'The Secret of England's Greatness' (Queen Victoria presenting a Bible in the Audience Chamber at Windsor)
15 of 137 portraits of Henry John Temple, 3rd Viscount Palmerston
'The Secret of England's Greatness' (Queen Victoria presenting a Bible in the Audience Chamber at Windsor)
by Thomas Jones Barker
oil on canvas, circa 1863
66 in. x 84 1/8 in. (1676 mm x 2138 mm)
Purchased, 1974
Primary Collection
NPG 4969
Click on the links below to find out more:
Sittersback to top
- Prince Albert of Saxe-Coburg-Gotha (1819-1861), Prince Consort of Queen Victoria. Sitter in 175 portraits, Artist associated with 2 portraits.
- Henry John Temple, 3rd Viscount Palmerston (1784-1865), Prime Minister. Sitter associated with 137 portraits.
- John Russell, 1st Earl Russell (1792-1878), Prime Minister and writer. Sitter associated with 223 portraits.
- Queen Victoria (1819-1901), Reigned 1837-1901. Sitter associated with 444 portraits, Artist associated with 5 portraits.
- Elizabeth Wellesley (née Hay), Duchess of Wellington (1820-1904), Mistress of the Robes to Queen Victoria; wife of 2nd Duke of Wellington; daughter of 8th Marquess of Tweeddale. Sitter in 5 portraits.
Artistback to top
- Thomas Jones Barker (1815-1882), Painter of portraits and military subjects. Artist associated with 6 portraits, Sitter in 1 portrait.
This portraitback to top
This is an imagined scene, with real historical figures. Queen Victoria is shown at Windsor Castle receiving an ambassador from East Africa, to whom she is presenting a fine Bible. An open Bible, with a painted quotation, is carved onto the frame.
The scene depicted is based on a popular but unfounded anecdote current in the 1850s. This stated that, when asked by a diplomatic delegation how Britain had become powerful in the world, 'our beloved Queen sent him, not the number of her fleet, not the number of her armies, not the account of her boundless merchandise, not the details of her inexhaustible wealth
but handing him a beautifully bound copy of the Bible, she said 'Tell the Prince that this is the Secret of England's Greatness'.
In his desire to blend patriotism and piety, the artist drew on various historical events. The African envoy is probably based on Ali bin Nasr, governor of Mombasa, who attended Victoria's coronation in 1838 and returned again in 1842, together with his young interpreter Mohammed bin Khamis. Although not a portrait, his costume is that of the Omani rulers of east Africa.
Both the British government and the Queen frequently invoked Christian faith in respect of foreign affairs. To the ruler of Abeokuta - the Yoruba region of Nigeria - in 1849, Victoria sent copies of the Bible in English and Arabic 'to show how much she values God's word'.
To add a contemporary aspect, the artist set his scene in 1861, as the Queen's spreading crinoline shows. She is attended by Prince Albert and two politicians - Lord John Russell and Lord Palmerston, respectively Foreign Secretary and Prime Minister.
Probably intended for exhibition in 1862, the painting could not be shown then owing to Prince Albert's untimely death in December 1861. It was first exhibited in 1863 before embarking on a national tour designed to sell the mezzotint reproduction, entitled simply 'The Bible'.
The popular anecdote was also illustrated by an as-yet unidentified artist in a coloured print (below) that shows the African ambassador meeting Victoria amid a group of courtiers and ladies-in-waiting. Prince Albert is not present and the envoy stands to receive his diplomatic gift.
Linked publicationsback to top
- Audio Guide
- Victorian Portraits Resource Pack, p. 16
- Cooper, John, A Guide to the National Portrait Gallery, 2009, p. 39
- Funnell, Peter, Victorian Portraits in the National Portrait Gallery Collection, 1996, p. 16
- Funnell, Peter (introduction); Marsh, Jan, A Guide to Victorian and Edwardian Portraits, 2011, p. 53
- Ribeiro, Aileen, The Gallery of Fashion, 2000, p. 178
- Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 722
- Simon, Jacob, The Art of the Picture Frame: Artists, Patrons and the Framing of Portraits in Britain, 1997 (accompanying the exhibition at the National Portrait Gallery from 8 November 1996 - 9 February 1997), p. 71
Subjects & Themesback to top
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- Characters and Caricatures: Photographs by Herbert Watkins
Until 17 November - William Nicholson Woodcuts
Until 2 March 2014 - Alexander Bassano: Victorian Photographer
Until 10 November
Related pages
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See this portrait
On display in Room 23 at the National Portrait Gallery



