George Vertue
(1683-1756), Engraver and antiquarySitter in 7 portraits
Artist associated with 865 portraits
Antiquary and engraver, who for many years 'wrote down everything he saw, heard or read' in some forty notebooks now in the British Library. Used by Horace Walpole in 1762 as the basis for his Anecdotes of Painting, they remain one of the prime sources for the history of art in England.
attributed to Jodocus Hondius, completed by George Vertue
engraving, circa 1583
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by George Vertue, after Unknown artist
pencil, circa 1700-1756, based on a work of circa 1680
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Monument to William Shakespeare in Holy Trinity Church, Stratford-upon-Avon
by George Vertue, after Gerard Johnson
line engraving, circa 1700-1750 (circa 1620)
On display in Room 11 on Floor 3 at the National Portrait Gallery
NPG L269.B5.01
by George Vertue
watercolour and bodycolour on vellum, 1731
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by George Vertue
pencil and red chalk, 1741
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by George Vertue, after Jonathan Richardson, after a bust attributed to Edward Pearce
line engraving and etching, (circa 1660)
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by George Vertue, after Sir Godfrey Kneller, Bt
mezzotint, late 17th century
NPG D30786
Henry Hare, 2nd Baron Coleraine
by William Faithorne, by George Vertue
line engraving, 1680s
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by George Vertue, after Sir Godfrey Kneller, Bt
line engraving, (1688)
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by George Vertue, after Sir Godfrey Kneller, Bt
engraving, (1688)
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by George Vertue, after Sir Godfrey Kneller, Bt
engraving, (1688)
NPG D16729
by George Vertue, after Sir Godfrey Kneller, Bt
engraving, (1688)
NPG D16727
by George Vertue, after Unknown artist
line engraving, early to mid 18th century
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by Pierre François Basan, after George Vertue
line engraving, 18th century
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by George Vertue
line engraving, probably 18th century
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by John Lightbody, after George Vertue
line engraving, early 18th century
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possibly by George Vertue
line engraving, probably 18th century
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by George Vertue
line engraving, early 18th century
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possibly by George Vertue, after Hans Holbein the Younger
line engraving, probably 18th century
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possibly by George Vertue
line engraving, possibly early to mid 18th century
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Unknown sitter, formerly known as Mary, Queen of Scots
by George Vertue, after Unknown artist
line engraving, 18th century
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by George Vertue
line engraving, early to mid 18th century
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George Clifford, 3rd Earl of Cumberland
by George Vertue
line engraving, probably early to mid 18th century
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by Robert Graves, after George Vertue
line engraving, published early 18th century (1715)
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Edward Sackville, 4th Earl of Dorset
by George Vertue
line engraving, early to mid 18th century
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Edward Sackville, 4th Earl of Dorset
by George Vertue
line engraving, early to mid 18th century
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The lines of Plantagenet, Lancaster and York
by George Vertue
etching, circa 1700-1756
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by George Vertue
line engraving, early to mid 18th century
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by George Vertue
line engraving, early to mid 18th century
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Maurice of Nassau, Prince of Orange
by George Vertue
line engraving, early to mid 18th century
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Pope Urban VIII (Maffeo Barbarini)
by George Vertue
line engraving, early to mid 18th century
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King Charles I and Henrietta Maria
by George Vertue
line engraving, early to mid 18th century
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Philip Herbert, 4th Earl of Pembroke
possibly by George Vertue, after Sir Anthony van Dyck
line engraving, early 18th century
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Robert Pierrepont (Pierrepoint), 1st Earl of Kingston-upon-Hull; Lord Bernard Stuart
by George Vertue, after Sir Anthony van Dyck
line engraving, early to mid 18th century
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by George Vertue, after Sir Anthony van Dyck
line engraving, early to mid 18th century
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by George Vertue, after Sir Anthony van Dyck
line engraving, early to mid 18th century (circa 1635-1637)
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by George Vertue
line engraving, early 18th century
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by George Vertue
line engraving, early 18th century
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Robert Dormer, 1st Earl of Carnarvon
by George Vertue, after Sir Anthony van Dyck
line engraving, early 18th century
NPG D27001
by George Vertue
line engraving, early 18th century
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