Search the Collection

John Jervis, Earl of St Vincent (1735-1823), Admiral

Sitter associated with 30 portraits
Admiral. Commander-in-Chief in the Mediterranean, 1795, blockading the French fleet at Toulon; he defeated the Spanish off Cape St Vincent, 1797. As First Lord of the Admiralty, 1801-4, his ruthless reforms reduced corruption in the administration of the navy.

List Thumbnail

745

The House of Commons 1793-94

by Karl Anton Hickel
oil on canvas, 1793-1795
NPG 745

936

John Jervis, Earl of St Vincent

studio of Lemuel Francis Abbott
oil on canvas, circa 1795
NPG 936

2222

John Jervis, Earl of St Vincent

by Sir William Beechey
oil on canvas, circa 1807-1809
NPG 2222

D12591

John Jervis, Earl of St Vincent ('The lion's share')

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 2 January 1797
NPG D12591

D12661

John Bull taking a luncheon: - or - British cooks, cramming old grumble-gizzard, with bonne-chére

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 24 October 1798
NPG D12661

D11103

The British Naval Victors

by Valentine Green, after Gainsborough Dupont, and after Francis Cotes, and after Richard Morton Paye, and after Lemuel Francis Abbott
mezzotint, published 1799
NPG D11103

D7209

John Jervis, Earl of St Vincent

after John De Vaere
bronze medallion, 19th century (1798)
NPG D7209

D17017

Commemoration of the 14th February 1797

by William Henry Worthington, and by James Parker, published by Robert Bowyer, after Robert Smirke
line engraving, published 1803
NPG D17017

D13106

storming Heaven; - with, the gods alarmed for their everlasting-abodes'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, engraving and aquatint, published 1 May 1804
NPG D13106

D17442

John Jervis, Earl of St Vincent

by Henry Bone, after Sir William Beechey
pencil drawing squared in ink for transfer, 1805 (exhibited 1805)
NPG D17442

D12847

'The wounded lion'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 16 July 1805
NPG D12847

D12861

' - "More pigs than teats", - or - the new litter of hungry grunters, sucking John-Bull's-old-sow to death'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 5 March 1806
NPG D12861

D12872

'Westminster conscripts under the training act'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 1 September 1806
NPG D12872

D12888

'The pigs possessed: - or - the Broad Bottom'd litter running headlong into ye sea of perdition'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 18 April 1807
NPG D12888

D12895

'Charon's boat - or - the ghost's of "All the Talents" taking their last voyage'

by James Gillray, published by Hannah Humphrey
hand-coloured etching and aquatint, published 16 July 1807
NPG D12895

D12896

'British tars, towing the Danish fleet into harbour'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 1 October 1807
NPG D12896

D13114

'The funeral procession of Broad-bottom'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 6 April 1807
NPG D13114

D12906

'Broad-bottom drones storming the hive - wasps, hornets & bumble bees, joining in the attack'

by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 2 May 1808
NPG D12906

Place

Tell us moreback to top

Can you tell us more about this person? Spotted an error, something missing, or do you know anything that we don't know? If you have any information to share please complete the form below

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your nameclose

If you tick permission to publish your name will appear above your contribution on our website.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.