The Memoir Club
6 of 20 portraits of Lydia Lopokova
The Memoir Club
by Vanessa Bell (née Stephen)
oil on canvas, circa 1943
24 in. x 32 1/8 in. (608 mm x 816 mm)
Purchased with help from the Dame Helen Gardner Bequest, 2005
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Artistback to top
- Vanessa Bell (née Stephen) (1879-1961), Painter; sister of Virginia Woolf. Artist associated with 14 portraits, Sitter in 16 portraits.
Sittersback to top
- (Arthur) Clive Heward Bell (1881-1964), Art critic. Sitter in 27 portraits.
- Quentin Claudian Stephen Bell (1910-1996), Artist and writer; son of Clive and Vanessa Bell. Sitter in 6 portraits.
- Vanessa Bell (née Stephen) (1879-1961), Painter; sister of Virginia Woolf. Sitter in 16 portraits, Artist associated with 14 portraits.
- Edward Morgan Forster (1879-1970), Novelist. Sitter in 44 portraits.
- David Garnett (1892-1981), Writer. Sitter in 6 portraits.
- Duncan Grant (1885-1978), Artist. Sitter associated with 28 portraits, Artist of 9 portraits.
- John Maynard Keynes, Baron Keynes (1883-1946), Economist. Sitter in 25 portraits.
- Lydia Lopokova (Lady Keynes) (1892-1981), Ballet dancer; wife of Baron Keynes. Sitter in 20 portraits.
- Sir Desmond MacCarthy (1877-1952), Writer and critic. Sitter in 23 portraits.
- Mary ('Molly') MacCarthy (née Warre-Cornish), Lady MacCarthy (1882-1953), Writer; wife of Sir Desmond MacCarthy. Sitter in 11 portraits.
- Leonard Sidney Woolf (1880-1969), Writer and publisher. Sitter in 7 portraits.
This portraitback to top
The Memoir Club first met in 1920, some fifteen years after the original evening gatherings of friends at 46 Gordon Square which are usually taken to denote the beginning of Bloomsbury. It replaced the earlier Novel Club, which had met briefly in 1913. This portrait depicts eleven key figures associated with Bloomsbury, and is painted from mid-way through the life of the group. It depicts Duncan Grant, Leonard Woolf, Vanessa Bell, Clive Bell, David Garnett, Maynard and Lydia Keynes, Desmond and Molly MacCarthy, Quentin Bell and E.M. Forster. On the wall behind are painted portraits of past members of the group: Virginia Woolf by Duncan Grant, 1911; Lytton Strachey by Duncan Grant, 1913; and Roger Fry by Vanessa Bell, c.1933. It thus includes David Garnett and members of the younger generation, such as Quentin Bell, who were later admitted. Bell's own depicted presence in the painting suggests this is an imaginative evocation, rather than the depiction of an actual meeting. The club continued in an evolved state until Clive Bell's death in 1964.