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Beaton Drawings
From 12 December 2003
Room 31
Admission Free

Gaby Deslys as The Charm of
Paris in 'New Aladdin'
by Cecil Beaton, circa 1930
Pen and ink and wash, with glitter additions
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Cecil Beaton is best remembered
for his elegant and sophisticated fashion and society photographs.
He also enjoyed success in other spheres, as a stage designer,
writer and illustrator, and had a gift for drawing as well as
photographing portraits. This display of drawings and designs
from the Gallery's Archive complements the retrospective of his
photographs, Cecil Beaton: Portraits
(5 February - 31 May 2004 in the Wolfson Gallery) by illustrating
these other aspects of his oeuvre.
After a privileged upbringing
in Edwardian Hampstead, at Harrow and Cambridge, his career took
off after meeting the Sitwells in late 1926 when he produced
an innovative photograph of Edith as a Medieval tomb sculpture.
He was introduced to artistic, avant-garde and glittering circles,
and quickly developed a wide reputation for his beautiful, often
striking and fantastic photographs, which culminated in his portraits
of Queen Elizabeth in 1939.
In stark contrast he also proved
to be an inspired photojournalist when employed by the Ministry
of Information to photograph the country at war. After 1945,
he concentrated increasingly on designing for stage, film, ballet
and opera, winning accolades and awards. Throughout his life
he also produced a large number of illustrated books recording
people, travels and experiences. Notable amongst these are a
series of diaries spanning half a century from 1922 to 1974,
which record his life and many-faceted career as well as providing
a unique portrait of the age.
Beaton was awarded the CBE in
1957 and a Knighthood in 1972, two years before serious illness
forced an end to his long career. With his immense style, extraordinary
visual sense, fascination with new ideas and boundless energy,
he is regarded as a seminal arbiter of 20th century taste.
The drawings and designs in this
display are part of a collection of works on paper bequeathed
by Beaton to his secretary,
Eileen Hose. Together with copyright for all Beaton's graphic
work, they were donated to the National Portrait Gallery after
her death in 1991.
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