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PAST EXHIBITION ARCHIVE
Caricatures by Barry Fantoni
23 June - 20 September 2007
Room 31 case display

Frankie Howerd (Francis Alex
Howard)
by Barry Ernest Fantoni
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This group of caricatures, a
recent acquisition, represents popular comedians and broadcasters
of the 1960s and 70s, collectively known as the 'Media Mob'.
It also includes politicians and businessmen who, like the entertainers,
were becoming 'media personalities'. Made for publications including
the Listener, Radio Times, Sunday Times and
Cosmopolitan magazine, these caricatures provide a fascinating
insight into the importance of illustration during this period
in creating and popularising these media 'personalities'.
Fantoni's involvement in the
media world of the 1960s gave him a unique perspective when creating
these portraits. After studying Fine Art at Camberwell School
of Art, Fantoni joined the staff of the magazine, Private
Eye, as cartoonist and columnist. He also wrote scripts for
the BBC's groundbreaking satirical show That Was the Week
That Was. In 1966 he became a television star himself, hosting
the fashion and music programme, A Whole Scene Going On,
where Twiggy made her television debut, and for which he was
voted Television Personality of the Year.
Fantoni produced caricatures
for the listings magazine RadioTimes and its sister publication
the Listener from the mid-1960s. Photographic stills from
television programmes were beginning to replace illustration
by this time, but caricatures were considered to be a potent
alternative to the photographic portrait. His style eschews extreme
distortion, but subtly exaggerates features while adhering closely
to the sitter's literal appearance.
The caricatures in this display
are working drawings. Using standard black and white publicity
shots, Fantoni was required to produce finished artwork in a
single day. He often knew very little about the shows or their
stars, and in those days there were no preview tapes. Fortunately,
the comedy programme The Two Ronnies had been running
for four years when he created the double portrait of its stars
for the Radio Times in 1976, and was able to provide a
witty observation of their relationship. Colour printing, introduced
to the Radio Times in 1960, was expensive and only used
occasionally, and Fantoni's 'cut-out-doll' feature, illustrating
the many guises of comedian Dick Emery, was part of an eight-page
special promoting the BBC's new season. Producing a caricature
of Sir Freddie Laker for Cosmopolitan magazine in the
late 1970s also gave Fantoni the opportunity to experiment with
colour
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