NPG 2771

 

 

Charles Samuel Keene, by Alfred William Cooper, 1866 - NPG 2771 - © National Portrait Gallery, London

Charles Samuel Keene
by Alfred William Cooper
1866
NPG 2771

 

 

 

 

 

 

 

 

 

 

This small sketch of the eccentric caricaturist and illustrator Keene (1823-91) by his friend Cooper, might seem to suggest that he was an actor rather than an illustrator. Whistler considered Keene 'The greatest artist since Hogarth', and other admirers included Phil May and Pissaro. We are unsure of the exact circumstances or reasons for this portrait in which Keene is shown in mid-speech. However it is known that he enjoyed dressing up, usually in seventeenth century costume (rather than as here in medieval attire), and that he made studies of his friends in period costume. He was largely self-taught, and specialised in pen and ink wash, and from 1854 until his death, he made drawings for Punch. It was said that he 'could emphasize the absurdity of a City man's hat, twist a drunkard's coat awry or an old lady's bombazeen about to pop; and he does it with such delicacy we are left in doubt as to whether or not it is caricature'.

 

 

D. Mehul by Camille Silvy, 1865 NPG AX64280 (Detail)

D. Mehul
by Camille Silvy, 1865
NPG AX64280 (Detail)

A black morning coat with short narrow lapels over a plain waistcoat with bound edges. The waistcoat has neither collar or lapels and the shirt shows a collar turned down and worn with a tie. Pale coloured, narrowly cut trousers are worn that break across the shoe.

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