John Piper

Sitterback to top

• John Egerton Christmas Piper (1903-1992), Artist and writer. Sitter in 59 portraits, Artist or producer of 1 portrait.

Artistback to top

• Margaret MacGregor ('Peggy') Angus (1904-1993), Painter. Artist or producer of 2 portraits, Sitter in 1 portrait.

Linked publicationsback to top

• Gibson, Robin, The Face in the Corner: Animal Portraits from the Collections of the National Portrait Gallery, 1998, p. 79
• Robin Gibson, Pets in Portraits, 2015, p. 115 Read entry

  This careful and elegant drawing of the young John Piper is a reminder that in the 1930s he was at the heart of the modern movement in Britain and one of our leading abstract painters. He is sitting on an Alvar Aalto chair (1928) and behind him on the wall hangs his Forms on Dark Blue (1836), one of his largest and most important works of that period. The artist, Peggy Angus, was married at the time to Piper’s friend and collaborator, the architectural historian J. M. Richards. As editor of the Architectural Review, Richards commissioned articles and reviews from Piper, and in 1946 Piper illustrated Richards’s study of suburban architecture, The Castles on the Ground. Piper was already working on the Shell Guide to Oxfordshire (1938) and with the publication of Brighton Aquatints, in 1939, his transformation into the most significant British landscape and topographical artist of the century was complete. The one consistent fact about the huge variety of Piper’s evocative landscape paintings is that they include neither people nor animals. It is unclear where this portrait is set, so the ownership of the ginger cat on his lap seems likely to remain unknown. The background may be his own house with the still unsold painting; it may be the Richards’s, it may be Serge Chermayeff’s (Piper did a television programme with him on Art and Modern Architecture that January), or it may be purely imaginary, a suitable setting for a leading modernist. Whoever the cat belonged to and whether it invited itself into the picture or not, its role is clearly to add another element of the characterisation of Piper the man: modernists are not all bug-eyed monsters – sometimes they even like cats (and wear carpet slippers)!

• Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 495

Subjects & Themesback to top

• Crayon drawings
• Drawings
• Hats and head attire
• Pencil drawings
• Pets and animals
• Pets and animals - Cats
• Wash

Events of 1937back to top

Current affairs

Art and science

International

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