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PAST EXHIBITION ARCHIVE
Chartist Portraits
5 August 2006 - 22 March
2007
Showcase display
Victorian Galleries - Room 24
Admission Free

Thomas Slingsby Duncombe
by George Stodart,
after James Warren Childe, 1842
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Chartism was the first attempt
to build a political party representing the working classes.
The movement was named after the six-point charter, written in
1838, in which their demands were formulated: universal (male)
suffrage, annual parliaments, vote by secret ballot, abolition
of property qualifications for MPs, payment of MPs and equal
electoral districts. The movement briefly thrived and three massive
petitions were presented to Parliament between1839 and 1848.
The demands were summarily rejected by Parliament but, with the
exception of annual parliaments, they are now recognised as the
cornerstones of modern democracy.
Chartism was a loose federation
of local movements rather than a unified national organization.
The radical newspaper the Northern Star was the most effective
link between Chartist groups and became the only national organ
of the movement. At its peak in 1839, the paper sold 50,000 copies
a week, rivalling the circulation of The Times. The paper
effectively kept Chartism alive by giving the movement a continuity
it would otherwise have lacked. It also enabled the paper's proprietor,
Feargus O'Connor, to increasingly dominate the movement and present
a 'physical force' agenda at odds with many of the movement's
founders such as William Lovett.
This display reassembles ten
portrait engravings produced for an innovative 'subscribers offer'
from the Northern Star newspaper. The prints of Chartist
leaders represented a powerful tool for developing a shared understanding
of the movement among its supporters. For O'Connor, it also enabled
him to promote his own vision of Chartism at the same time as
boosting the circulation of his paper. This amalgamation of radical
politics and financial incentives offer a fascinating insight
into this period of debate and confrontation. To the readers
of the Northern Star, the prints formed an inspirational
pantheon of Chartist leaders and charged their belief that a
more just and democratic society was achievable.
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