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Visiting Portraits
Drawn from Nature and as Large as Life: Thomas Frye's Fancy Heads
Until February 2009
'In the last years of his life Thomas Frye (1710 - 1762),
the Dublin-born artist, published two remarkable series of mezzotints
- 'Fancy Heads' - highly original life-size images of men and
women, notable for their striking poses, enigmatic expressions,
fashionable and exotic costume. The countless plays performed
every week in London, and the masquerades held in pleasure gardens
were probably Frye's inspiration, and it is likely that he was
aware of the growing 'cult of sensibility', fuelled by popular
novels of the day.
Frye was an entrepreneur. He
advertised his print scheme widely in the London daily press,
where the prints were marketed as elegant decoration for a room.
They are very high quality, were expensive and sold as a limited
edition. He hoped they would appeal to the top-end of the market
for 'Fancy' prints, which often showed unknown women in attractive
poses. The mezzotint sets are a lasting testament to his talents
as a printmaker.
The display will touch upon Frye's
fascinating career. As a young man establishing himself as a
portrait painter in London in the 1730s he invented and patented
a recipe for making porcelain - the first time it had been produced
in England - and founded the Bow Porcelain Factory. He managed
the factory for fifteen years before the toxic fumes caused illness
and forced him to retire.
Thomas Frye did not give titles
to any of the prints in this display, and the viewer can only
guess who they represent. Some of the figures seem to be frozen
in a narrative scene- but what is the story? In association with
local schools, Beningbrough Hall has created 'citizen cards'
for some of the figures represented, imagining who they were
and what they did. There is also an opportunity for visitors
to create their own Beningbrough Citizen Card for Frye's characters.
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Young man with book and candlestick
by Thomas Frye
mezzotint, published 1760

Fashionable woman wearing
lace headdress
by Thomas Frye
mezzotint, published 28 February 1762
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