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Recent Commission: Johnson
Beharry
Room 35

Johnson Beharry
by Emma Wesley, 2006
© National Portrait Gallery, London
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A new painting of Lance Corporal
Johnson Beharry, the first living recipient since 1965 of the
Victoria Cross, is now on display in Room 41. The citation for
his award, Britain's highest for gallantry, received on 18 March
2005, said: 'Private Beharry carried out two individual acts
of great heroism by which he saved the lives of his comrades.
Both were in direct face of the enemy, under intense fire, at
great personal risk to himself (one leading to him sustaining
very serious injuries). His valour is worthy of the highest recognition.'
Beharry has been quoted as saying: 'maybe I was brave, I don't
know. At the time I was just doing the job. I didn't have time
for other thoughts.'
Beharry is a 27-year-old native
of Grenada, who came to Britain in 1999 and joined the British
Army in 2001. He was a member of the 1st Battalion Princess of
Wales's Royal Regiment when he was posted to Iraq in April 2004
and was promoted to Lance Corporal in September 2006.
The acrylic-on-panel portrait
by artist Emma Wesley was painted from three sittings of between
two and four hours which took place in late summer 2006 in the
front room of Beharry's London flat. The portrait's focus is
on Johnson, the soldier, rather than his immediate surroundings.
Wesley says: 'What is important about Johnson is within him,
his modesty, his bravery, his generosity, humility and humour,
less so his surroundings'.
The completed portrait depicts
a young soldier whose bravery has left him permanently scarred
and in constant pain. In Beharry's own words, he lives with what
feels 'like an army of ants marching around inside my skull'.
For Beharry it was important that he was seen in full military
dress rather than combats since he is no longer on active service.
Proud to be seen and remembered as a soldier, he explained almost
every aspect of the uniform to Wesley, who in turn used the colours,
symbols and iconography of the uniform to compose the graphic
components of the portrait.
Wesley used the uniform as the
foundation of the composition, inspired by Tissot's use of the
graphic potential of military dress is his portrait of the Victorian
cavalry officer, Frederick Gustavus Burnaby, by James Jacques
Tissot in the Gallery's Collection. For the portrait Beharry
adopts a seated pose with his military cap placed in his lap
and his hands crossed to echo the Victoria Cross. The red lines
of Beharry's uniform lead the eye to his head scars, and the
military cap, a veiled reference to Christ's crown of thorns,
represents his selfless sacrifice to save his colleagues.
Wesley, also 27, is a self-taught
portrait artist who studied literature at Selwyn College, Cambridge
and painting conservation at the Courtauld Institute in London
before devoting herself to portrait painting. Wesley has exhibited
regularly in the BP Portrait Award and with the Royal
Society of Portrait Painters where she was awarded the De Laszlo
Silver Medal for Portraiture in 2005. She has also won prizes
in the Hunting Art Prizes, The Singer and Friedlander Watercolour
Competition and the Wales Portrait Award. It was her prize-winning
portrait of a sergeant in the Royal Welsh Fusiliers which made
her the ideal choice for the commission.
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