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PAST EXHIBITION ARCHIVE
We Are The People: Postcards
from the Collection of Tom Phillips
2 March - 20 June 2004
Porter Gallery
Admission Free





All postcards from the Collection
of Tom Phillips
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What are their names? What are
their stories? From every walk of life and every level of society
they come: babies, bathers, scouts, soldiers, mothers, nurses,
policemen, shopkeepers, tradesmen, salvationists, barmaids, fishermen;
on picnics, in gardens, on bicycles, in charabancs, by aspidistras,
in school rooms, round maypoles, on playing fields, at war.
We Are The People presents over 1000 postcards of ordinary
people made exceptional by the lens of the camera. These images,
all real photographs in postcard form, have been selected from
the extensive collection of the artist, Tom Phillips, a postcard
addict for a quarter of a century.
In the first half of the 20th
Century, the picture postcard transformed the art of portraiture
from elite pastime to popular craze. Photographic equipment was
cheaper, film faster, studios sprang up in every town, on every
seaside promenade. In this democratic new medium, cook and chatelaine,
poacher and gamekeeper, boss and labourer, manager and clerk
were suddenly equal. Everyone became a postcard.
Tom Phillips says: "I have
50,000 of these photo postcards and have looked at two million
or so in the course of this project. In this selection are most
of my favourites: images that speak to me and I hope to others.
They are historic in the sense that this was the first time people
stepped into the light and were seen as individuals rather than
the unpictured masses of previous centuries. With these cards
I wanted to make an alternative National Portrait Gallery featuring
the rest of the nation, those that did the work, bore the children,
fought the wars - the previously unknown and unsung."
The exhibition is divided into
themes that include Picnic, Make Believe, Aspidistra, Man and
Child, Women in Uniform and Soldiers. Each section is prefaced
by an enlarged version of a key image.
Studio portraits, easily available
to all, introduced new possibilities for fantasy and aspiration.
Sitters could pose against classical pillars, voluptuous velvet
drapes or in fancy dress as cowboys, on cruise liners, at the
wheel of a dummy motorcar or in a cardboard aeroplane.
The postcards in the exhibition
originate from many different photographers and studios across
Britain and are testament to the changing fashions and trends
in commercial portrait photography, as well as the changing tastes
in dress and pastimes of the sitters. Collected as "anonymous"
subjects, the National Portrait Gallery hopes that relatives
will spot their grandparents or great-grandparents and bring
back their names and stories.
Linked to the exhibition is a
display of postcards at the Horniman Museum, for further information
visit www.horniman.ac.uk
Tom Phillips (b.1937) studied at St Catherine's College, Oxford,
and the Camberwell School of Art (1961-3). He became a Royal
Academician in1984. His work is in several public collections,
including the British Museum, Tate, MoMA New York and the National
Gallery Australia. He also has several works in the National
Portrait Gallery collection including portraits of Iris Murdoch,
Susan Greenfield and the recently completed portrait of former
National Portrait Gallery Director Charles Saumarez Smith.
As well as being a painter, Phillips
is a writer. His book The Postcard Century (2000)is widely
recognised as the definitive book on the twentieth century postcard.
Other publications include A Humument (1998) and Dante's
Inferno (1985).
Publication
The exhibition is accompanied by
a fully-illustrated catalogue with essays by Tom Phillips, Dr
Elizabeth Edwards, Curator of Photographs at the Pitt Rivers
Museum, Oxford, with a preface by James Fenton, poet and essayist.
Published in March 2004, 336 pages, 900 colour illustrations.
Price £20 (paperback).
Postcard
Pack
Postcard pack containing 12 postcards from the collection
of Tom Phillips
Talks and Events
Thursday 15 April 7pm
We are the People
Tom Phillips, artist and curator of the exhibition
We Are the People, discusses the ideas behind the
show
Friday 16, Saturday 17 and Sunday
18 April, 11am - 4pm
Holiday Activites for Families: We Are the People (Studio
Gallery)
£1 per family, tickets available from the Ticket Desk on
the day - no children will be admitted without accompanying adult
Taking the We Are the People as inspiration, come along
and be photographed with a selection of props, from airplanes
to cars. Ticket price includes a print
Saturday 17 April 3pm (Meet in
Main Hall)
Exhibition Talk: We Are the People
Susan Bright, writer and independent photography producer,
explores the current exhibition
Thursday 13 May 7pm
Worlds in a Small Room
A survey of the history of high street and fairground photographic
portrait studios with Roger Hargreaves, Photography Education
Officer, National Portrait Gallery
Sunday 16 May 12 - 4pm (Studio
Gallery)
Admission free
Postcard Fair
Inspired by the exhibition We Are the People this
is a chance to purchase a range of vintage postcards from established
sellers in the postcard world
Saturday 29 May 3pm (Meet in
Main Hall)
Exhibition Talk: We Are The People
With Andy Golding, Chair, Department of Design Digital
Media & Photography University of Westminster
Thursday 10 June 1.10pm
Postcard Photographs/Family Objects
Elizabeth Edwards, Head of Photograph Collections
/ Lecturer in Visual Anthropology, Pitt Rivers Museum, University
of Oxford, discusses the function of photographs as 'social objects'
in family and community narratives
National Portrait Gallery
opening hours
Monday, Tuesday, Wednesday,
Saturday, Sunday: 10am - 6pm
(Gallery closure commences at 5.50pm)
Late Opening: Thursday, Friday: 10am - 9pm (Gallery closure
commences at 8.50pm)
Recorded information: 020 7312 2463
General information:
020 7306 0055
Website: www.npg.org.uk
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