Last updated: 20 November 2009
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BilbiographyResearch - Bilbliography (Part 2) Research - Update Research - ODNB Early history of mezzotintJohn Smith mezzotint printmaker biography John Smith mezzotint printmaker further reading Prints catalogue Browne Prints catalogue Smith Prints catalogue Tompson The early mezzotint Making Art in Tudor BritainIntroduction Scientific techniques Highlights from the survey Research, collaboration and funding Case StudiesCase study 1 - new research on portraits of two medieval kings Case study 2 - new research on a 16th Century double portrait Case study 3 - new research on four portraits of Edward VI Case study 4 - new research on the Gallery's earliest portrait: Henry VII Case study 5 - new research on a portrait of Bishop Foxe WorkshopsWorkshop 1 Workshop 2 Workshop 3 Later Victorian Portraits Research partnerships Copyright research British picture restorers, 1630-1950 Resources and bibliography ConservationDirectory of British Framemakers The Art of the Picture Frame Changing impressionsChanging Impressions: Engraving and the National Portrait Gallery Archive Changing Impressions: The conservation processRecording, examination and testing Surface cleaning Backing removal Washing Repairing and lining Pressing and mounting Care of prints Directory of British Picture Framemakers Samuel Johnson portrait restoration Making Art in Tudor Britain Beyond the GalleryWhere you areEastern Counties Heart of England Northern Ireland London North East North West Scotland South and South East Wales West Country Around the World National Programmes Regional partnersBeningbrough HallVisit About Beningbrough Hall Room by roomHall Great staircase Blue bedroom Drawing room Dining Room State bedchamber State closet Smoking room Secondary staircase Saloon Lady's Chesterfield room Lady Chesterfield's dressing room Lady Chesterfield's bathroom Upper corridor East landing Making Faces - 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