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1607 portraits matching these criteria:

- subject matching 'Buildings and architecture'

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A selection of portraits that depict buildings and architecture. See also: 'Doorways and archways', 'Stairways and walkways', 'Bridges' (Accessory), 'London' and 'Urban scenes' (Theme).

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Sir Henry Unton

by Unknown artist
oil on panel, circa 1596
On display in Room 1 on Floor 3 at the National Portrait Gallery
NPG 710

Sir John Finet

copy by George Perfect Harding, after Unknown artist
watercolour, 19th century, based on a work of circa 1609
NPG 2404

King Charles I

by Unknown artist
oil on panel, 1630s
NPG 4516

Probably Sir Thomas Aylesbury, Bt

by William Dobson
oil on canvas, circa 1642
On display at Gawthorpe Hall, Burnley
NPG 615

Mary of Modena

by Willem Wissing
oil on canvas, circa 1685
On display in Room 7 on Floor 3 at the National Portrait Gallery
NPG 214

Queen Mary II

by Jan Verkolje
oil on canvas, circa 1688
NPG 606

Queen Anne

by Sir Godfrey Kneller, Bt
oil on canvas, circa 1690
NPG 1616

Queen Mary II

attributed to Jan van der Vaart
oil on canvas, circa 1692-1694
NPG 197

Thomas Pelham-Holles, 1st Duke of Newcastle-under-Lyne; Henry Clinton, 7th Earl of Lincoln

by Sir Godfrey Kneller, Bt
oil on canvas, circa 1721
NPG 3215

'The Music Party'

by Philip Mercier
oil on canvas, 1733
NPG 1556

Horace Walpole

by John Giles Eccardt
oil on canvas, 1754
On display at Strawberry Hill Trust, Twickenham
NPG 988

Catharine Macaulay (née Sawbridge)

by Robert Edge Pine
oil on canvas, circa 1775
On display in Room 10 on Floor 3 at the National Portrait Gallery
NPG 5856

Maria Louisa Catherine Cecilia Cosway (née Hadfield)

by Richard Cosway
pencil and watercolour, 1781-1785
NPG 7036

Jeremiah Milles

by John Downman
watercolour, 1785
NPG 4590

Architectural features, left gallery

by Sir George Hayter
pencil, circa 1820
NPG 2662(33)

House of Lords

by Sir George Hayter
pencil, circa 1820
NPG 2662(34)

Architectural features, left gallery

by Sir George Hayter
pencil, circa 1820
NPG 2662(35)

Architectural features, right gallery

by Sir George Hayter
pencil, circa 1820
NPG 2662(36)

St Peter's, Rome

attributed to Sir Charles Lock Eastlake
brown wash and pencil, 1825
On display in Room 17 on Floor 3 at the National Portrait Gallery
NPG 3944(2)

Artist saved from the Devil

by Unknown artist
watercolour, 1825
NPG 3944(13)

Classical ruins at Selinonte

attributed to John Partridge
pencil, 1825
NPG 3944(21)

David Roberts

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(90)

Royal Institution, Edinburgh

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(235)

The Scott Monument, with the Scottish National Gallery and Edinburgh Castle in the background

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(255)

Colinton Manse

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(236)

The Cathedral and Tower of St Regulus, St Andrews

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(243)

Cardinal Beaton Castle, St Andrews

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(247)

Fishmarket, St Andrews

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(248)

College Church, St Andrews

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(249)

St Andrews Harbour

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(250)

St Mary's Chapel, St Andrews

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(252)

St Mary's Chapel, St Andrews

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(253)

Durham Cathedral

by David Octavius Hill, and Robert Adamson
calotype, 1843-1848
NPG P6(257)

An early photographic studio in London

possibly by an associate of Jabez Hogg, or possibly by Jabez Hogg
ninth-plate daguerreotype, circa 1843
On display in Room 20 on Floor 2 at the National Portrait Gallery
NPG P2091