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Exterior
© National Portrait Gallery
and Bodelwyddan Castle
Fake
armour designed by George Bullock, 1805
© National Portrait Gallery
and Bodelwyddan Castle

Stencilling
in the Watts Hall of Fame
© National Portrait Gallery
and Bodelwyddan Castle
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BODELWYDDAN
CASTLE
INTRODUCTION
The history and restoration of Bodelwyddan Castle
With its limestone
turrets and battlements, the Castle as we approach it today is
a nineteenth-century creation. But the history of Bodelwyddan
is a long and complicated one, made more obscure by the loss
of records in the 1920s. There was a house on the site as early
as the 1460s, the property of the Humphreys family from Anglesey,
and a tour of the present building reveals details of various
periods, and suggests the work of many hands. It is this that
gives Bodelwyddan, like many old houses, its special character
and which guided the redecoration of its interiors in the 1980s
when Clwyd County Council and the National Portrait Gallery joined
forces to create a setting for a significant group of the Gallery's
nineteenth-century portraits.
In the late seventeenth
century, Bodelwyddan was bought from the Humphreys by Sir William
Williams and it is to his descendants that the castle owed its
various transformations. The house purchased by Sir William,
Speaker of the House of Commons in 1680-81, appears to have been
of late sixteenth- or early seventeenth-century construction.
There is evidence of alterations being made in the early eighteenth
century and, around 1800, a new front in the Grecian style was
added with the pitched roofs shielded by parapets, the walls
stuccoed, and an elegant colonnade linking the projecting wings.
In 1830, Sir John Hay-Williams succeeded to the title and embarked
on a major programme of works which finally resulted in the Castle's
present, gothic appearance. His architects were Joseph Aloysius
Hansom - the inventor of the Hansom cab - and Edward Welch but
it is clear that work extended well into the middle of the nineteenth
century. A plaque dated 1858 in the Dining Room suggests the
possible involvement of the architect John Gibson who was at
that time building the famous 'Marble Church' at Bodelwyddan.
Tiles dated 1886 in two other rooms indicate yet further work
towards the end of the Victorian period.
In 1920 the Williams
family finally sold Bodelwyddan and for sixty years the Castle
housed a girls' school, Lowther College. When the College closed
in 1982, the Castle was acquired by Clwyd County Council who,
in partnership with the National Portrait Gallery, embarked on
the major task of redecorating and refurbishing the principal
rooms which now make up the Williams Hall. The work of redecoration
was carried out by the architect, and expert on nineteenth-century
design, Roderick Gradidge. Beyond the original features which
have been restored, few clues remained beneath the College's
plain decoration to suggest how the rooms looked before 1920.
Instead, the opportunity was taken to create a sequence of rooms,
ranging in period from early to late nineteenth century, with
appropriate decoration and furnishings. The intention was not
to adhere rigidly to any fixed date, but to give the impression
of a set of interiors which had developed gradually over the
years, rather like the fabric of the Castle as a whole. Thus
the furniture in each room - much of it on loan from the Victoria
& Albert Museum - often ranges in date. Above all, of course,
the aim was to create a fine setting for the important collection
of nineteenth-century portraits on display at Bodelwyddan. These
are grouped both chronologically and thematically, depending
on the various functions or periods of the rooms.
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