John Goldar
(1729-1795), Engraver and printsellerArtist associated with 45 portraits
John Goldar was a line and stipple engraver. During the 1760s, he engraved at least fourteen humorous paintings by John Collet, an artist dubbed 'the second Hogarth', eleven of which were commissioned by the publisher and picture dealer Thomas Bradford. He engraved copies of other comic paintings by a variety of artists including Herbert Pugh, Philip Dawes and Samuel Hieronymus Grimm, for the printsellers and picture dealers Henry Parker, John Wesson and Robert Sayer. Goldar exhibited with the Society of Artists from 1769 to 1772. He produced numerous portraits and views of naval battles for James Harrison's edition of Paul de Rapin-Thoyras's History of England (1784-6).
by John Goldar
line engraving, probably 18th century
NPG D23679
by John Goldar
line engraving, probably 18th century
NPG D23770
King Richard II and Anne of Bohemia
by John Goldar, after Hubert-François Gravelot (né Bourguignon)
line engraving, mid 18th century
NPG D23721
by John Goldar
line engraving, mid 18th century
NPG D23842
by John Goldar
line engraving, possibly mid to late 18th century
NPG D24933
William Cecil, 1st Baron Burghley
by John Goldar
line engraving, probably mid to late 18th century
NPG D25107
by John Goldar
line engraving, mid to late 18th century
NPG D25942
Louise of Savoy, formerly known as Katherine of Aragon
by John Goldar, after Hans Holbein the Younger
line engraving, circa 1750-1795
NPG D24174
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, circa 1755-1795 (1702)
NPG D7655
by John Goldar
line engraving, late 18th century
NPG D23819
by John Goldar, after Hans Holbein the Younger
line engraving, probably late 18th century
NPG D24810
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, late 18th century
NPG D30531
Jane Hyde (née Leveson-Gower), Countess of Clarendon and Rochester
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, late 18th century
NPG D31330
Sarah Churchill (née Jenyns (Jennings)), Duchess of Marlborough
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, late 18th century
NPG D16545
by John Goldar, after Dodd
line engraving, circa 1775-1795
NPG D14398
Mary Ann Yates as Medea in Glover's 'Medea'
by John Goldar, published by Thomas Lowndes, after Daniel Dodd
line engraving, published 1777
NPG D8934
Mary Ann Yates as Medea in Glover's 'Medea'
by John Goldar, published by Thomas Lowndes, after Daniel Dodd
line engraving, published 1777
NPG D8935
Mary Ann Yates as Medea in Glover's 'Medea'
by John Goldar, published by Thomas Lowndes, after Daniel Dodd
line engraving, published 1777
NPG D8936
Mary Ann Yates as Medea in Glover's 'Medea'
by John Goldar, published by Thomas Lowndes, after Daniel Dodd
hand-coloured line engraving, published 1777
NPG D8937
by John Goldar, after Hamilton
line engraving, circa 1782
NPG D8868
by John Goldar
line engraving, published 18 December 1784
NPG D29808
by John Goldar
line engraving, published 1784
NPG D9465
by John Goldar
line engraving, published 1784
NPG D9466
Thomas Tollemache (Talmash, Talmach, Tolmach)
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, published 11 December 1784
NPG D41897
John Maitland, Duke of Lauderdale
by John Goldar, after Sir Peter Lely
line engraving, published 9 October 1784
NPG D41898
by John Goldar, after Unknown artist
line engraving, published 1784
NPG D7457
The Great Seal of the Commonwealth of England
by John Goldar
etching, published 1785
NPG D28701
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, published 1785
NPG D31077
by John Goldar
line engraving, published 30 July 1785
NPG D35297
by John Goldar
line engraving, published 10 September 1785
NPG D35302
by John Goldar, after Mary Beale
line engraving, published 6 August 1785
NPG D39389
by John Goldar, after Sir Peter Lely
line engraving, published 27 August 1785
NPG D40797
George Digby, 2nd Earl of Bristol
by John Goldar, after Sir Anthony van Dyck
line engraving, published 17 September 1785
NPG D41899
by John Goldar, probably after John Taylor
line engraving, published 1785
NPG D20572
The Monument of Mary, Queen of Scots in Westminster Abbey
by John Goldar, after Hubert-François Gravelot (né Bourguignon)
line engraving, published 7 October 1786
NPG D25068
John Churchill, 1st Duke of Marlborough
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, published 22 April 1786
NPG D38235
The Monument of Mary, Queen of Scots in Westminster Abbey
by John Goldar, after Hubert-François Gravelot (né Bourguignon)
line engraving, published 7 October 1786
NPG D42668
Sarah Churchill (née Jenyns (Jennings)), Duchess of Marlborough
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, published 1786
NPG D16551
Sarah Churchill (née Jenyns (Jennings)), Duchess of Marlborough
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, published 1786
NPG D16552
John Churchill, 1st Duke of Marlborough
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, published 22 April 1786
NPG D16632
John Churchill, 1st Duke of Marlborough
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, published 22 April 1786
NPG D16633
by John Goldar
line engraving, published 24 June 1786
NPG D16745
by John Goldar
line engraving, published 1787
NPG D5009
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, 25 August 1787 (1688)
NPG D16731
by John Goldar, after Sir Godfrey Kneller, Bt
line engraving, 25 August 1787 (1688)
NPG D16730
Comments back to top
We are currently unable to accept new comments, but any past comments are available to read below.
If you need information from us, please use our Archive enquiry service . Please note that we cannot provide valuations. You can buy a print or greeting card of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at around £6 for unframed prints, £16 for framed prints. If you wish to license an image, select the portrait of interest to you, then look out for a Use this image button, or contact our Rights and Images service. We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.