|
PAST EXHIBITION ARCHIVE
Defying Distance:
Photographs by Adam Broomberg and Oliver Chanarin
14 June - 25 September 2005
Room 40

Sir Tim Berners-Lee
by Adam Broomberg and Oliver Chanarin,
13 April 2005

Dr John Causebrook
by Adam Broomberg and Oliver Chanarin,
February 2005
Supported by
|
Telecommunications have a profound
impact on the way we live and think.Telephones and computers
converged in the mid 1980s to create an industry that has become
one of the most important forces shaping society in the first
half of the 21st century. Ideas and information are now communicated
at unprecedented speed.Time and distance have been virtually
eliminated; almost everyone is accessible at any time in any
place. As costs continue to fall entry to the network is available
to individuals and small companies as well as global corporations.
This series of portraits profiles
the range of initiatives, and the visionary drive that have contributed
to the development of the telecommunications industry in the
United Kingdom. Adam Broomberg and Oliver Chanarin have photographed
some of the key figures who have played a significant part in
the recent history of telecommunications including corporate
stars, entrepreneurs, 'backroom boys,' academics, and regulators.
The landscape photographs showing
beacons reflect the history of communicating across distance.
Beacons are the antecedents of telecommunication. Hilltops have
been used for keeping watch and sending signals by fire since
prehistoric times. Sending warnings to alert the defence by lighting
a relay of hilltop fires was faster than sending messengers on
horseback.
Adam Broomberg and Oliver Chanarin
grew up in South Africa and are currently based in London.Their
partnership began in the late 1990s in Italy where they edited
and contributed to Benetton's Colors magazine. Since then
their photographs have been widely exhibited, including shows
at the Victoria and Albert Museum (2003), The Photographers'
Gallery (2004) and the Hasselblad Centre (2000) in Sweden. They
have published three books: Trust (2001), Ghetto (2003)
and Mr Mkhize's Portrait (2004).
This commission has been made
possible by Deloitte, the National
Portrait Gallery's Contemporary Photography
Displays Partner.
|