John Hoppner
(1758-1810), PainterSitter in 13 portraits
Artist associated with 217 portraits
Portrait painter. His early success made him appear the natural successor to Sir Joshua Reynolds until the arrival in London in 1787 of Thomas Lawrence. While Hoppner was made portrait painter to the Prince of Wales in 1789, ensuring him extensive patronage in Whig political circles, it was Lawrence who became painter to the King.
by John Hoppner
oil on canvas, circa 1800
NPG 5950
'Titianus Redivivus; - or - the seven-wise-men consulting the new Venetian oracle'
by James Gillray, published by Hannah Humphrey
hand-coloured etching, published 2 November 1797
NPG D13085
by Charles (Cantelowe, Cantlo) Bestland, after Henry Singleton
stipple engraving, published 1802 (1795)
NPG D10716
by Charles (Cantelowe, Cantlo) Bestland, after Henry Singleton
stipple engraving, published 1802 (1795)
NPG D36021
by and published by Charles Turner, after John Hoppner
mezzotint, published 27 February 1805 (circa 1800)
NPG D35988
by and published by Charles Turner, after John Hoppner
mezzotint, published 27 February 1805 (circa 1800)
NPG D35989
by and published by Charles Turner, after John Hoppner
mezzotint, published 27 February 1805 (circa 1800)
NPG D3090
by Charles Turner, after John Hoppner
mezzotint, published 1805 (circa 1800)
NPG D3091
by William Daniell, after George Dance
soft-ground etching, published 15 March 1810 (10 November 1793)
NPG D12076
by William Daniell, after George Dance
soft-ground etching, published 15 March 1810 (10 November 1793)
NPG D12150
by Henry Meyer, published by T. Cadell & W. Davies, after John Wright, after John Hoppner
stipple engraving, published 4 June 1812 (circa 1800)
NPG D35987
by Henry Meyer, published by T. Cadell & W. Davies, after John Wright, after John Hoppner
stipple engraving, published 4 June 1812 (circa 1800)
NPG D13934
by Henry Meyer, published by T. Cadell & W. Davies, after John Wright, after John Hoppner
stipple engraving, published 4 June 1812 (circa 1800)
NPG D19529
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