Search the Collection

Mather Brown (1761-1831), Portrait and history painter

Artist associated with 28 portraits
Mather Brown was an American portrait and history painter active in England. Born in Boston, he arrived in London in 1781 and entered the Royal Academy Schools in 1782. He began to exhibit there a year later, and set up a portrait painting practice in London. Brown painted the portraits of many American sitters including Thomas Jefferson and his patron John Adams. The full-length portrait of Prince Frederick Augustus that Brown painted led to his appointment as history and portrait painter to his sitter, later the Duke of York. He also portrayed the Prince of Wales, later George IV, in fancy dress. Brown dedicated his later years to his true inclination, which was devotional and history subjects.

List Thumbnail

97

John Howard

by Mather Brown
oil on canvas, feigned oval, (1789)
NPG 97

5310

Henry Angelo

by Mather Brown
oil on canvas, circa 1790
NPG 5310

D38303

Margaret Martyr (née Thornton)

by and published by John Dean, after Mather Brown
mezzotint, published 26 May 1786
NPG D38303

D622

John Bannister

by and published by John Raphael Smith, after Mather Brown
mezzotint, published 1787
NPG D622

D7512

John Bannister

by John Raphael Smith, after Mather Brown
mezzotint, published 1787
NPG D7512

D4132

Monsieur de St George

after William Ward, after Mather Brown
reproduction of mezzotint, original published 1788
NPG D4132

D36010

John Howard

by Edmund Scott, after Mather Brown
stipple engraving, (1789)
NPG D36010

D19492

John Howard

by Edmund Scott, after Mather Brown
stipple engraving, (1789)
NPG D19492

D20386

Charles Bannister

by and published by John Raphael Smith, after Mather Brown
mezzotint, published 1789
NPG D20386

D38522

The Revd William Walter D.D.

by and published by Charles Howard Hodges, after Mather Brown
mezzotint, before 1790
NPG D38522

D4960

Sir George Yonge, 5th Bt

by Edmund Scott, published by Samuel William Fores, after Mather Brown
hand-coloured stipple engraving, published 1 May 1790
NPG D4960

D13744

George Macartney, 1st Earl Macartney

by Henry Hudson, published by Hannah Humphrey, after Mather Brown
mezzotint, published 10 November 1790
NPG D13744

D15170

Sir George Yonge, 5th Bt

by Edmund Scott, published by Samuel William Fores, after Mather Brown
stipple engraving, published 1 May 1790
NPG D15170

D7481

Richard Baldwyn

by Nathan Cooper Branwhite, after Mather Brown
stipple engraving, published 1 February 1802
NPG D7481

D18794

Richard Baldwyn

by Nathan Cooper Branwhite, published by G. Eyre, after Mather Brown
stipple engraving, published 1 February 1802
NPG D18794

D23254

Sir Christopher Wray

attributed to Thomas Athow, after Mather Brown, after Unknown artist
watercolour, early 19th century
NPG D23254

D3458

George Keith Elphinstone, Viscount Keith

by Ridley & Holl, published by James Asperne, after Mather Brown
stipple engraving, published 1 September 1806
NPG D3458

D3926

Robert Plowden

by Charles Turner, after Mather Brown
mezzotint, published 1815
NPG D3926

D36011

John Howard

by Antoine Maurin, printed by François Le Villain, after Mather Brown
lithograph, 1820s-1830s (1789)
NPG D36011

Tell us moreback to top

Can you tell us more about this person? Spotted an error, something missing, or do you know anything that we don't know? If you have any information to share please complete the form below

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your nameclose

If you tick permission to publish your name will appear above your contribution on our website.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.