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A UNIQUE OPPORTUNITY
John Donne, Elizabethan Poet
By an unknown English
artist, c.1595

© Courtesy of the Executors
of the estate of the late
Lord Lothian
More
about this portrait
Chronology
of the
life of John Donne
Poetry
by John Donne
No man is an island,
entire of itself...
John Donne
from Devotions upon
Emergent occasions
Meditation XVII
'the most famous of
all melancholy love
portraits'
Sir Roy Strong
'a picture of great
intrinsic beauty
and the bewitiching
evocation of an age.
The National Portrait
Gallery is its natural
home'.
Poet Laureate,
Andrew Motion
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Following the launch of the John
Donne Appeal in January this year with support from The
Art Fund, the Gallery has just received a significant grant
from the National
Heritage Memorial Fund (NHMF) to acquire an exceptional portrait
of the acclaimed metaphysical poet John Donne (1572 - 1631).
As the most significant and well-known portrait of the poet,
this painting is of outstanding national importance. The Gallery
has a limited period to acquire this extraordinary picture that
has remained in one private collection since Donne's death.
John Donne was one of the most
talented writers of his age and his work, which encompassed poetry,
verse letters, essays and sermons, including such famous poems
as The Bait, The Flea and A Valediction: forbidding
Mourning, came to be widely celebrated. In 1615 he was
ordained as a minister of the Church of England and later became
the Dean of St Paul's, London.
This portrait shows Donne as
a young man dressed in a black floppy hat and open collar, playing
the role of a melancholic lover. The poet is shown emerging from
the shadows and an original Latin inscription translates as 'O
Lady Lighten our darkness.' It seems the picture was probably
painted for a lover or conceived of as part of a campaign to
conquer a reluctant heart. For Donne, the mid 1590s was a period
of intense creativity when he wrote many of his most celebrated
love poems.
The picture can be traced in
John Donne's will where it is described as 'that picture of mine
which is taken in shadows and was made very many years before
I was of this profession [i.e. a minister]'.
The portrait is on offer to
the National Portrait Gallery by private treaty sale through
Sotheby's from the executors of the estate of the late Marquis
of Lothian. Following tax remissions the total amount the National
Portrait Gallery must raise by the end of June is £1,400,000.
The National Portrait Gallery
is also extremely grateful to the executors of the estate of
the late Lord Lothian for agreeing, through Sotheby's, to reduce
the price of the portrait.
If you would like more information
contact Charlotte Savery, 020 7312 2444 or csavery@npg.org.uk
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