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John Callcott Horsley

1 of 11 portraits of John Callcott Horsley

John Callcott Horsley, by Charles West Cope, circa 1862 -NPG 3182(2) - © National Portrait Gallery, London

© National Portrait Gallery, London

Later Victorian Portraits Catalogue

John Callcott Horsley

by Charles West Cope
Pencil on paper, circa 1862
3 3/8 in. x 1 7/8 in. (85 mm x 49 mm)
NPG 3182(2)


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Inscriptionback to top

Inscr. in purple ink top left: ‘Horsley’.

This portraitback to top

NPG 3182(2) is part of a collection of sketches of artists acquired by John Postle Heseltine at the Charles West Cope sale at Christie’s, 22 June 1894. Heseltine (1843–1929) was an etcher, collector and trustee of the National Gallery; he and Cope were fellow Etching Club members.

Heseltine had the nineteen sketches mounted in a leather album stamped ‘IN MEMORIAM’ (front) and with a motto and variation of the royal coat of arms (back).[1] The collection includes a mixture of drawings and pen and ink sketches on different pieces of paper, some cut very small, like the sketch of Horsley on p.2. Most are stuck on grey card and framed with painted wash borders bearing Cope’s name in a label. The Horsley sketch is hinged to show the pen and ink doodle on the reverse.[2]

It has been dated c.1862 by association with the dated sketches, some of which show views of the Royal Academy Schools where Cope was teaching. However, the album contains a wide range of drawings, some dated to the 1850s and 1860s, others not dated but clearly earlier.[3] Judging by Horsley’s appearance the sketch seems to belong to the 1860s–70s. It is the only known image that shows him wearing spectacles.

Cope was six years older than Horsley.[4] Their professional paths crossed while working on fresco commissions for the new Houses of Parliament in the 1840s; they travelled in Italy to study fresco technique.[5] Cope was made Academician in 1848, Horsley much later in 1864. They also worked actively for the institution, Cope as an art teacher (official visitor to the Schools 1861–6; Professor of Painting 1866–75), and Horsley in various administrative roles in later years.

Another sketch by Cope, of Horsley in Padua (NPG D3337 see ‘All known portraits, By other artists, c.1845’), appears unconnected to NPG 3182(2).

Carol Blackett-Ord

Footnotesback to top

1) The motto ‘TREU UND FEST’ (staunch and steadfast) was the motto used by Prince Albert’s Own Regiment the 11th Hussars. The album is stamped ‘bound by Riviere’.
2) A violin and a little man on a stave: the heavy ink has bled through and blemishes the drawing of Horsley.
3) See NPG 3182(1)1463 (p.11) inscr. ‘White reading Bocacio at Florence', dated c.1840s on the basis of what is known of Cope’s travels'
4) ‘Two of my earliest professional friends were Cope and Redgrave … My old and highly respected friend, C.W. Cope R.A....’: Horsley 1903, pp.298–9.
5) Cope 1891, p.150.

Physical descriptionback to top

Head, profile to left.

Provenanceback to top

The artist, sold Christie’s, 22 June 1894 (27), purchased by Noseda for £1.20s; purchased by J.P. Heseltine, sold Sotheby’s, 24 May 1944 (19), purchased from this sale.

View all known portraits for Charles West Cope

View all known portraits for John Callcott Horsley