The Somerset House Conference, 1604
1 portrait of Alessandro Robida
The Somerset House Conference, 1604
by Unknown artist
oil on canvas, 1604
81 in. x 105 1/2 in. (2057 mm x 2680 mm)
Purchased, 1882
Primary Collection
NPG 665
Click on the links below to find out more:
Sittersback to top
- Charles de Ligne, Count of Aremberg, Delegate at the Somerset House Conference. Sitter in 1 portrait.
- Charles Blount, Earl of Devonshire (1563-1606), Soldier. Sitter associated with 10 portraits.
- Thomas Sackville, 1st Earl of Dorset (1536-1608), Poet and Lord Treasurer. Sitter associated with 6 portraits.
- Juan de Velasco Frias, Duke of Frias, Constable of Castile; delegate at the Somerset House Conference. Sitter in 1 portrait.
- Henry Howard, 1st Earl of Northampton (1540-1614), Lord Warden of the Cinque Ports. Sitter associated with 5 portraits.
- Charles Howard, 1st Earl of Nottingham (1536-1624), Lord High Admiral. Sitter associated with 13 portraits.
- Jean Richardot, President of the Privy Council. Sitter in 1 portrait.
- Alessandro Robida, Senator of Milan; a delegate at the Somerset House Conference. Sitter in 1 portrait.
- Robert Cecil, 1st Earl of Salisbury (1563-1612), Statesman. Sitter associated with 21 portraits.
- Louis Vereyken, Audencier of Brussels. Sitter in 1 portrait.
- Juan de Tassis, Count of Villa Mediana, Delegate at the Somerset House Conference. Sitter in 1 portrait.
This portraitback to top
This group portrait commemorates the peace treaty between England and Spain in 1604 which brought an end to a war which had dragged on for almost twenty years. It may well record the appearance of the room in Old Somerset House where the negotiations were held. On the left are the members of the Hispano-Flemish delegation, on the right, the English commissioners. Between 20 May and 16 July 1604, eighteen conference sessions were held at Somerset House, and the treaty was signed on 16 August.
Although it apparently bears the signature of the Spanish painter Juan Pantoja de la Cruz, this painting also bears an impossible date. It is generally thought that both signature and the date are false and that it is by a hitherto unidentified Flemish artist. It may be associated with John De Critz the Elder, paintings by whom were probably the sources for the portraits of Robert Cecil and Thomas Sackville.
Related worksback to top
- NPG 5289: Sir Roy Strong (includes the portrait)
- NPG x12533: Sir Roy Strong (includes the portrait)
- NPG D23070: Charles Blount, Earl of Devonshire (appears within the portrait)
Linked publicationsback to top
- Audio Guide
- Clare Gittings, The National Portrait Gallery Book of Elizabeth I, 2006, p. 26
- Cooper, John, Visitor's Guide, 2000, p. 27
- John Cooper, National Portrait Gallery Visitor's Guide, 2006, p. 27
- Saumarez Smith, Charles, The National Portrait Gallery: An Illustrated Guide, 2000, p. 48
- Saumarez Smith, Charles, The National Portrait Gallery, 1997, p. 48
- Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 706
- Strong, Roy, Tudor and Jacobean Portraits, 1969, p. 351
- Strong, Roy, Tudor and Jacobean Portraits, 1969, p. 63
Exhibitions and displays
- Hidden: Unseen Paintings Beneath Tudor Portraits
Until 9 June
Related pages
Thematic collections
See this portrait
On display in Room 2 at the National Portrait Gallery



