Thomas Parr
(1483?-1635), CentenarianSitter associated with 35 portraits
after Unknown artist
oil on canvas, based on a work of 1635
NPG 385
after Unknown artist
etching and line engraving, mid 17th century
NPG D28492
after Unknown artist
etching, mid 17th century
NPG D28497
after Unknown artist
woodcut, mid to late 17th century
NPG D28499
after Unknown artist
line engraving, mid 17th century
NPG D28506
by Cornelis van Dalen, after Unknown artist
line engraving, 1635
NPG D28493
by Cornelis van Dalen, after Unknown artist
line engraving, 1635
NPG D28495
by Cornelis van Dalen, after Unknown artist
line engraving, 1635
NPG D28507
by Cornelis van Dalen, after Unknown artist
line engraving, 1635
NPG D18612
published by Thomas Taylor
mezzotint, late 17th century
NPG D28503
after Unknown artist
mezzotint, late 17th to early 18th century
NPG D28513
by George White
mezzotint, early 18th century
NPG D28494
after Unknown artist
line engraving, 18th century
NPG D28496
by George White
mezzotint, early 18th century
NPG D28501
after Unknown artist
line engraving, 18th century
NPG D28502
after Unknown artist, published by Robert Sayer
mezzotint, early to mid 18th century
NPG D28508
by George White, after Unknown artist
mezzotint, early 18th century
NPG D3820
by George White, after Unknown artist
mezzotint, early 18th century
NPG D3831
by George Powle, after Sir Peter Paul Rubens
drypoint, 18th century
NPG D18613
by George Powle, after Sir Peter Paul Rubens
drypoint, 18th century
NPG D18614
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