Later Victorian Portraits Catalogue
Sir Lawrence Alma-Tadema (1836-1912), Painter
A convivial and sociable personality, of boundless vigour and endless good humour,  with a fondness for atrocious puns and mechanical toys, he was described by one contemporary as a short, sturdily-built man with twinkling eyes, cheery smile, hair parted in the middle of a broad forehead and small tawny beard  and by another as a rather short, broad, blond personage [with] a broad forehead, pale-grey eyes with eye-glasses, a big humorous mouth hardly hidden by a thin short yellow beard. His front face was blunt, jolly and unremarkable, but his profile was fine as an antique cameo. 
Dr Jan Marsh
Footnotesback to top
1) See Swanson 1977; Swanson 1990; Becker et al. 1996; Barrow 2001; and Barrow 2004.
2) W.B. Scott; quoted Swanson 1990, p.47. See also obituary in The Times, 26 June 1912.
3) Frederick Yeames; quoted in Smith 1926, p.211.
4) Hawthorne 1928, p.1223.
Referencesback to topAlma-Tadema 1998
The Sir Lawrence Alma-Tadema Collection: Photographs and Correspondence of the Famous Victorian Painter, microform publication, Leiden, 1998; copies in University of Birmingham Library and British Library, microfiche F.803.
Athill & Goodchild 1981
Athill, P., and A. Goodchild, William Strang RA, 18591921, Painter-Etcher, exh. cat, Sheffield City Art Galleries, Glasgow City Art Gallery and NPG, London, Sheffield, 1981.
Barrow, R.J., Lawrence Alma-Tadema, London, 2001.
Barrow, R., Tadema, Sir Lawrence Alma- (18361912), ODNB, Oxford, 2004; online ed., May 2009.
Becker et al. 1996
Becker, E., and others, Sir Lawrence Alma-Tadema, exh. cat., Van Gogh Museum, Amsterdam and Walker Art Gallery, Liverpool: Zwolle, 1996.
Caneva, C., Il corridoio vasariano agli Uffizi, Florence, 2002.
Cooper, T., Men of Mark: A Gallery of Contemporary Portraits of Men Distinguished in the Senate, the Church, in Science, Literature and Art, the Army, Navy, Law, Medicine, etc. Photographed from life by Lock and Whitfield, London, 7 ser., 187683.
Cowell, F. R., The Athenaeum: club and social life in London, 1824-1974, London 1975.
Dorment, R., Alfred Gilbert, New Haven and London, 1985.
Eyre, A.M., Saint Johns Wood: Its History, Its Houses, Its Haunts and Its Celebrities, London, 1913.
Gould, V.F., G.F. Watts: The Last Great Victorian, London, 2004.
Hart-Davis, R., A Catalogue of the Caricatures of Max Beerbohm, London, 1972.
Hawthorne, J., Shapes That Pass: Memories of Old Days, London, 1928.
Herkomer, H. von, The Herkomers, 2 vols, London, 191011.
Jones et al. 1996
Jones, S., and others, Frederic Leighton 18301896, exh. cat., Royal Academy, London, 1996.
McMaster, J., That Mighty Art of Black-and-White: Linley Sambourne, Punch and the Royal Academy, British Art Journal, Autumn 2008, pp.6276.
McMaster, J., That Mighty Art of Black-and-White: Linley Sambourne, Punch and the Royal Academy, Edmonton, Canada, 2009.
Noakes, A., William Frith: Extraordinary Victorian Painter, London, 1978.
ODonoghue, F., Catalogue of Engraved British Portraits preserved in the Department of Prints and Drawings in the British Museum, 5 vols, London, 190822 (and vol.6, H.M. Hake, Supplement and indexes, 1925).
Ormond, L., Linley Sambourne: Illustrator and Punch Cartoonist, London, 2010.
Ormond & Ormond 1975
Ormond, L., and R. Ormond, Lord Leighton, London, 1975.
Smith, M.H. Stephen, Art and Anecdote: Recollections of William Frederick Yeames R.A, His Life and His Friends, London, 1926.
Stephens, F.G., ed., Artists at Home. Photographed by J.P. Mayall and reproduced in facsimile , 6 parts, London, 1884.
Swanson, V.G., Sir Lawrence Alma-Tadema: Painter of the Victorian Vision of the Ancient World, London, 1977.
Swanson, V.G., The Biography and Catalogue Raisonné of the Paintings of Sir Lawrence Alma-Tadema, London, 1990.
Walery [Stanislas Julian, Count Ostrorog], ed., Our Celebrities: A Portrait Gallery Portraits by Walery, 5 vols (vol.1 ed. L. Engel), London, 188896.
[Wood, C., intro.,] A Fraternity of Artists: A Set of Sixty-two Portraits of Late Victorian Artists, by Walker Hodgson, exh. leaflet, Christopher Wood Gallery, London, 1984.
Dr Jan Marsh