Enoch Seeman
(1689 or 1690-1744), PainterSitter in 2 portraits
Artist associated with 18 portraits
Enoch Seeman, painter, was brought to London by his Flemish father in 1704. From 1717 he enjoyed royal patronage, which was sustained until the late 1730. Seeman produced a considerable number of portraits over his lifetime.
John Churchill, 1st Duke of Marlborough; John Armstrong
after Enoch Seeman
oil on canvas, circa 1720?
NPG 5318
studio of Enoch Seeman
oil on canvas, circa 1726-1730
NPG 558
by Enoch Seeman
oil on canvas, feigned oval, 1739
NPG 3942
by George Vertue, after Enoch Seeman
line engraving, published 1716
NPG D31464
by John Simon, after Enoch Seeman
mezzotint, 1721
NPG D8324
by and published by John Faber Jr, after Enoch Seeman
mezzotint, 1727
NPG D4188
by and published by John Faber Jr, after Enoch Seeman
mezzotint, 1727
NPG D20188
by John Simon, after Enoch Seeman
mezzotint, published 1731
NPG D4788
by John Simon, after Enoch Seeman
mezzotint, after 1740
NPG D10792
by John Simon, after Enoch Seeman
mezzotint, after 1740
NPG D14092
by and published by John Simon, after Enoch Seeman
mezzotint, circa 1743-1750
NPG D7962
by James Macardell, after Enoch Seeman
mezzotint, 1760
NPG D3725
by James Macardell, after Enoch Seeman
mezzotint, 1760
NPG D20304
by James Caldwall (Caldwell), after Enoch Seeman
etching, published in Sir John Hawkins's A General History of the Science and Practice of Music 1776
NPG D13887
by William Say, after Enoch Seeman
mezzotint, published 1 July 1803 (1739)
NPG D6989
by William Say, after Enoch Seeman
mezzotint, published 1 July 1803 (1739)
NPG D6990
by William Say, after Enoch Seeman
mezzotint, published 1 July 1803 (1739)
NPG D13922
Anne Villiers (née Egerton), Countess of Jersey
by Henry Bone, possibly after Enoch Seeman
pencil drawing squared in ink for transfer, 1823
NPG D17204
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