Self image: basic materials and techniques (2)
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| Pastels ... tell me more |
dainty or daring? |
| Materials: Pastels Paper Drawing board Masking tape Rag for smudging Fixative spray |
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| In the eighteenth century, pastel painting, as it was known, was a popular form of portraiture, John Raphael Smith (1752-1812) was a specialist in the medium, whilst George Percy Jacomb-Hood (1857-1929) was primarily known as a painter, illustrator and etcher. | |
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John Raphael Smith |
George Percy Jacomb-Hood |
| Watercolour ... tell me more |
fluid movement |
| Materials: Watercolour blocks or tubes Range of soft brushes Paper or card Drawing board Masking tape Water pot Palette for mixing |
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The most significant characteristic of watercolour is its transparent quality. A design or underdrawing can be made using a brush loaded with a thin neutral colour such as an umber, or in light pencil with subsequent washes of colour laid over the top. Colours are thinned with water, the more water added the more transparent the wash will be. Sir George Scharf (1820-1895), the first director of the National Portrait Gallery, is pictured here using this medium. |
Sir George Scharf |
| Here a other examples of the range of effects that can be achieved through the use of watercolour: | |
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Isaac Oliver |
William Orpen |
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Richard Cosway |
Richard Parkes Bonington |
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Graham Vivian Sutherland |
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| Acrylic ... tell me more |
quick drying & versatile |
| Materials: Acrylic paints in tubes or pots Range of brushes Paper, card, board Drawing board or easel Masking tape Palette Water pot Palette knife for mixing Pencil for underdrawing Rags for cleaning brushes |
The Meeting, Royal Academy of Arts |
| Acrylic paints are made of pigment bound in a synthetic resin and come in tubes or jars. Like watercolours, acrylics are soluble in water and can be thinned to almost transparent consistency and applied as washes or layered as glazes. They also can be used with a small amount of water to achieve a flat opaque surface and even squeezed direct from the tube to build up an impasto effect. | |













