by Peter Oliver
graphite and watercolour on card, circa 1625-1630
3 3/8 in. x 2 5/8 in. (86 mm x 67 mm)
Given by The Art Fund, 1971
Click on the links below to find out more:
Sitterback to top
- Peter Oliver (circa 1594-1647), Miniature painter; eldest son of Isaac Oliver. Sitter associated with 4 portraits, Artist associated with 17 portraits.
Artistback to top
- Peter Oliver (circa 1594-1647), Miniature painter; eldest son of Isaac Oliver. Artist associated with 17 portraits, Sitter associated with 4 portraits.
This portraitback to top
The early work of the miniaturist Peter Oliver is almost indistinguishable from that of his father Isaac. Later he liked to experiment with a variety of styles, favouring a relaxed form of sfumato. Sir Nathaniel Bacon said of his works that 'noe oyle painting could appear more warme and fleshly than those of his hand'. On the reverse of this self-portrait is a portrait of the artist's wife Anne.
Linked publicationsback to top
- Hamilton, Peter; Hargreaves, Roger, The Beautiful and the Damned: The Creation of Identity in Nineteenth Century Portrait Photography, 2001 (accompanying the exhibition at the National Portrait Gallery from 6 June to 7 October 2001), p. 4853
- Rogers, Malcolm, Master Drawings from the National Portrait Gallery, 1993 (accompanying the exhibition at the National Portrait Gallery from 5 August to 23 October 1994), p. 25
- Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 467
- Walker, Richard, Miniatures: 300 Years of the English Miniature, 1998, p. 27