William Dobson
(1611-1646), Portrait painterSitter in 9 portraits
Artist associated with 50 portraits
Born in London, Dobson was probably the son of a lawyer. He studied under the painter and publisher, William Peake, and the artist, Francis Cleyn, and probably through him came to know the paintings of Titian and van Dyck. Painter of the embattled Royalists, he was active during the Civil War both with the Royal Court in Oxford, and in London, as Principal Painter to the King. He returned to London after the defeat of the king by parliament and was briefly imprisoned for debt. He died in poverty aged thirty-five and was buried in St Martin-in-the-Fields. An elegy by Thomas Rawlins commemorated him as 'the very Soul of Art, the Prince and Prime of Painters'.
Probably Sir Thomas Aylesbury, Bt
by William Dobson
oil on canvas, circa 1642
On display at Gawthorpe Hall, Burnley
NPG 615
after a self-portrait by William Dobson
oil on canvas, circa 1646, based on a work of 1642-1646
NPG 302
by William Dobson
oil on canvas, circa 1643
NPG 5382
by William Dobson
oil on canvas, circa 1645
NPG 288
by William Dobson
oil on canvas, feigned oval, circa 1645
NPG 6104
possibly after William Dobson
oil on canvas
NPG 1569
by George White, after William Dobson
mezzotint, (circa 1642-1646)
NPG D28285
by George White, after William Dobson
mezzotint, (circa 1642-1646)
NPG D28288
by George White, after William Dobson
mezzotint, (circa 1642-1646)
NPG D1764
by George White, after William Dobson
mezzotint, (circa 1642-1646)
NPG D1765
by William Faithorne, after William Dobson
line engraving, circa 1646
NPG D22693
by William Faithorne, published by Thomas Rowlett, after William Dobson
line engraving, circa 1646 (circa 1643-1645)
NPG D22906
by Josias English, after William Dobson
etching, 1646-1649
NPG D35333
by Josias English, published by Thomas Rowlett, after William Dobson
etching, circa 1646-1649
NPG D2277
by William Faithorne, published by Thomas Rowlett, after William Dobson
line engraving, circa 1646 (circa 1643-1645)
NPG D20268
Robert Devereux, 3rd Earl of Essex
by William Faithorne, published by Peter Stent, after William Dobson
line engraving, published 1653-1663
NPG D22905
by William Faithorne, published by Peter Stent, after William Dobson
line engraving, published 1662
NPG D22928
James Graham, 1st Marquess of Montrose
after William Dobson
line engraving, 18th century
NPG D27059
James Graham, 1st Marquess of Montrose
by George Vertue, after William Dobson
line engraving, early 18th century
NPG D27068
Sir George Lisle and Sir Charles Lucas
by George Vertue, after William Dobson, after Unknown artist
line engraving, early 18th century
NPG D27197
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Rosalinda Jones
13 March 2017, 19:41
Dobson's father was probably not a painter by profession, but a lawyer. He was admitted to the Inner Temple around 1592/3. The only known written mention of him is by John Aubrey, from whose words a likely misunderstanding over Dobson's occupation has arisen. Dobson worked for the Statue Office in Holborn until about 1611, when he moved to St Albans. He apparently also worked at the Alienation Office, but evidence for this is still being sought. He was employed by Sir Francis Bacon on the building of Verulam House at Gorhambury around this time, being called Bacon's 'right hand man'. From surviving receipts from Bacon's papers (sourced by Daphne du Maurier in her book on Bacon, "The Winding Stair" (1976)), he appears to have been a foreman, or some kind of legal advisor on the build, rather than a painter. If he was a painter, no evidence of this has been found.
Lynne Parry-Griffiths
17 May 2017, 13:20
Dobson's father also called William, died as 'a prisoner in the Fleet' 28 Aug 1625. This possibly contributes to the legend that Will Dobson himself was also prone to being 'irregular' and 'loose' in his way of living, given that he too was imprisoned (apparently for debt) before his untimely death.