Thomas Faed

1 portrait

Thomas Faed, by Sir William Fettes Douglas, circa 1866 -NPG 4840 - © National Portrait Gallery, London

© National Portrait Gallery, London

Later Victorian Portraits Catalogue

Thomas Faed

by Sir William Fettes Douglas
Oil on panel, circa 1866
4 in. x 4 5/8 in. (102 mm x 117 mm)
NPG 4840


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Inscriptionback to top

On reverse, printed label: ‘Sir William Fettes Douglas PRSA / Head. - T. Faed RA’.
Detached (and erroneous) label: ‘Title: Portrait of [sic] Sir Wm Fettes Douglas 1822–1891 / President of the R.Scottish Academy / Process: oil sketch by [sic] Thomas Faed, R.A’.

This portraitback to top

Sitter and artist were youthful companions in an Edinburgh sketching club called the Smashers’ Club, launched in 1848, which reconvened in London in the 1860s, when Douglas was an occasional visitor. [1] In the earlier period, Douglas exhibited a half-length portrait of Faed at the Royal Scottish Academy (RSA), [2] now in the National Galleries of Scotland collection (see ‘All known portraits, By other artists, exh. 1851’). As a very small oil sketch, NPG 4840 is quite different in manner. Comparison of the sitter’s beard and hairline indicate that it was painted between 1884, when the sitter retained a clean-shaven chin amidst bushy whiskers, and 1887, when he had a full, greying beard, as shown in John Pettie’s two portraits, the second depicting Faed in a similar profile view (see ‘All known portraits, By other artists, 1884’ and ‘1887’).

William Fettes Douglas, chiefly known for meticulously researched and carefully finished historical subjects, was based in Scotland throughout his career, becoming president of the RSA in 1882.

Despite the wording on one old label, the sitter is not Douglas, so it is presumed that the labeller reversed the identities.[3]

Dr Jan Marsh

Footnotesback to top

1) McKerrow 1982, pp.15–16, which quotes minutes for the meeting on 21 Dec. 1866 attended by Douglas during a visit to London, where the Smashers were also known as the Auld Lang Syne Sketching Club; see also ‘All known portraits, By other artists, c.1848–9’ for a sketch of Faed and Douglas with John Ballantyne.
2) RSA 1851 (5).
3) NPG RP 4840; the work has no provenance before 1970, but the now-detached label is from an earlier date.

Physical descriptionback to top

Head, profile to left, healthy complexion, dark brown hair and full beard, against grey background.

Provenanceback to top

Dowells, Edinburgh (auctioneers) 1970; Coulter Galleries York, by whom consigned to Christie’s, 5 Mar. 1971 (24); whence purchased.

Exhibitionsback to top

The old printed label on the reverse, apparently cut from a catalogue, indicates exhibition at an as yet unidentified date and location.

View all known portraits for Thomas Faed