Harry Furniss

1 portrait

Harry Furniss, by Sydney Prior Hall, published in The Graphic 20 April 1889 -NPG 2386 - © National Portrait Gallery, London

© National Portrait Gallery, London

Later Victorian Portraits Catalogue

Harry Furniss

by Sydney Prior Hall
Pencil , published in The Graphic 20 April 1889
6 3/4 in. x 8 in. (173 mm x 202 mm)
NPG 2386


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Inscriptionback to top

Inscr. indistinctly in pencil top right.
On reverse label: ‘5. / Mr Harry Furniss / by Sydney P. Hall / 13 Chalcot Gardens / England [sic] Lane . N.W.’
A detached ticket numbers this as 2415 in the artist’s record.

This portraitback to top

This quick sketch, published with the title Mr Harry Furniss sketching in Court, is an example of ‘the biter bit’, in the sense that Furniss is depicted in the act of drawing by a fellow graphic journalist, and to some extent competitor. It was executed at the Royal Courts of Justice during the Parnell Commission, which sat intermittently from September 1888 to March 1889. As parliamentary illustrator for Punch, Furniss had an interest in the proceedings, although he was not a regular attender. When the Commission reached its climax, another Punch illustrator depicted the crush in the press box, with reporters’ elbows in each other’s ribs, alongside humorous accounts of court procedure.[1] The text chronicling 12–13 March mentions ‘the artists of the illustrated papers’ attending the court, one being ‘an Englishman born in Dublin’, which doubtless alludes to Furniss.[2] The same page carries a sketch initialled by Furniss, confirming that he was in court on this occasion.

Sydney Prior Hall (see NPG 4405) was specially appointed to cover the Parnell Commission for the Graphic. According to the Art Journal, ‘he was in court the whole time, busy with a swift revealing pencil which missed no turn of affairs’.[3] The result was ‘his biggest triumph … a chronicle of over two hundred brilliant pencil drawings’,[4] many of which were published in a special issue of the Graphic on 11 March 1889.[5] Others, including this back view of Furniss, appeared in a later issue, wrapping up the season’s most compelling political event. Hall’s drawings of Commission witnesses and spectators have been described as ‘quite outstanding’[6] and are discussed at length in Cullen 2004 (pp.190–98) and Cullen & Foster 2005 (pp.45–50).

NPG 2386 was published in April 1889; two years later Hall exhibited a now-unlocated portrait of Furniss at the Royal Society of Portrait Painters (see ‘All known portraits, By other artists, 1891’).

It was acquired from the artist’s son with twenty assorted portrait sketches and is one of 146 works by Hall in the NPG collection.

Dr Jan Marsh

Footnotesback to top

1) See Punch, 2, 9, 16 and 23 Mar. 1889. Several of the sketches are in Furniss’s style, but only one, from 23 Mar., is signed by him, and some bear others’ initials. The texts were written by Furniss’s colleague H.W. Lucy.
2) Punch, 23 Mar. 1889, p.133. Born in Wexford to English parents, Furniss grew up in Dublin.
3) Lusk 1905, p.279.
4) See Pottle 2004, citing Paul Hogarth, The Artist as Reporter, London, 1986, p.66.
5) ‘An Illustrated Record of the Proceedings up to the present time of the Special Commission’, Graphic extra number, 11 Mar. 1889, 50pp.
6) Twyman 1970.

Physical descriptionback to top

Quarter-length, back view, profile perdu to right, with right hand and sketchbook.

Provenanceback to top

Given by the artist’s son H.R. Hall, 1929 with other sketches.

Reproductionsback to top

Graphic, 20 April 1889, p.412.

View all known portraits for Harry Furniss