The Edgeworth Family
1 portrait
Michael Butler; photograph © National Portrait Gallery, London
The Edgeworth Family
by Adam Buck
chalk, watercolour and pastel on paper, 1787
10 5/8 in. x 15 7/8 in. (271 mm x 403 mm) oval
Lent by Michael Butler, 2005
Primary Collection
NPG L236
Click on the links below to find out more:
Sittersback to top
- Anna Maria Beddoes (née Edgeworth) (1773-1824), Daughter of Richard Lovell Edgeworth. Sitter in 1 portrait.
- Charlotte Edgeworth (1783-1807), Daughter of Richard Lovell Edgeworth. Sitter associated with 1 portrait.
- Elizabeth Edgeworth, Daughter of Richard Lovell Edgeworth. Sitter in 1 portrait.
- Elizabeth Edgeworth (née Sneyd) (died 1798), 3rd wife of Richard Lovell Edgeworth. Sitter in 1 portrait.
- Henry Edgeworth (1782-1813), Son of Richard Lovell Edgeworth. Sitter in 1 portrait.
- Honora Edgeworth (1774-1790), Daughter of Richard Lovell Edgeworth. Sitter in 1 portrait.
- Lovell Edgeworth (1775-1842), Son of Richard Lovell Edgeworth. Sitter in 1 portrait.
- Maria Edgeworth (1768-1849), Novelist; daughter of Richard Lovell Edgeworth. Sitter associated with 9 portraits.
- Richard Lovell Edgeworth (1744-1817), Writer and inventor. Sitter in 2 portraits.
- William Edgeworth (1788-1790), Son of Richard Lovell Edgeworth. Sitter in 1 portrait.
- Emmeline King (née Edgeworth) (1770-1817), Daughter of Richard Lovell Edgeworth. Sitter in 1 portrait.
- Charles Sneyd (1786-1864), Brother-in-law of Richard Lovell Edgeworth. Sitter in 1 portrait.
This portraitback to top
This group portrait shows Richard Lovell Edgeworth, engineer, inventor and educational writer; his eldest daughter Maria, novelist and educational writer, and his third wife Elizabeth, amid their large family. Although of Irish descent and often resident in Ireland, the Edgeworths were heavily involved in English intellectual life. This drawing conveys the intellectual, emotional and ideological bond between father Richard and daughter Maria, who try to conduct a conversation against the relaxed backdrop of family life. Richard Edgeworth is pointing at a plan of one of his inventions, possibly his design for a telegraphic semaphore system. The group portrait is a fine example of the particular 'decorative neo-classical style' that Buck developed early in his career.
Linked publicationsback to top
- Eger, Elizabeth; Peltz, Lucy, Brilliant Women: 18th Century Bluestockings, 2008 (accompanying the exhibition at the National Portrait Gallery from 13 March to 15 June 2008), p. 53
Linked displays and exhibitionsback to top
- Brilliant Women: 18th-Century Bluestockings (13 March 2008 - 15 June 2008)



