17 of 26 portraits of Frederick Howard, 5th Earl of Carlisle
by James Gillray, published by Hannah Humphrey
hand-coloured etching and aquatint, published 22 April 1805
14 3/4 in. x 10 3/8 in. (375 mm x 265 mm) plate size; 15 1/2 in. x 10 7/8 in. (395 mm x 275 mm) paper size
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Artistsback to top
Sittersback to top
- Sir Francis Burdett, 5th Bt (1770-1844), Parliamentary reformer. Sitter associated with 118 portraits.
- Frederick Howard, 5th Earl of Carlisle (1748-1825), Politician and diplomat. Sitter associated with 26 portraits.
- Princess Charlotte Augusta of Wales (1796-1817), Daughter of George IV. Sitter associated with 49 portraits.
- Edward Smith Stanley, 12th Earl of Derby (1752-1834), Sportsman and patron of horse-racing. Sitter associated with 64 portraits.
- Thomas Erskine, 1st Baron Erskine (1750-1823), Lord Chancellor. Sitter associated with 67 portraits.
- Maria Anne Fitzherbert (née Smythe) (1756-1837), Famous beauty; morganatic wife of George IV. Sitter in 24 portraits.
- Charles James Fox (1749-1806), Whig statesman. Sitter associated with 301 portraits.
- William Wyndham Grenville, 1st Baron Grenville (1759-1834), Prime Minister. Sitter associated with 67 portraits.
- Charles Grey, 2nd Earl Grey (1764-1845), Prime Minister. Sitter associated with 175 portraits.
- Charles Howard, 11th Duke of Norfolk (1746-1815), Politician; MP for Carlise and Arundel. Sitter associated with 55 portraits.
- Richard Brinsley Sheridan (1751-1816), Dramatist and parliamentary orator. Sitter associated with 164 portraits.
- Charles Stanhope, 3rd Earl Stanhope (1753-1816), Scientist and politician; MP for Wycombe. Sitter associated with 46 portraits.
Events of 1805back to top
Current affairsNelson's state funeral is held at St Paul's. An occasion for an outpouring of national grief and patriotism, the grand ceremony built on the cult of Nelson which had emerged in the years before his death.
Art and scienceMary Tighe publishes Pysche or the Legend of Love, a romantic allegory in the fashionable medieval revival style, admired by both Keats and Shelley.
The 'poems of Ossian' are officially declared a fake and a great literary scandal ends as Scottish poet James Macpherson is exposed as the forger of the third century bard's epic works.