King George I
5 of 8 portraits on display in the Hall at Beningbrough Hall
King George I
replica by Sir Godfrey Kneller, Bt
oil on canvas, 1716 (1714)
97 1/4 in. x 59 3/4 in. (2470 mm x 1518 mm)
Purchased, 1978
Primary Collection
NPG 5174
Click on the links below to find out more:
Artistback to top
- Sir Godfrey Kneller, Bt (1646-1723), Portrait painter. Artist associated with 1666 portraits, Sitter associated with 30 portraits.
This portraitback to top
The purpose of royal portraiture was not individual depiction but the representation of power. Artists conveyed this symbolically using traditional poses and symbols: crown, scepter, orb and ermine robes of state. This repetition helped assert the continuity of the royals. Although not great art patrons, such propaganda was important to George I and his son George II. In order to ensure a Protestant succession these Hanoverian rulers, from Germany, had come to the British throne in 1714. They faced constant challenge from the rebellious Catholic Jacobites until thy were quashed in 1745.
Linked publicationsback to top
- Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 240
- Williamson, David, The National Portrait Gallery: History of the Kings and Queens of England, 1998, p. 131
- Williamson, David, Kings and Queens, 2010, p. 130
Exhibitions and displays
- Treason, Plots and Murder
From 26 May
Related pages
See this portrait
On display in the Hall at Beningbrough Hall



