Richard Westmacott (1799-1872), Sculptor; son of Sir Richard Westmacott
Sitter in 3 portraits
Artist associated with 13 portraits
Sent to Italy in 1820 by his father, also a sculptor, Sir Richard Westmacott, undertook a thorough study of the country's ancient sculpture while also playing a central role in establishing the British academy in Rome. After six years, Westmacott returned to London to join his father's busy studio. He was elected an Associate Royal Academician in 1838 and a full member in 1849. His diploma work, Jupiter and Ganymede, can still be seen at the Royal Academy.
attributed to Richard Westmacott
pencil, 1825
NPG 3944(5)
possibly by Richard Westmacott
watercolour, 1825
NPG 3944(17)
published by William Bromley, after Richard Westmacott
stipple engraving, published 1798
NPG D33167
by Charles Picart, after Richard Westmacott
stipple engraving, circa 1800-1825
NPG D19752
Edmund of Almain, 2nd Earl of Cornwall
by Richard James Lane, after Henry Corbould, after Richard Westmacott
lithograph, (circa 1815-1818)
NPG D34131
by C. Corbould, after Richard Westmacott
etching, 1817 or after
NPG D34166
Mural monument to Richard Cosway
by Charles Picart, after Richard Westmacott
stipple engraving, 1821 or after
NPG D34152
by Richard James Lane, after Henry Corbould, after Richard Westmacott
lithograph, mid 19th century
NPG D32594
by Richard James Lane, after Richard Westmacott
lithograph, (1838)
NPG D21815
by Benjamin Wyon, after Richard Westmacott
bronze medal, 1857
NPG D2911
by Leonard Charles Wyon, after Richard Westmacott
bronze medal, 1868
NPG D2932
by Richard James Lane, after Richard Westmacott
lithograph, (1838)
NPG D39876
by William Humphrys, published by James Wyatt & Son, after John Bridges, after Richard Westmacott
line engraving, published 1 May 1844
NPG D38733
Italy
