by  William Humphrey, after  Thomas Parkinson - NPG D862

Jonathan Britain

by John Raphael Smith, published by William Humphrey, after Thomas Parkinson
mezzotint, published 20 November 1771
NPG D862

Jonathan Britain, by John Raphael Smith, published by  William Humphrey, after  Thomas Parkinson - NPG D863

Jonathan Britain

by John Raphael Smith, published by William Humphrey, after Thomas Parkinson
mezzotint, published 20 November 1771
NPG D863

Anne Brooksbank (née Gataker), by John Raphael Smith, after  Hugh Douglas Hamilton - NPG D32191

Anne Brooksbank (née Gataker)

by John Raphael Smith, after Hugh Douglas Hamilton
mezzotint, published 1772
NPG D32191

Miss Coghlan, by John Raphael Smith, after  Thomas Gainsborough - NPG D33867

Miss Coghlan

by John Raphael Smith, after Thomas Gainsborough
mezzotint, 1772
NPG D33867

Thomas King, by John Raphael Smith, published by  Samuel Hooper, after  Hugh Douglas Hamilton - NPG D36876

Thomas King

by John Raphael Smith, published by Samuel Hooper, after Hugh Douglas Hamilton
mezzotint, published 1 January 1772
NPG D36876

Henrietta Stanhope, by James Wilson, published by  John Raphael Smith, after  John Sanders - NPG D41867

Henrietta Stanhope

by James Wilson, published by John Raphael Smith, after John Sanders
mezzotint, published 1 July 1772
NPG D41867

Thomas King, by John Raphael Smith, after  Hugh Douglas Hamilton - NPG D3424

Thomas King

by John Raphael Smith, after Hugh Douglas Hamilton
mezzotint, published 1 January 1772
NPG D3424

Sir John Fielding, by John Raphael Smith, after  Nathaniel Hone - NPG D36914

Sir John Fielding

by John Raphael Smith, after Nathaniel Hone
mezzotint, published 1773
NPG D36914

Sir John Fielding, by John Raphael Smith, published by  Carey & Watson, after  Nathaniel Hone - NPG D36915

Sir John Fielding

by John Raphael Smith, published by Carey & Watson, after Nathaniel Hone
mezzotint, published 1773
NPG D36915

Sir John Fielding, by John Raphael Smith, published by  Carey & Watson, after  Nathaniel Hone - NPG D36916

Sir John Fielding

by John Raphael Smith, published by Carey & Watson, after Nathaniel Hone
mezzotint, published 1773
NPG D36916

Alexander Hume, Lord Polwarth, by John Raphael Smith, after  Anne Forbes - NPG D40337

Alexander Hume, Lord Polwarth

by John Raphael Smith, after Anne Forbes
mezzotint, published 27 January 1773
NPG D40337

Sir John Fielding, by John Raphael Smith, published by  Carey & Watson, after  Nathaniel Hone - NPG D18430

Sir John Fielding

by John Raphael Smith, published by Carey & Watson, after Nathaniel Hone
mezzotint, published 1773
NPG D18430

Henry Woodard in 'Petruchio', by and published by John Raphael Smith, printed by  James Gamble, after  Benjamin Vandergucht - NPG D36289

Henry Woodard in 'Petruchio'

by and published by John Raphael Smith, printed by James Gamble, after Benjamin Vandergucht
mezzotint, published 10 September 1774
NPG D36289

Anne Seymour Damer (née Conway), by John Raphael Smith, after  Sir Joshua Reynolds - NPG D1717

Anne Seymour Damer (née Conway)

by John Raphael Smith, after Sir Joshua Reynolds
mezzotint, 1774 (1773)
NPG D1717

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John Rowley

30 August 2018, 08:20

For the last fifteen years, I have been searching to find out who Benjamin Fayle really was. Many people are aware that he had built South West England’s first railway in Purbeck, linking Norden to Middlebere, for the export of Purbeck Ball Clay. Local history author, Rodney Legg, described him as a London Potter, but that left the question “How does a potter finance the building of what today would be the equivalent to a motorway?”
My search started with a google search on the name “Benjamin Fayle” and surprisingly I discovered that Sydney Art Gallery had a portrait of him. I contacted them and asked about it. It had never been on display or even photographed. I paid to have it photographed and the art Gallery sent me a copy along with a portrait of his mother-in-law. Also provided was the providence of how it came to be in an Australian Art Gallery. It had been passed down through the family to a Brigadier Richard Cunningham Foot. He had married his third wife Elaine Huxley (an Australian Artist) She realised that the portraits having been painted by John Raphael Smith (a Royal portrait painter) should be in a controlled atmosphere of an Art Gallery.
From the provenance, I was able to contact a living relative of Benjamin Fayle – the now late MRD Foot- an ex wartime SAS member and then a Manchester University Historian. He had been given government permission to access the records of the SOE and the right the official history. He was able to confirm to me that Benjamin Fayle had been a Dublin Merchant who had come to London to trade and had married his great 4 times Grandmother – Charlotte Adams.
The late MRD Foot then put the cat amongst the pigeons by saying that there was a family rumour that Charlotte had been pregnant by George 111 at the time of her marriage to Benjamin. The fact that a Royal portrait painter had been involved in the portraits of Benjamin at the time of the marriage seemed to add weight to the family rumour. I then read his book “Memories of a SOE Historian” and in it, MRD Foot made a conflicting statement, that it was George 11 that had a very brief affair with Charlotte’s mother and Charlotte was the outcome.
I searched and searched, and everything was against the rumours. Benjamin and Charlotte’s first child, Henry, was christened 14 months after the wedding. I discovered that Charlotte’s father had been William Adams – a Master Tailor – on 17 Southampton Street, London. Derby born John Raphael Smith had started his career as an apprentice tailor and had come to London to further his career but found he could make more money from his hobby as an artist.
Further internet searching established at a much later that John Raphael Smith’s daughter Mrs Elizabeth Aders, threw “Blue stocking parties” at which both Benjamin Fayle’s daughter (Charlotte Fayle) and son-in-law (Dr Benjamin Guy Babington) attended. This seems to have confirmed that the Royal Portrait painter was a friend of the family and nothing to do with George 111 family rumour.
This left the George 11 rumour and extensive searching provided no clues to prove or disprove that rumour and so it remains just a rumour.
Benjamin Fayle had his offices at 4 Dove Court just off Lombard Street next to the important Coffee House network of information. He was trading in Silk, Flax, Hemp, Linseed, and Indigo (known as “blue gold” at the time) and was a voting member of “The United Company of Merchants of England, Trading to the East-Indies”
All these imported materials would have been used by a Master Tailor and a reason to meet and marry his daughter. His brother-in-law was the Port of London tax commissioner, a useful contact to a Merchant importing goods through the port.
Benjamin had met and become friends with ThomasByerley – Josiah Wedgwood’s Nephew who after the death of Josiah and at the time of the building of the Middlebere Tramway was running the Wedgwood company. The Wedgwood sons at that time were “playing country Gentlemen”. Josiah Wedgwood 11 was living just outside Blandford Forum at Tarrant Gunville and was for a period High Sheriff of Dorset.
Benjamin had borrowed Thomas Byerley’s horse on at least one occasion to ride from London to Dulwich. Benjamin was executor to Byerley’s will. All this pointing to a strong friendship that had lasted over twenty years. With a secured and timely supply of clay requirement needed for Wedgwoods continued success, Thomas Byerley turned to his friend Benjamin Fayle to build the Tramway. With a brother-in-law (Alexander Jaffray) who had founded the Bank of Ireland, finance for the project was not a problem. Just a few years later in Purbeck the Middlebere Tramway was in action securing a timely supply of clay, just one more of the canals and railways requested by Wedgwoods to transport materials and goods to and from the Potteries. The tramway was in use for a hundred years.