Sir Anthony van Dyck
Sir Anthony van Dyck
by Sir Anthony van Dyck
oil on canvas, circa 1640
22 in. x 18 1/8 in. (560 mm x 460 mm) oval
Purchased with support from the Heritage Lottery Fund, the Art Fund in honour of David Verey CBE (Chairman of the Art Fund 2004-2014), the Portrait Fund, The Monument Trust, the Garfield Weston Foundation, the Aldama Foundation, the Deborah Loeb Brice Foundation, Sir Harry Djanogly CBE, Mr and Mrs Michael Farmer. Matthew Freud, Catherine Green, Dr Bendor Grosvenor, Alexander Kahane, the Catherine Lewis Foundation, the Material World Foundation, The Sir Denis Mahon Charitable Trust, Cynthia Lovelace Sears, two major supporters who wish to remain anonymous, and many contributions from the public following a joint appeal by the National Portrait Gallery and the Art Fund, 2014
Click on the links below to find out more:
Sitterback to top
- Sir Anthony van Dyck (1599-1641), Painter. Sitter associated with 31 portraits, Artist associated with 1022 portraits.
Artistback to top
- Sir Anthony van Dyck (1599-1641), Painter. Artist associated with 1022 portraits, Sitter associated with 31 portraits.
This portraitback to top
This portrait is one of three known self-portraits painted by van Dyck when he was in England, and it probably dates from the last years of his life. The artist shows himself fashionably dressed but apparently in the act of painting, the line of his right shoulder and sleeve suggesting his hand raised in the process of applying paint to a canvas just out of sight. The broad handling of the paint in the costume, compared with the face, may indicate that this area of the painting is unfinished, or it may be that this is simply a more experimental work than his formal court portraits. The frame of this painting, crested with the sunflower motif associated with the artist, is of outstanding importance and is likely to have been designed with van Dyck's involvement.
Linked publicationsback to top
- National Portrait Gallery: 100 Portraits, p. 32
- Catharine MacLeod, Van Dyck: The Last Self Portrait, 2014, p. 19
- Catharine MacLeod, Van Dyck: The Last Self Portrait, 2014, p. 6
- Ribeiro, Aileen; Blackman, Cally, A Portrait of Fashion: Six Centuries of Dress at the National Portrait Gallery, 2015, p. 90
- Various contributors, National Portrait Gallery: A Portrait of Britain, 2014, p. 85
Linked displays and exhibitionsback to top
- Julian Opie after Van Dyck (7 October 2017 - 7 January 2018)
- Double Take: versions and Copies of Tudor Portraits (25 June 2012 - 12 September 2012)
- Sir James Dyson by Julian Opie: New Comm
Subjects & Themesback to top
Mediaback to top
Events of 1640back to top
Current affairsSecond Bishops' War. James Graham, Marquess of Montrose, leading the Scottish armies, occupies northeast of England. Defeat at the Battle of Newburn forces impoverished Charles to sign Treaty of Ripon.
Long Parliament. Habeas Corpus Act is passed, abolishing the Star Chamber. Impeachment of Royalists, Earl of Strafford and Archbishop Laud.
Art and scienceAuthor, James Howell, writes Dodona's Grove, a historical allegory of events since 1603. A renowned royalist, Howell's anti-parliamentary remarks in the book would later attract accusations from parliamentarians.
The last Caroline masque before the outbreak of civil war, Salmacida Spolia by Sir William Davenant, is performed at Whitehall Palace.
InternationalFrederick William becomes Elector of Brandenburg and Duke of Prussia. The Elector's policy of religious tolerance benefited his state during the religious struggles dominating the Thirty Years' War.
The Bay Psalm Book is published, the first book to be printed in British North America.
See this portrait
On display in Room 7 at the National Portrait Gallery
Exhibitions and displays
- Gallery Talk: Julian Opie after Van Dyck (Session 2)
23 November, 18:30
- BSL Gallery Tour: Julian Opie after Van Dyck
30 November, 19:30
- Gallery Talk: Julian Opie after Van Dyck (Session 1)
23 November, 19:30
- Lunchtime Lecture: White King: the tragedy of Charles I
18 January 2018, 13:15