Search the Collection

Francesco Bartolozzi

(1727-1815), Engraver

Sitter in 16 portraits
Artist associated with 164 portraits
Bartolozzi, the son of a goldsmith, studied painting in Florence, trained as an engraver in Venice and began his career in Rome. In 1763 Richard Dalton, art dealer and librarian to George III, met him and invited him to London, promising him a post as engraver to the king. Bartolozzi moved to London the following year, and remained for thirty-five years. He executed numerous engravings for the king. He also made many engravings of paintings by Italian masters and by his friend, the painter Giovanni Cipriani. In 1768 Bartolozzi was the only engraver to become a founder member of the Royal Academy of Arts. He moved to Lisbon in 1802 as director of the National Academy.

List Thumbnail

Thomas Augustine Arne, after Francesco Bartolozzi - NPG 1130

Thomas Augustine Arne

after Francesco Bartolozzi
hand-coloured etching, (circa 1770)
NPG 1130

Thomas Cheesman, attributed to Francesco Bartolozzi - NPG 780

Thomas Cheesman

attributed to Francesco Bartolozzi
oil on canvas, circa 1777
NPG 780

Thomas Gainsborough, by Francesco Bartolozzi, after  Thomas Gainsborough - NPG 1107

Thomas Gainsborough

by Francesco Bartolozzi, after Thomas Gainsborough
black and red crayon with pencil and grey wash on paper, circa 1797 (1787-1788)
NPG 1107

Francis Hutcheson, by Francesco Bartolozzi, after  A. Selvi - NPG D4399

Francis Hutcheson

by Francesco Bartolozzi, after A. Selvi
stipple engraving, circa 1750-1800
NPG D4399

Jean Cathcart (née Hamilton), Lady Cathcart, by Francesco Bartolozzi, after  Anne Callot - NPG D21579

Jean Cathcart (née Hamilton), Lady Cathcart

by Francesco Bartolozzi, after Anne Callot
stipple engraving printed in brown, 1760s?
NPG D21579

Ignatius Sancho, by Francesco Bartolozzi, published by  John Bowyer Nichols, after  Thomas Gainsborough - NPG D3581

Ignatius Sancho

by Francesco Bartolozzi, published by John Bowyer Nichols, after Thomas Gainsborough
stipple engraving, (1768)
NPG D3581

King Henry VI, by Francesco Bartolozzi - NPG D23755

King Henry VI

by Francesco Bartolozzi
line engraving, late 18th century
NPG D23755

Mary (née Ruthven), Lady van Dyck, by Francesco Bartolozzi, after  Sir Anthony van Dyck, published by  John Boydell - NPG D28482

Mary (née Ruthven), Lady van Dyck

by Francesco Bartolozzi, after Sir Anthony van Dyck, published by John Boydell
line engraving, published 1770
NPG D28482

Joseph Addison, by Francesco Bartolozzi, after  Sir Godfrey Kneller, Bt - NPG D27301

Joseph Addison

by Francesco Bartolozzi, after Sir Godfrey Kneller, Bt
line engraving, late 18th century
NPG D27301

John Foster, 1st Baron Oriel, by Francesco Bartolozzi, after  Unknown artist - NPG D5427

John Foster, 1st Baron Oriel

by Francesco Bartolozzi, after Unknown artist
stipple engraving, late 18th century
NPG D5427

Mary, Queen of Scots, by Francesco Bartolozzi, after  François Clouet - NPG D13124

Mary, Queen of Scots

by Francesco Bartolozzi, after François Clouet
stipple engraving, late 18th-early 19th century
NPG D13124

John Henderson as Iago, by Francesco Bartolozzi, after  Gilbert Stuart - NPG D16777

John Henderson as Iago

by Francesco Bartolozzi, after Gilbert Stuart
hand-coloured stipple engraving, late 18th century
NPG D16777

Henry Chichele, by Francesco Bartolozzi, after  John Taylor - NPG D33180

Henry Chichele

by Francesco Bartolozzi, after John Taylor
line engraving, 1772
NPG D33180

Omai, by Francesco Bartolozzi, after  Nathaniel Dance - NPG D14242

Omai

by Francesco Bartolozzi, after Nathaniel Dance
etching and stipple engraving, published 25 October 1774
NPG D14242

John Evelyn, by Francesco Bartolozzi - NPG D13884

John Evelyn

by Francesco Bartolozzi
line engraving, published 1776
NPG D13884

Gertrude Savile (née Pierrepont), Marchioness of Halifax, by Francesco Bartolozzi, after  Sir Peter Lely - NPG D31319

Gertrude Savile (née Pierrepont), Marchioness of Halifax

by Francesco Bartolozzi, after Sir Peter Lely
line engraving, published 1777
NPG D31319

Gertrude Savile (née Pierrepont), Marchioness of Halifax, by Francesco Bartolozzi, after  Sir Peter Lely - NPG D31329

Gertrude Savile (née Pierrepont), Marchioness of Halifax

by Francesco Bartolozzi, after Sir Peter Lely
line engraving, published 1777
NPG D31329

Joseph Edmondson, by Francesco Bartolozzi - NPG D39076

Joseph Edmondson

by Francesco Bartolozzi
line engraving, 1777
NPG D39076

Tell us moreback to top

Can you tell us more about this person? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. If you wish to license an image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your nameclose

If you tick permission to publish your name will appear above your contribution on our website.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.