Thomas Murray
(1663-1735), Portrait painterSitter associated with 7 portraits
Artist associated with 86 portraits
Scottish-born Murray moved to London and studied with a member of the De Critz family before becoming a pupil of eminent portraitist John Riley. In 1703, he painted Queen Anne for the Society of the Middle Temple in London, showing her crowned and in royal robes. His many full-length oil paintings include a portrait of John, 1st Duke of Atholl.
by Thomas Murray
oil on canvas, circa 1691
NPG 5496
by Thomas Murray
oil on canvas, circa 1697-1698
NPG 538
attributed to Thomas Murray
oil on canvas, circa 1710
NPG 1733
attributed to Thomas Murray
oil on canvas, circa 1719
NPG 1568
by Robert Williams, after Thomas Murray
mezzotint, circa 1680-1704
NPG D3896
by Robert Williams, after Thomas Murray
mezzotint, late 17th century
NPG D626
by and published by Robert Williams, after Thomas Murray
mezzotint, late 17th century
NPG D11669
by Robert Williams, published by John Smith, after Thomas Murray
mezzotint, circa 1680-1704
NPG D11703
Christopher Monck, 2nd Duke of Albemarle
by Isaac Beckett, after Thomas Murray, published by John Smith
mezzotint, 1681-1688
NPG D30843
Christopher Monck, 2nd Duke of Albemarle
by Isaac Beckett, published by John Smith, after Thomas Murray
mezzotint, 1681-1688
NPG D11660
Christopher Monck, 2nd Duke of Albemarle
by John Smith, published by Isaac Beckett, after Thomas Murray
mezzotint, 1682-1688
NPG D325
by and published by John Smith, after Thomas Murray
mezzotint, 1690
NPG D4480
by and published by John Smith, after Thomas Murray
mezzotint, 1690
NPG D4915
by and published by John Smith, after Thomas Murray
mezzotint, 1690
NPG D4916
by and published by John Smith, after Thomas Murray
mezzotint, 1690
NPG D11690
by John Smith, after Thomas Murray
mezzotint, 1694
NPG D31224
by and published by John Smith, after Thomas Murray
mezzotint, 1694
NPG D2435
by and published by John Smith, after Thomas Murray
mezzotint, 1694
NPG D2436
by and published by John Smith, after Thomas Murray
mezzotint, 1694
NPG D11762
by and published by John Smith, after Thomas Murray
mezzotint, 1694
NPG D16232
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