1 portrait of Horatio Nelson
by Robert Laurie, after Unknown artist
mezzotint, published 13 November 1797 (1794)
14 1/2 in. x 11 1/4 in. (370 mm x 287 mm) paper size
Click on the links below to find out more:
Sitterback to top
- Horatio Nelson, Viscount Nelson (1758-1805), Vice-Admiral and victor of Trafalgar. Sitter in 85 portraits.
Artistsback to top
Linked displays and exhibitionsback to top
- Nelson: before and after Trafalgar (2 July 2005 - 11 December 2005)
Subjects & Themesback to top
Events of 1797back to top
Current affairsThe Anti-Jacobin periodical makes its debut followed by The Anti-Jacobin Review the year after. Edited by William Gifford, it acted as a Tory mouthpiece against the 'New Morality' associated with republicanism.
Bank crisis results in the temporary suspension of payments by the Bank of England leading to a nationwide currency shortage.
Art and scienceRobert Southey, later Poet Laureate, publishes his collected Poems, exploring contemporary interest in mythology and non-European cultures.
Ann Radcliffe publishes her popular gothic novel The Italian. One of the most imaginative novelists of the period, she helped introduce readers to the romantic sense of the supernatural.
InternationalBattle of Cape St Vincent. Admiral John Jervis leads the fleet which defeat the Spanish.
Failure of a small French invasion in Pembrokeshire.
Naval mutinies at Spithead and Nore.
Attack on the Canary Islands in which Rear-Admiral Nelson loses an arm.
Exhibitions and displays
- Life, Death and Memory
Until 16 March 2018
- Nelson: before and after Trafalgar
- Viscount Nelson
- Plaster figure makers: a short history
- WebQuest: Pepys, Nelson, Seacole
- Only Connect
- Only Connect - Horatio Nelson <> Joseph Haydn
- Only Connect - Horatio Nelson <> William Hamilton
- Only Connect - Horatio Nelson <> Emma Hamilton
- Only Connect - Horatio Nelson <> Richard Cosway
- Only Connect - installation video
- My Favourite Portrait by Alan Titchmarsh
- Return to Life: A New Look at the Portrait Bust
- Bank of America Merrill Lynch, Art Conservation Project