Prints catalogue Smith - 10


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Princess Sophia, Electress of Hanover, by and published by John Smith, possibly after  Friedrich Wilhelm Weidemann, 1706 - NPG  - © National Portrait Gallery, London

Princess Sophia, Electress of Hanover
by and published by John Smith, possibly after Friedrich Wilhelm Weidemann
1706
NPG D11929

243.
D11929
Princess Sophia, Electress of Hanover
By and published by John Smith, possibly after Friedrich Wilhelm Weidemann
Mezzotint
7 7/8 in. x 5 3/4 in. (201 mm x 147 mm) plate size
1706
Lettered in two lines The most Illustrious Princess Sophia Electrice / Dowager of Brunswick. &c.
Below Done by I. Smith from an Original painting lately brought from Hanover. & Sold by him at ye Lyon & Crown in Russell street Covent Garden

I Before the lettering.
Oxford (AM, Sutherland collection, vol. II, pt. VIII, p. 416).
II As described.
Amsterdam (RM, RP-P-OB-32-849), Glasgow (HAG, GLAHA 16320), London (BM, 1902-10-11-4844, good margins), London (NPG, D11929), New York (NYPL, vol. 2, fol. 49), Oxford (AM, Sutherland collection, Burnet vol. II, pt. VIII, p. 416), Paris (BN, Ec. 86, fol. 88, cut), Plymouth (CAG, COP16, f. 108, with inscription in brown in and pen by Smith: 1706, cut).
III Posthumously published.

References: CS 238 II; Wessely 242; BM 2.
Location of original painting and related material: Unknown. Reduced, reversed version of the mezzotint by John Smith CS 237 (BM 15).


 
Edward Southwell, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1709 (1708) - NPG  - © National Portrait Gallery, London

Edward Southwell
by and published by John Smith, after Sir Godfrey Kneller, Bt
1709 (1708)
NPG D11668

244.
D11668
Edward Southwell
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 9 3/4 in. (347 mm x 249 mm) plate size
1709 (1708)
Lettered Edward Southwell Esq.
Below left G. Kneller S.R. Imp. et Angl. Eques Aur. Pinx. 1708
Below right I. Smith fec. et ex.

I Before the lettering. Margin clear.
London (BM, large Smith vol. II, p. 45, touched in black ink on the eyebrows and on the eyes), Oxford (AM, Sutherland collection, Burnet vol. II, pt. I, Subscribers, the surround drawn in opaque grey ink wash).
II As described. With unusual domed margin.
Amsterdam (RM, RP-P-OB-32-850), Eton (CL, Storer Granger, period VIII, classes II to V, fol. 48), Glasgow (HAG, GLAHA 16260), London (BM, 1902-10-11-4845 and 1950-5-20-124), London (NPG, D11668), New York (NYPL, vol. 2, fol. 94, dated 1709), Oxford (Christ Church, Smith vol. II, fol. 86, sheet), Oxford (AM, Sutherland collection, Burnet vol. II, pt. I, Subscribers), Paris (BN, Ec. 86, fol. 26 [Kneller and Smith inscriptions faint], cut, and Cd. 12 cc, fol. 36, cut), Plymouth (CAG, COP16, f. 127, trimmed), Windsor (RL, RCIN 662007).
III Posthumously published.

References: CS 239 II; Wessely 243; BM 1; Stewart 695.
Location of original painting and related material: A later but related whole length portrait by Sir Godfrey Kneller, 1716, in a private collection, Kings Weston House, Bristol, Somerset (Stewart 695).


Sir Robert Southwell, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1704 - NPG  - © National Portrait Gallery, London

Sir Robert Southwell
by and published by John Smith, after Sir Godfrey Kneller, Bt
1704
NPG D11691

245.
D11691
Sir Robert Southwell
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 9 7/8 in. (345 mm x 252 mm) plate size
1704
Lettered in two lines S.r Robert Southwell. K.t / Ob. 11. September 1702. Anno Æ tat. Su æ . 67.
Below left G. Kneller Eques pinx.
Below right I. Smith fec. et ex.

I Before the lettering.
London (BM, large Smith vol. II, p. 45).
II As described.
Amsterdam (RM, RP-P-OB-32-851), Eton (CL, Storer Granger, period VI, classes LX, fol. 67), Glasgow (HAG, GLAHA 16429), London (BM, 1902-10-11-4846 ... 4847 and 1950-5-20-125), London (NPG, D11691), New Haven (B1977.14.10234), New York (NYPL, vol. 2, fol. 32, dated 1704), Oxford (Christ Church, Smith vol. I, fol. 50), Oxford (AM, Sutherland collection, vol. II, pt. I, Subscribers), Paris (BN, Ec. 85, fol. 142, trimmed, and Cd. 12 cc, fol. 37, damaged impression, cut), Plymouth (CAG, COP16, f. 68, fine impression, Windsor (RL, RCIN 662008).

References: CS 240 II; Wessely 244; BM 1; Stewart 704.
Location of original painting and related material: Three quarter length portrait by Sir Godfrey Kneller in the collection of the Royal Society, London (Stewart 704).


Thomas Sprat; Thomas Sprat, by and published by John Smith, after  Michael Dahl, 1712 (1712) - NPG  - © National Portrait Gallery, London

Thomas Sprat; Thomas Sprat
by and published by John Smith, after Michael Dahl
1712 (1712)
NPG D11592

246.
D11592
Thomas Sprat, Bishop of Rochester, with his son Thomas Sprat
By and published by John Smith, after Michael Dahl
Mezzotint
12 in. x 14 5/8 in. (305 mm x 370 mm) plate size
1712 (1712)
Lettered THOMAS LORD BISHOP OF ROCHESTER & THOMAS SPRAT A.M. ARCHDEACON OF ROCHESTER.
Below left M. Dahll pinx.
Below right I. Smith fec et ex. 1712.

I Before the lettering.
London (BM, P.7-58, trimmed).
II As described.
Amsterdam (RM, RP-P-OB-32-852), Chatsworth (Smith vol. I, fol. 114), Glasgow (HAG, GLAHA 16410), London (BM, 1902-10-11-4853, good), London (NPG, D11592), New York (NYPL, vol. 2, fol. 100, dated 1712, sheet), Oxford (AM, Sutherland collection, Burnet vol. I, pt. VIII, p. 483), Paris (BN, Ec. 86, fol. 3, cut, and Cd. 11, fol. 60, cut), Plymouth (CAG, COP16, f. 142, trimmed), Windsor (RL, RCIN 662077).
III Published in Boydell's Heads of Illustrious ... Persons, 1811, opp. p 83.
London (NPG, Heinz Archive and Library, Fleming collection), New Haven (YCBA, Dept. of Rare Books), Windsor (RL).

References: CS 243 I; Wessely 245; BM 1; Nisser 1927, 55b.
Location of original painting and related material: Double portrait by Michael Dahl in the collection of the Bodleian Library, Oxford (Lane Poole vol. I, 205; Baker 1912, 179 (39); Nisser 1927, 139; Ingamells p. 363).


Sir Richard Steele, by and sold by John Smith, after  Jonathan Richardson, 1713 (1712) - NPG  - © National Portrait Gallery, London

Sir Richard Steele
by and sold by John Smith, after Jonathan Richardson
1713 (1712)
NPG D11510

247.
D11510
Sir Richard Steele
By and published by John Smith, after Jonathan Richardson
Mezzotint
13 5/8 in. x 9 7/8 in. (345 mm x 250 mm) plate size
1713 (1712)
Lettered Mr. Richard Steele.
Below left J. Richardson pinx. 1712.
Below centre J. Smith fec
Below right Sold by J. Smith at the Lyon & Crown in Russell Street Covent Garden

I Before the lettering. Grounding encroaches into margin below.
London (BM, Q.1-132, Cracherode collection, large Smith vol. II, p. 47).
II As described.
Amsterdam (RM, RP-P-OB-32-853), Eton (CL, Storer Granger, period VIII, classes VI to VIII, fol. 97), Glasgow (HAG, GLAHA 16423 and 1004), London (BM, 1902-10-11-4854, good margins, and 1950-5-20-168 and Q.1-131, Portraits), London (NPG, D11510), London (UCL, Strang G2082, small margins), New York (NYPL, vol. 2, fol. 110, dated 1713), Paris (BN, Ec. 86, fol. 59, cut), Plymouth (CAG, COP16, f. 74,
12 mm margins), Windsor (RL, RCIN 662216).
III Posthumously published.

References: CS 244 II; Wessely 246; BM 10.
Location of original painting and related material: Three quarter length portrait (NPG 5067) and and half length portrait (NPG 160) by Jonathan Richardson, 1712, in the collection of the National Portrait Gallery, London.


Christopher Walters Stockdale, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1693 (circa 1690) - NPG  - © National Portrait Gallery, London

Christopher Walters Stockdale
by and published by John Smith, after Sir Godfrey Kneller, Bt
1693 (circa 1690)
NPG D11679

248.
D11679
Christopher Walters Stockdale
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint and engraving
13 1/4 in. x 9 7/8 in. (335 mm x 250 mm) plate size
1693 (circa 1690)
Lettered around oval frame CHRISTOPHER WALTERS STOCKDALE ESQ.
Below left G Kneller Eques pinx:
Below right I Smith fec: & excud:

Before engraved frame and lettering.
London (NPG, D4476, in pen and ink: Christopher Walters Stockdale Esqr), Windsor (RL, RCIN 662309).
II Finished. As described.
Amsterdam (RM, RP-P-OB-32-854 and RP-P-38.701, trimmed), Cambridge (Magdalene, Pepys collection, vol. II, 2979/115), Eton (CL, Storer Granger, Period VII, Class I-III, opp. fol. 130, cut), Glasgow (HAG, GLAHA 16253), London (BM, 1902-10-11-4855 ... 4856 and 1950-5-20-126, trimmed), London (NPG, D11679), New York (NYPL, vol. 1, fol. 98, dated 1693), Oxford (Christ Church, Smith vol. I, fol. 65), Paris (BN, Ec. 86, fol. 20, fine, cut, and Cd. 12 cc, fol. 43, cut), Plymouth (CAG, COP16, f. 76, trimmed), Windsor (RL, RCIN 662308).
III Posthumously published.

References: CS 245 II; Wessely 247; BM 1; Stewart 715.
Location of original painting and related material: Unknown.


Prince James Francis Edward Stuart, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1688 - NPG  - © National Portrait Gallery, London

Prince James Francis Edward Stuart
by and published by John Smith, after Sir Godfrey Kneller, Bt
1688
NPG D11540

249.
D11540
Prince James Francis Edward Stuart
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
14 1/8 in. x 10 1/8/ in. (359 mm x 256 mm) plate size
1688
Lettered The Prince of Great Britain &c.
Below left G. Kneller ad vivum pinx: / I Smith fecit,
Below right Sold by I. Smith at ye golden Lyon in Russel Street

I Before lettering.
London (BM, 1902-10-11-4857, cut), Oxford (AM, Sutherland collection, Burnet vol. II, pt. V, p. 246).
II Lettered, with the address: Sold by G Beckett at ye golden head in the Old Baily
?Cambridge (Magdalene, Pepys Collection, vol. I, fol. 116 [trimmed so state cannot be ascertained]), Eton (CL, Storer Granger, vol. IV, part III, fol. 38), New York (NYPL, vol. 1, fol. 51, dated 1688), Oxford (AM, Sutherland collection, vol. II, pt. V, p. 246).
III As described, with the address of Smith.
Amsterdam (RM, RP-P-OB-32-855), Glasgow (HAG, GLAHA 16213, vol. II, no. 1 and 1093), London (BM, 1902-10-11-4858 and 1902-10-11-8327, a late impression, paper discoloured, and large Smith vol. II, p. 48), London (NPG, D11540 and D10697, late), Oxford (Christ Church, Smith vol. II, fol. 25), Paris (BN, Ec. 85, fol. 76, dark impression, cut, and Cd. 12 cb, fol. 6, cut), Plymouth (CAG, COP17, f. 7, trimmed), Windsor (RL, RCIN 603479).
IV Plate with oxidisation. Some slight rework.
London (BM, 1902-10-11-4859).
V Published in Boydell's Heads of Illustrious ... Persons, 1811, opp. p 77.
Oxidisation in margin burnished.
London (BM, 1902-10-11-4860), London (NPG, Heinz Archive and Library, Fleming collection), New Haven (YCBA, Dept. of Rare Books), Windsor (RL).

References: CS 246 III; Wessely 248; BM 12; Stewart 390; Sharp 1996, 71.
Location of original painting and related material: Unknown. A mezzotint copy by Pieter Schenck (BM 13; H. XXV, 673).


Prince James Francis Edward Stuart; Princess Louisa Maria Theresa Stuart, by and published by John Smith, after  Nicolas de Largillière, 1699 (1695) - NPG  - © National Portrait Gallery, London

Prince James Francis Edward Stuart; Princess Louisa Maria Theresa Stuart
by and published by John Smith, after Nicolas de Largillière
1699 (1695)
NPG D11539

250.
D11539
Prince James Francis Edward Stuart and his sister, Princess Louisa Maria Theresa Stuart
By and published by John Smith, after Nicolas de Largillière
Mezzotint
15 1/8 in. x 11 1/8 in. (400 mm x 300 mm) approximate plate size [closely bound in album]
1699 (1695)
Lettered Le Prince de Galles et La Princesse sa Soeur.
Below left N. de Largillierre pinx:
Below right I. Smith fec

I Before the lettering.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. XII, p. 602).
II Lettered, with the French address below right: Ce Vend a Paris rue St Iacq, aux 2 Piliers d'or
London (BM, 1950-5-20-371, margins, good).
III As described, address erased.
Amsterdam (RM, RP-P-OB-32-856), Glasgow (HAG, GLAHA 16214), London (BM, 1902-10-11-4862), London (NPG, D11539, 1699 in pen and brown ink, Smith's hand, and bottom right 1:1:- in pen and brown ink, not Smith's hand), London (UCL, Strang G2083, small margins, good), Oxford (AM, Sutherland collection, Burnet vol. II, pt. XII, p. 602, two impressions), Paris (BN, Ec. 92, fol. 92, discoloured, cut).
IV I Smith fec: erased at lower right. The plate reworked and sharpened.
Cambridge? (Magdalene, Pepys Collection, vol. I, fol. 118, trimmed so state cannot be ascertained), London (BM, 1874-8-8-1359 and 1902-10-11-4861), New York (NYPL, vol. 1, fol. 150, signed and dated 1699, sheet), Oxford (Christ Church, Smith vol. II, fol. 35), Plymouth (CAG, COP17, f. 11, fine impression, trimmed), Windsor (RL, RCIN 603495).

References: CS 247 III; Wessely 249; BM 21; Sharp 1996, 114.
Location of original painting and related material: Double portrait by Nicolas de Largillière, 1695, in the collection of the National Portrait Gallery, London (NPG 976; Piper 1963, p. 334; Kerslake 1977, p. 154, fig. 423; Rosenfeld 41).


William Stukeley, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1721 (1720) - NPG  - © National Portrait Gallery, London

William Stukeley
by and published by John Smith, after Sir Godfrey Kneller, Bt
1721 (1720)
NPG D11570

251.
D11570
William Stukeley
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 9 5/8 in. (347 mm x 245 mm) plate size
1721 (1720)
Lettered in two lines between arms Gulielmus Stukeley. M.D./ .... Londini Socius
Below left G. Kneller Baronets pinx. 1721
Below right J. Smith Fec et ex: 1721.

I Before the lettering.
II As described.
Amsterdam (RM, RP-P-OB-32-857), Glasgow (HAG, GLAHA 16247), London (BM, 1902-10-11-4863), London (NPG, D11570, D6889-90 and D4074), New York (NYPL, vol. 2, fol. 145), Paris (BN, Ec. 86, fol. 38, cut), Plymouth (CAG, COP16, f. 80, trimmed), Windsor (RL, RCIN 662424).
III Posthumously published.

References: CS 248 II; Wessely 250; BM 1; Stewart 723.
Location of original painting and related material: Half length portrait by Sir Godfrey Kneller, 1720[ sic ], in the collection of Sir Dennis Stucley, Hartland Abbey, Hartland, Devon (1983).


Sir Philip Sydenham, 3rd Bt, by John Smith, after  D. De Haese, 1700 - NPG  - © National Portrait Gallery, London

Sir Philip Sydenham, 3rd Bt
by John Smith, after D. De Haese
1700
NPG D6909

252.
D6909
Sir Philip Sydenham, 3rd Bt
By John Smith, after D. De Haese
Mezzotint
14 1/4 in. x 9 3/4 in. (363 mm x 249 mm) plate size
1700
Lettered in three lines S.r Philip Sydenham of / Brympton in the County of Somerset Bar.t / Æ ta. Su æ . 24. 1700.
Below left D. De Haese pinx:
Below right I.Smith fec:

I Before the lettering.
London (BM, large Smith vol. II, p. 49, with lettering of lettered state in pen and brown ink, margins, good), Oxford (AM, Sutherland collection, Burnet vol. I, pt I, with lettering of lettered state in pen and ink, margins [could be a proof]).
II As described.
Eton (CL, Storer Granger, period VIII, classes II to V, fol. 51), London (BM, 1950-5-20-44), London (NPG, D6909 and D4083), New York (NYPL, vol. 1, fol. 158, dated 1700), Oxford (Christ Church, Smith vol. I, fol. 77), Paris (BN, Ec. 85, fol. 140, trimmed), Windsor (RL, RCIN 662480).

References: CS 250 II; Wessely 251; BM 2.
Location of original painting and related material: Unknown.


253 .
George MacKenzie, Lord Tarbat, 1st Earl of Cromartie
By John Smith
Mezzotint and engraving
7 5/8 in. x 5 1/2 in. (196 mm x 142 mm) plate size
1692

I Before the lettering and engraved surround.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. VII, p. 358).
II Finished with engraved surround.
Lettered around oval in open capitals: GEORGE VISCOVNT TARBAT L.D MACLEOD ... OF CROMARTY Æ tatis 60 Anno 1692.
Lettered in five lines around coat of arms: Anno 1648 Collonell of [#] Dragounes under K.C. 1st./ ... Registers, & Rolls.
Below right: I Smith fecit
Chatsworth (Smith vol. I, fol. 77), London (BM, 1902-10-11-4866, trimmed), Oxford* (Sutherland collection, Burnet vol. II, pt. VII, p. 358), Paris (BN, Ec. 85, fol. 129, trimmed).

References: CS 251; Wessely 252; BM 2.
Location of original painting and related material: Unknown.


Thomas Tompion, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1697 - NPG  - © National Portrait Gallery, London

Thomas Tompion
by and published by John Smith, after Sir Godfrey Kneller, Bt
1697
NPG D11692

254.
D11692
Thomas Tompion
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 1/2 in. x 9 3/4 in. (342 mm x 248 mm) plate size
1697
Lettered Tho: Tompion Automatop'us.
Below left G: Kneller Eques Pinx:
Below right I: Smith fe: et ex:

I Before the lettering. Unfinished. Only oval with portrait finished with background white. Drypoint line 0.5 mm around oval and a ruled horizontal line marking margin.
London (BM, P.8-254, small margins, good, with inscription of lettered state in graphite).
II As described.
Amsterdam (RM, RP-P-OB-32-858), Cambridge (Magdalene, Pepys Collection, vol. III, fol. 7 / 291), Chatsworth (Smith vol. I, fol. 136), Eton (CL, Storer Granger, period VII, classes VIII to IX, fol. 38), Glasgow (HAG, GLAHA 16242), London (BM, 1902-10-11-4867 ... 4868, 1950-5-20-121, good margins, and large Smith vol. III, p. a1 and K.68-168, Portraits, cut), London (NPG, D11692), London (UCL, Strang G2084, sheet), New Haven (B1977.14.11854), New York (NYPL, vol. 1, fol. 133, dated 1697), Oxford (Christ Church, Smith vol. I, fol. 60, trimmed), Paris (BN, Ec. 86, fol. 65, discoloured, cut, and Cd. 12 cc, fol. 47, cut), Plymouth (CAG, COP16, f. 81, trimmed), Windsor (RL, RCIN 662793).
III Posthumously published.

References: CS 252 II; Wessely 253; BM 1; Stewart 752.
Location of original painting and related material: Half length portrait by Sir Godfrey Kneller in the collection of the British Horological Institute, Upton, Newark, Nottinghamshire (Stewart 752).


Anne Newport (née Pierrepont or Pierpont), Lady Torrington, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1720 (1709) - NPG  - © National Portrait Gallery, London

Anne Newport (née Pierrepont or Pierpont), Lady Torrington
by and published by John Smith, after Sir Godfrey Kneller, Bt
1720 (1709)
NPG D11609

255.
D11609
Anne Newport (née Pierrepont; Pierpont), Lady Torrington
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 7/8 in. x 9 7/8 in. (353 mm x 250 mm) plate size
1720 (1709)
Lettered The Right Honourable Ann Lady Torrington.
Below left G. Kneller Baronet.s pinx. 1709.
Below centre J. Smith fec. 1720.
Below right Sold by J. Smith at ye Lyon & Crown in Russell Street Covent Garden.

I Before the lettering.
London (BM, 1902-10-11-4869, in pen and brown ink: Lady Torrington, and large Smith vol. III, p. 1).
II As described.
Amsterdam (RM, RP-P-OB-32-859), Glasgow (HAG, GLAHA 16281), London (BM, 1902-10-11-4870 ... 4871 and 1859-8-6-5, Portraits), London (NPG, D11609), London (UCL, Strang G2085, cut removing lettering), New Haven (B1974.12.664), New York (NYPL, vol. 2, fol. 142), Paris (BN, Ec. 84, fol. 32, dark impression, cut, and Cd. 12 cc, fol. 48, cut), Plymouth (CAG, COP17, f. 37, cut), Windsor (RL, RCIN 659410).
III Posthumously published. Plate worn giving pale impressions.
London (BM, 1902-10-11-4872).

References: CS 253 II; Wessely 254; BM 1; Stewart 756.
Location of original painting and related material: Unknown. A pair to the mezzotint by John Smith of Baron Torrington (CS 254).


Thomas Newport, Baron Torrington, by John Smith, after  Sir Godfrey Kneller, Bt, 1720 (1714) - NPG  - © National Portrait Gallery, London

Thomas Newport, Baron Torrington
by John Smith, after Sir Godfrey Kneller, Bt
1720 (1714)
NPG D11647

256.
D11647
Thomas Newport, Baron Torrington
By John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
14 3/8 in. x 9 3/4 in. (365 mm x 247 mm) plate size
1720 (1714)
Lettered in three lines The R.t Hon.ble Thomas Lord Torrington one of / ... Hon.ble Privy Council &c.
Below left G Kneller Baronet.s pinx. 1714.
Below right J. Smith fec. 1720

I Before the lettering. Before some faintly scratched letters on the folded letter in the design.
London (BM, P.8-124, trimmed to platemark, good and large Smith vol. III, p. 2).
II As described.
Amsterdam (RM, RP-P-OB-32-860), Chatsworth (Smith vol. I, fol. 81), Eton (CL, Storer Granger, Period VII, Class I-III, fol. 100), Glasgow (HAG, GLAHA 16407), London (BM, 1902-10-11-4873 ... 4874, and large Smith vol. III, p. 2), London (NPG, D11647), New York (NYPL, vol. 2, fol. 141), Paris (BN, Ec. 85, fol. 136, trimmed, and Cd.12. cc, fol. 50, cut), Windsor (RL, RCIN 659409).
III Posthumously published.

References: CS 254 II; Wessely 255; BM 1; Stewart 755.
Location of original painting and related material: Unknown. A pair to the mezzotint by John Smith of Lady Torrington (CS 253).


Charles Townshend, 3rd Viscount Townshend, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1702 - NPG  - © National Portrait Gallery, London

Charles Townshend, 3rd Viscount Townshend
by and published by John Smith, after Sir Godfrey Kneller, Bt
1702
NPG D11686

257.
D11686
Charles Townshend, 3rd Viscount Townshend
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 9 7/8 in. (347 mm x 250 mm) plate size
1702
Below left corner G. Kneller S.R.Imp. et Angl. Eques Aur: pinx:
Below centre I Smith fec:
Below right Sold by I.Smith at ye Lyon & Crown in Russel street Covent Garden

I As described. Margin is 45 mm.
Amsterdam (RM, RP-P-OB-32-861), Eton (CL, Storer Granger, vol. IV, part IV, fol. 16), London (BM, 1902-10-11-4875 and large Smith vol. III, p. 3, margins), London (NPG, D11686), New York (NYPL, vol. 2, fol. 14, dated 1702, in pen and ink: Mr Charles Towneshend), Oxford (AM, Sutherland collection, Burnet vol. II, pt. IX, p. 466), Paris (BN, Ec. 86, fol. 62, cut, and Cd. 12 cc, fol. 51, cut), Plymouth (CAG, COP16, f. 54, lettered in pen and ink: Mr Charles Townsend., trimmed).
II Inscription space ground increased by 30 mm.
Glasgow (HAG, GLAHA 16263), London (BM, 1902-10-11-4876 and large Smith vol. III, p. 3), London (NPG, D11992 and D6972-3), Oxford (Christ Church, Smith vol. I, fol. 69), Oxford (AM, Sutherland collection, Burnet vol. II, pt. IX, p. 466), Windsor (RL, RCIN 662819).
III Posthumously published.

References: CS 255 II; Wessely 256; BM 1; Stewart 765.
Location of original painting and related material: Unknown.


John Hay, 1st Marquess of Tweeddale, by John Smith, after  Sir Godfrey Kneller, Bt, 1690 - NPG  - © National Portrait Gallery, London

John Hay, 1st Marquess of Tweeddale
by John Smith, after Sir Godfrey Kneller, Bt
1690
NPG D31107

258.
D31107
John Hay, 1st Marquess of Tweeddale
By John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 1/4 in. x 9 1/8 in. (335 mm x 233 mm) plate size
1690

I ? Unfinished.
Oxford (AM, Sutherland collection, Burnet vol. I, pt. III, p. 102, cut 275 mm x 230 mm, dark impression).
II Before the lettering.
?Cambridge (Magdalene, Pepys collection, vol. II, 2979/56b, cut to oval), Eton (CL, Storer Granger, period VI, classes LX, opp. fol. 60), London (BM, 1848-9-11-543, margins, good impression), London (NPG, D12025), Oxford (AM, Sutherland collection, Burnet vol. I, pt. III, p. 102, in pen and ink: John Earle of Tweeddale / John Marquis of Tweedale Earle of Gifford &c).
III Faintly lettered in drypoint: John Earle of Tweeddale.
Paris (BN, Cd. 11, fol. 20, cut, and Cd. 12 cc, fol. 53, with inscriptions in brown ink: chanceller of Scotland. / G. Kneller [#] I. Smith, cut), Windsor (RL, RCIN 656091).
IV Lettered in drypoint: John Earle of Tweeddale
Bottom left: G.Kneller
Bottom right in reverse: G. Kneller
Amsterdam (RM, RP-P-OB-32-862), London (BM, 1902-10-11-4877... 4878), Oxford (AM, Sutherland collection, Burnet vol. I, pt. III, p. 102).
V Lettered in four lines: John Earle of Tweeddale ... and of his Age 41.
Below left: G. Kneller pinx:
Below right: I: Smith fec:
New York (NYPL, vol. 1, fol. 75, dated 1690).

References: CS 256 II; Wessely 257; BM 1; Stewart 769.
Location of original painting and related material: Unknown.


John Hay, 1st Marquess of Tweeddale, by John Smith, after  Sir Godfrey Kneller, Bt, 1695 (1695) - NPG  - © National Portrait Gallery, London

John Hay, 1st Marquess of Tweeddale
by John Smith, after Sir Godfrey Kneller, Bt
1695 (1695)
NPG D11646

259.
D11646
John Hay, 1st Marquess of Tweeddale
By John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 3/8 in. x 9 7/8 in. (340 mm x 250 mm) plate size
1695 (1695)
Lettered in three lines John Marquis of Tweedale, Earl of Gifford, Viscount of Walden / ... Commissioner for his Ma.tie to the Parliament there, Anno Dni 1695.
Below left G. Kneller Eques pinx:
Below right I. Smith fecit.

As described.
Amsterdam (RM, RP-P-OB-32-863), Eton (CL, Storer Granger, period VI, classes LX, fol. 60), London (BM, 1902-10-11-4879, trimmed), London (NPG, D11646), New York (NYPL, vol. 1, fol. 118, dated 1695), Oxford (Christ Church, Smith vol. I, fol. 48), Oxford (AM, Sutherland collection, Burnet vol. II, pt. II, facing p. 87, in pen and ink after Smith's name: 1695), Paris (BN, Ec. 85, fol. 104 and Cd. 12 cc, fol. 54), Windsor (RL, RCIN 656092).

References: CS 257; Wessely 258; BM 4; Stewart 770.
Location of original painting and related material: Half length portrait by Sir Godfrey Kneller, 1695, in the collection of the Tate Gallery, London (N03272; Stewart 770).


William van de Velde the Younger, by John Smith, after  Sir Godfrey Kneller, Bt, 1707 (1680) - NPG  - © National Portrait Gallery, London

William van de Velde the Younger
by John Smith, after Sir Godfrey Kneller, Bt
1707 (1680)
NPG D11496

260.
D11496
William Van de Velde the Younger
By John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 9 7/8 in. (347 mm x 252 mm) plate size
1707 (1680)
Lettered in three lines Gulielmus Vande Velde junior, / ... Anno Dom. 1707. Æ tat. su æ 74.
Below left G. Kneller Eques pinx. 1680.
Below right I. Smith fec. 1707.

I Before the lettering. Before a moustache.
London (BM, 1902- 10-11-4880, margins)
II With a moustache.
Amsterdam (RM, RP-P-OB-32-864, lettered in pen and ink: Gulielmus Vande Velde junior / G:Kneller pinx: / I Smith fec:).
III As described.
Amsterdam (RM, RP-P-OB-32-865), Eton (CL, Storer Granger, vol. IV, part I, fol. 170), London (BM, 1902-10-11-4881, small margins, good), London (NMM, PAG 6339 and F367), London (NPG, D11496), London (UCL, Strang G2086, trimmed), New Haven (B1977.14.12662), New York (NYPL, vol. 2, fol. 71), Oxford (Christ Church, Smith vol. II, fol. 73), Paris (BN, Ec. 86, fol. 45, cut and Cd.12 c fol. 29, cut).

References: CS 258 II; Wessely 259; BM 1; Stewart 814, pl. 81a. See The Art of the Van de Veldes, National Maritime Museum exhibition catalogue, London 1982, 155, fig. 4.
Location of original painting and related material: Unknown.


Mrs Voss and ?Catherine Kneller, later Mrs Huckle, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1692 - NPG  - © National Portrait Gallery, London

Mrs Voss and ?Catherine Kneller, later Mrs Huckle
by and published by John Smith, after Sir Godfrey Kneller, Bt
1692
NPG D11630

261.
D11630
Mrs Voss and Catherine Kneller, later Mrs Huckle
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 1/2 in. x 10 in. (342 mm x 255 mm) plate size
1692
Below centre G: Kneller Eques pinxit. / I. Smith fecit, & excudit

I Before the lettering.
Windsor (RL, RCIN 663231).
II Below left: G. Kneller Eques pinx:
Below right: J Smith fec: & exc:
Amsterdam (RM, RP-P-OB-32-867), Cambridge (Magdalene, Pepys collection, vol. II, 2979/214, with inscription: Mrs Voss the Quaker's Wife in St Austin's Fryars), London (BM, 1874-8-8-1278, margins, good, and large Smith vol. III, p. 6, small margins), London (UCL, Strang G2088, sheet), New York (NYPL, vol. 1, fol. 92, dated 1692), Paris (BN, Ec. 85, fol. 148, worn, trimmed), Plymouth (CAG, COP17, f. 47, cut).
III As described. Lettering in centre. Left hand of child introduced.
Amsterdam (RM, RP-P-OB-32-868), Eton (CL, Storer Granger, period VII, classes VIII to IX, fol. 97), London (BM, large Smith vol. III, p. 6, margins and P.6-232, Portraits), London (NPG, D11630), Oxford (Christ Church, Smith vol. I, fol. 89), Paris (BN, Ec. 85, fol. 147, trimmed, and Cd. 12 cc, fol. 57, cut), Windsor (RL, RCIN 663230).

References: CS 260 II; Wessely 261; BM 1; Stewart 1971, 6; Stewart 824.
Location of original painting and related material: Double portrait attributed to Kneller in the collection of the National Trust, Kingston Lacy, Dorset (P/61). See also the mezzotint copy by Pieter Schenck (H. XXV, 930).


Humphrey Wanley, by and published by John Smith, after  Thomas Hill, 1718 (1717) - NPG  - © National Portrait Gallery, London

Humphrey Wanley
by and published by John Smith, after Thomas Hill
1718 (1717)
NPG D11665

262.
D11665
Humphrey Wanley
By and published by John Smith, after Thomas Hill
Mezzotint
13 1/4 in. x 10 in. (335 mm x 254 mm) plate size
1718 (1717)
Lettered in two lines HUMFREDUS WANLEY. / Natus 21 die Martij. A.D. 1671/2.
Below left Thomas Hill pinxit Mense Septemb A.D. 1717.
Below right J. Smith Fec. et ex. 1718/7

As described.
Amsterdam (RM, RP-P-OB-32-871), Chatsworth (Smith vol. I, fol. 131), Glasgow (HAG, GLAHA 16262), London (BM, 1902-10-11-4891 and P.8-238, Portraits), London (NPG, D11665), New York (NYPL, vol. 2, fol. 129), Paris (BN, Ec. 86, fol. 63, cut), Plymouth (CAG, COP16, f. 82, 10 mm margins), Windsor (RL, RCIN 663386).

References: CS 263; Wessely 264; BM 1.
Location of original painting and related material: Half length portrait by Thomas Hill in the collection of the Bodleian Library, Oxford (Lane Poole I, 226); a version in the collection of the National Portrait Gallery, London (NPG 579; Piper 1963, p. 372).


Ann Warner, by and published by John Smith, after  Nicolas de Largillière, 1687 - NPG  - © National Portrait Gallery, London

Ann Warner
by and published by John Smith, after Nicolas de Largillière
1687
NPG D11624

263.
D11624
Mrs Ann Warner as a girl
By and published by John Smith, after Nicolas de Largillière
Mezzotint
13 3/8 in. x 10 in. (340 mm x 253 mm) plate size
1687
Lettered Mrs Ann Warner
Below left N de Largilierre pinx:
Below right I Smith fec: et exc:

I Before rework about jewel over right elbow.
Amsterdam (RM, RP-P-OB-32-872), Eton (CL, Storer Granger, Period VI, classes LX, fol. 137), London (BM, 1855-5-12-74, Portraits), London (NPG, D11624), New York (NYPL, vol. 1, fol. 36, dated 1687), Oxford (Christ Church, Smith vol. I, fol. 66), Paris (BN, Ec. 84, fol. 42, dark impression, cut), Plymouth (CAG, COP17, f. 23, trimmed).
II ? Retouched about jewel and other parts.
Glasgow (HAG, GLAHA 16294), London (BM, 1902-10-11-4892 ... 4893, and 1853-1-12-1697, cut), New Haven (B1974.12.679), Windsor (RL, RCIN 663420).

References: CS 264 I; Wessely 265; BM 1.
Location of original painting and related material: Unknown (Rosenfeld p. 31, illus. fig. IV).


Henry Booth, 1st Earl of Warrington, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1689 (circa 1684) - NPG  - © National Portrait Gallery, London

Henry Booth, 1st Earl of Warrington
by and published by John Smith, after Sir Godfrey Kneller, Bt
1689 (circa 1684)
NPG D11574

264.
D11574
Henry Booth, 1st Earl of Warrington
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 3/8 in. x 10 1/8 in. (340 mm x 257 mm) plate size
1689 (circa 1684)
Lettered in three lines The Rt Hono.ble Henry Booth Ld. De la Mer of Dunham Massy /..... of the Treasury &c:
Below left G. Kneller pinx:
Below right I. Smith fe: et exc:

As described.
Amsterdam (RM, RP-P-OB-32-673), Cambridge (Magdalene, Pepys collection, vol. II, 2979/46), Chatsworth (Smith vol. I, fol. 95), Eton (CL, Storer Granger, vol. IV, part III, fol. 86), Glasgow (HAG, GLAHA 16408), London (BM, 1902-10-11-4525, and 1950-5-20-96), London (NPG, D11574), New York (NYPL, vol. 1, fol. 62, dated 1689), Oxford (Christ Church, Smith vol. I, fol. 37), Oxford (AM, Sutherland collection, Burnet vol. I, pt. XIII, p. 790), Paris (BN, Ec. 85, fol. 122, trimmed, and Cd. 12 cc, fol. 60, cut), Plymouth (CAG, COP16, f. 52, trimmed), Windsor (RL, RCIN 651182).

References: CS 79; Wessely 21; BM 1; Stewart 831.
Location of original painting and related material: Three-quarter-length portrait by Sir Godfrey Kneller in the collection of the National Trust, Dunham Massey, Altrincham, Cheshire (Stewart 831). See also a half length portrait by Sir Godfrey Kneller in the collection of the Government Art Collection (inv. 0/28; Stewart 832).


Edward Rich, 6th Earl of Warwick and 3rd Earl of Holland, by John Smith, published by  Edward Cooper, after  William Wissing, 1684 - NPG  - © National Portrait Gallery, London

Edward Rich, 6th Earl of Warwick and 3rd Earl of Holland
by John Smith, published by Edward Cooper, after William Wissing
1684
NPG D11907

265.
D11907
Edward Rich, 6th Earl of Warwick and 3rd Earl of Holland
By John Smith, published by Edward Cooper, after William Wissing
Mezzotint
9 1/2 in. x 7 in. (240 mm x 178 mm) plate size
1684
Lettered The Right Hon.ble E Rich Earl of Warwick & Holland
Below left towards centre W. Wissing Pinxit
Below centre I Smith fecit
Below right towards centre E Cooper Ex.

I Before the lettering.
Chatsworth (Smith vol. I, fol. 90, two impressions, cut to design), Windsor (RL, RCIN 660714).
II As described.
Amsterdam (RM, RP-P-OB-32-873, trimmed below), Eton (CL, Storer Granger, vol. III, part III, opp. fol. 53), London (BM, 1902-10-11-4894 ... 4895, the former with margins), London (NPG D11907), New York (NYPL, vol. 1, fol. 8, dated 1684).

References: CS 265; Wessely 266; BM 1.
Location of original painting and related material: Whole length portrait by William Wissing of a boy said to be Lord Warwick, formerly in the collection of Lord Doverdale, Weston Park, Droitwich, Worcestershire; with Sotheby's 8/11/1950, lot 138. This portrait corresponds to CS 265 with minor variations to hair and costume.


Hon. Ann Watson, by John Smith, after  Charles D

Hon. Ann Watson
by John Smith, after Charles D'Agar
1708
NPG D9261

266.
D9261
Ann Watson
By John Smith, after Charles D'Agar
Mezzotint
12 7/8 in. x 9 in. (328 mm x 228 mm) paper size
1708
Lettered The Hon.ble M.rs Ann Watson.
Below left Carolus D'Agar pinx.
Below right I. Smith fec. 1708.

I Before the lettering.
Sykes sale, 1824.
Glasgow (HAG, GLAHA 3990 MacCallum collection, ex-collection Arthur Morrison, in pen and ink: Car d'Agar pinx. The honourable Mrs Anne Watson / Smith f. 1708).
II As described.
London (BM, 1902-10-11-4896 ... 4897), London (NPG, D9261), New York (NYPL, vol. 2, fol. 77), Oxford (Christ Church, Smith vol. II, fol. 88, sheet), Paris (BN, Ec.84, fol. 39, dark impression, cut), Windsor (RL, RCIN 663450).

References: CS 266 II; Wessely 267; BM 1.
Location of original painting and related material: Unknown.


Thomas Wharton, 1st Marquess of Wharton, by and sold by John Smith, after  Sir Godfrey Kneller, Bt, (circa 1710-1715) - NPG  - © National Portrait Gallery, London

Thomas Wharton, 1st Marquess of Wharton
by and sold by John Smith, after Sir Godfrey Kneller, Bt
(circa 1710-1715)
NPG D11652

267.
D11652
Thomas Wharton, 1st Marquess of Wharton
By John Simon or John Smith, published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 7/8 in. x 9 7/8 in. (354 mm x 250 mm) plate size
(circa 1710-1715)
Lettered in two lines The Most Honoble. Thomas Lord Marquiss of /Wharton Lord Privy Seal.
Below left G. Kneller S.R.I. et Magna Brit: Barott. pinx.
Below right Sold by J. Simith at ye Lyon & Crown in Russell Street Covent Garden

I Before the lettering.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. VIII, p. 430).
II As described.
Glasgow (HAG, GLAHA 16389), London (BM, 1902-10-11-4367 ...4368), London (NPG, D11652), Oxford (AM, Sutherland collection, Burnet vol. II, pt. VIII, facing p. 431), Windsor (RL, RCIN 663777).
III Below centre: ISimon fecit
Name of Smith corrected in the address.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. VIII, p. 409).

References: CS 162 (John Simon) and CS 267 (John Smith); BM 2; Stewart 838. NB: There is some confusion about the authorship of these two prints in Chaloner Smith.
Location of original painting and related material: Kit-cat Club portrait by Sir Godfrey Kneller in the National Portrait Gallery, London (NPG 3233; Piper 1963, pp. 373-74, pl. 26i).


Catherine Wilkinson, by John Smith, after  Thomas Hill, 1706 - NPG  - © National Portrait Gallery, London

Catherine Wilkinson
by John Smith, after Thomas Hill
1706
NPG D4805

268.
D4805
Catherine Wilkinson
By John Smith, after Thomas Hill
Mezzotint
13 3/4 in. x 9 7/8 in. (348 mm x 250 mm) plate size
1706
Lettered around shield of arms C. W. Obijt 10 Oct. [#] 1705. Ætatis suæ 35.
Below left T Hill pinx
Below right I. Smith fec.

As described.
Eton (CL, Storer Granger, period VII, classes VIII to IX, fol. 98, some discolouration, in pen and ink: scarce), London (BM, 1902-10-11-4902, margins and 1950-5-20-67 and 1862-10-9-236, Portraits), London (NPG, D4805), New York (NYPL, vol. 2, fol. 58, dated 1706), Oxford (Christ Church, Smith vol. II, fol. 82), Paris, BN, Ec.84, fol. 30, trimmed), Windsor (RL, RCIN 663901).

References: CS 270; BM 1
Location of original painting and related material: Unknown.


King William III, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1695 - NPG  - © National Portrait Gallery, London

King William III
by and published by John Smith, after Sir Godfrey Kneller, Bt
1695
NPG D11525

269.
D11525
King William III
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 3/8 in. x 9 7/8 in. (340 mm x 250 mm) plate size
1695
Lettered in two lines Gulielmus Tertius D.G. Angliæ / Scotiæ Franciæ et Hiberniæ Rex &c.
Below left G: Kneller Eques ad vivum pinx:
Below right I: Smith fec: et exc:

I Before the lettering. With small scratches beyond oval design.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. I, p. 34).
II As described.
Amsterdam (RM, RP-P-OB-32-874), Cambridge (Magdalene, Pepys Collection, vol. I, fol. 125, cut to oval), Eton (CL, Storer Granger, period VI, class LX, fol. 17, dated in pen and ink: 1695), ?Glasgow (GLAHA 16354, apparently retouched), London (BM, 1902-10-11-4903, margins, good), London (NPG, D11525), London (UCL, Strang G2090, sheet), New York (NYPL, vol. 1, fol. 114, dated 1695), Oxford (Christ Church, Smith vol. I, fol. 9), Oxford (AM, Sutherland collection, Burnet vol. II, pt. I, p. 34), Plymouth (CAG, COP16, f. 12, trimmed), Windsor (RL, RCIN 603100).
III Posthumously published.
London (BM, 1888-5-15-76*, 1902-10-11-4904, 1902-10-11-4906 ... 4907).

References: CS 271 II; Wessely 270; BM 57; Stewart 840.
Location of original painting and related material: Whole length portrait by Sir Godfrey Kneller, in the Royal Collection, Windsor Castle (Millar 1963, 335; Stewart 840). See the reduced mezzotint version published by John Smith (CS 272).


King William III, published by John Smith, after  Sir Godfrey Kneller, Bt, 1695 - NPG  - © National Portrait Gallery, London

King William III
published by John Smith, after Sir Godfrey Kneller, Bt
1695
NPG D11944

270.
D11944
King William III
Published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
9 1/2 in. x 7 1/2 in. (240 mm x 190 mm) plate size
1695
Lettered in two lines Gulielmus D. G. Angliæ Scotiæ / Franciæ
et Hiberniæ Rex &c.
Below right Sold by I Smith at ye Lyon & Crown in Russel Street

As described.
London (BM, 1902-10-11-4905, margins, good), London (NPG, D11944), Oxford (AM, Sutherland collection, Burnet vol. II, pt. XII, p. 656).

References: CS 272; Wessely 271; BM 58.
Location of original painting and related material: A reduced version of the mezzotint by John Smith (CS 271) after the whole length portrait by Sir Godfrey Kneller, Royal Collection, Windsor Castle (Millar 1963, 335; Stewart 840).


King William III, published by John Smith, after  Sir Godfrey Kneller, Bt, 1695 - NPG  - © National Portrait Gallery, London

King William III
published by John Smith, after Sir Godfrey Kneller, Bt
1695
NPG D11944

271.
D11944
King William III
Published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
9 1/2 in. x 7 1/2 in. (240 mm x 190 mm) plate size
1695
Lettered in two lines Gulielmus D. G. Angliæ Scotiæ / Franciæ
et Hiberniæ Rex &c.
Below right Sold by I Smith at ye Lyon & Crown in Russel Street

As described.
London (BM, 1902-10-11-4905, margins, good), London (NPG, D11944), Oxford (AM, Sutherland collection, Burnet vol. II, pt. XII, p. 656).

References: CS 272; Wessely 271; BM 58.
Location of original painting and related material: A reduced version of the mezzotint by John Smith (CS 271) after the whole length portrait by Sir Godfrey Kneller, Royal Collection, Windsor Castle (Millar 1963, 335; Stewart 840).


King William III, by John Smith, after  William Wissing, after  Jan van der Vaart, 1688 - NPG  - © National Portrait Gallery, London

King William III
by John Smith, after William Wissing, after Jan van der Vaart
1688
NPG D11530

272.
D11530
King William III
By John Smith after William Wissing, after Jan Van der Vaart
Mezzotint
16 1/8 in. x 9 3/4 in. (410 mm x 248 mm) cut
1688
Lettered: Gulielmus D. G. Angliæ Rex &.ct
Below left: W.Wissing and / I. Vandervaart pinxit
Below centre: I Smith fecit
Below right towards centre: Cum Privilegio Regis
Below right: Sold by E Cooper at ye 3 / Pidgeons in Bedford street

As described.
Eton (CL, Storer Granger, period VI, class LX, opp. fol. 19), London (BM, 1860-7-28-37, 1902-10-11-4910 and 1902-10-11-8409, three impressions all with margins), London (NPG, D11530, cut below removing some lettering and Wheatley's London, vol. I, pt I, p. xxx), New York (NYPL, vol. 1, fol. 47, dated 1688), Oxford (AM, Sutherland collection, Burnet vol. II, pt. I, p. 30), Paris (BN, Ec. 85, fol. 72, cut), Plymouth (CAG, COP17, f. 6, trimmed), Windsor (RL, RCIN 603138).

References: CS 274 (impression cut and without Cooper's address); Wessely 273; BM 84.
Location of original painting and related material: Unknown. Compare with a portrait of Henry Fitzroy, 1st Duke of Grafton by William Wissing at Raby Castle, Co. Durham.


Catherine Wilkinson, by John Smith, after  Thomas Hill, 1706 - NPG  - © National Portrait Gallery, London

Catherine Wilkinson
by John Smith, after Thomas Hill
1706
NPG D4805

273.
D4805
King William III
By John Smith, published by Edward Cooper, after William Wissing
Mezzotint
13 1/4 in. x 9 3/4 in. (340 mm x 250 mm) plate size
1689
Lettered: Gulielmus Dei Gratia Angliæ Scot: Franciæ & Hiberniæ Rex.
Below left: W. Wissing Pinxit.
Below left towards centre: I:Smith Fecit
Below centre: Cum privilegio Regis.
Below right: Sold by E.Cooper at ye 3 pidgeons in Bedford street

I As described.
Cambridge (Magdalene, Pepys Collection, vol. I, fol. 125, cut to oval), Eton (CL, Storer Granger, period VI, class LX, fol. 19, dated in pen and ink: 1689), London (BM, Portraits), Oxford* (Sutherland collection, vol. II, pt. V, p. 272, margins, good), Plymouth (CAG, COP16, f. 10, with white bodycolour on shoulders and on Garter star, also on sash and under curls on forehead, cut), Windsor (RL, RCIN 603095).
II Portrait erased leaving lettering only, and replaced by another more frontal portrait of the same sitter. Marbled panels in background. A ruled line delimiting the margin. Wissing's name erased at lower left.
Eton (CL, Storer Granger, period VI, class LX, fol. 18), London (BM, 1902-10-11-4911), Oxford (AM, Sutherland collection, vol. II, pt. V, p. 272), Paris (BN, Ec. 85, fol. 71, cut), Windsor (RL, RCIN 603112).

References: CS 275; Wessely 274; BM 83.
Location of original painting and related material: Unknown. See also the mezzotint copies by Johann Georg Seiller (H German LVII, 92) and by Pieter Schenck (H XXV, 962).


Catherine Wilkinson, by John Smith, after  Thomas Hill, 1706 - NPG  - © National Portrait Gallery, London

Catherine Wilkinson
by John Smith, after Thomas Hill
1706
NPG D4805

274.
D11957
King William III
By John Smith, published by Edward Cooper, after William Wissing
Mezzotint
8 7/8 in. x 7 1/8 in. (227 mm x 180 mm) plate size
1689
Lettered Gulielmus D.G. Angl: Scot: Fran: & Hiber: Rex.
Below left W Wissing Pinxit [#] I Smith fecit [#] Cum Privilegio Regis.
Below right Sold by E Cooper at ye 3 Pidgeons in Bedford Street

As described.
Eton (CL, Storer Granger, period VI, class LX, opp. fol. 18), London (NPG, D11957), New York (NYPL, vol. 1, fol. 58, margins), Oxford (AM, Sutherland collection, Burnet vol. II, pt. I, p. 10, below in margin in pen and ink: 1689), Paris (BN, Ec. 85, fol. 69, dark impression, cut), Plymouth (CAG, COP16, f. 98, cut), Windsor (RL, RCIN 603098).

References: CS 276; Wessely 275; not in BM.
Location of original painting and related material: Unknown. Reduced, reversed version of the mezzotint by John Smith (CS 275 I).


William Wissing, by John Smith, after  William Wissing, 1687 - NPG  - © National Portrait Gallery, London

William Wissing
by John Smith, after William Wissing
1687
NPG D11497

275.
D11497
William Wissing
By John Smith, after William Wissing
Mezzotint
13 1/2 in. x 10 1/8 in. (342 mm x 257 mm) plate size
1687
Lettered in three lines Guilielmus Wissing / ... Immodicis brevis est Ætas.
Below left W Wissing pinx:
Below right I Smith fe:

I Before the lettering.
London (BM, large Smith vol. III, p. 9).
II As described.
Amsterdam (RM, RP-P-OB-32-877 and RP-P-62.213), Cambridge (Magdalene, Pepys Collection, vol. III, fol. 30 / 260), Eton (CL, Storer Granger, vol. IV, part I, opp. fol. 163), Glasgow (HAG, GLAHA 16241 and 3991), London (BM, 1885-5-9-1566, small margins, inscribed in pen and brown ink, lower right 1687), London (NPG, D11497), London (UCL, Strang G2092, margins, good), New York (NYPL, vol. 1, fol. 34, dated 1687), Plymouth (CAG, COP16, f. 84, dark impression, trimmed).
III Published in Boydell's Heads of Illustrious ... Persons, 1811, opp. p 59.
London (BM, 1902-10-11-4914 ... 4916), London (NPG, Heinz Archive and Library, Fleming collection), New Haven (YCBA, Dept. of Rare Books), Windsor (RL).

References: CS 278 I; Wessely 277; BM 1.
Location of original painting and related material: Unknown.


276.
Johann Witt
By John Smith, after Warner Hassells
Mezzotint
11 1/8 in. x 7 3/4 in. (284 mm x 200 mm) plate size
1707

I Before the lettering.
London (BM, 1902-10-11-4917, with margins, inscribed in pen and brown ink: Johannes Witt./Natus Anno 1643 Denatus 1704 left Warner Hassells pinx., right: J: Smith fec:, and large Smith vol. III, p. 10, in pen and brown ink below left: Warner Hassells pinx and right: Johannes Smith fecit; with the lettering around the oval in graphite).
II Lettered in open capitals around oval: JOHANNES WITT MERCAT. ... ANNO MDCCIIII
Below in four lines of gothic fraktur : So war Herr Witt gestalt ... in dem sinstern Grab.
Below right in two lines: Zu schuldigem ... IBR CV
Below left: Warner Hassells Pinx. [#] Johannes Smith Fecit Londini 1707.
Amsterdam (RM, RP-P-OB-32-878), London* (BM, 1870-10-8-2779, large Smith vol. III, p. 10 and 1902-10-11-4918 ... 4919, the latter damaged), Oxford (Christ Church, Smith vol. II, fol. 76), Paris (BN, Ec. 86, fol. 66, grey impression, cut).

References: CS 279; Wessely 278; Griffiths 1989, p. 256.
Location of original painting and related material: Unknown.


Dudley Woodbridge, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1718 (1718) - NPG  - © National Portrait Gallery, London

Dudley Woodbridge
by and published by John Smith, after Sir Godfrey Kneller, Bt
1718 (1718)
NPG D11683

277.
D11683
Dudley Woodbridge
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 1/4 in. x 9 7/8 in. (335 mm x 250 mm) plate size
1718 (1718)
Lettered in two lines The Hon.ble Dudley Woodbridg Esq. Director Gen.ll of ye Royal Assiento Company of England / in Barbados.
Below left G. Kneller Baronets pinx. 1718
Below right J. Smith fec. et ex. 1718.

I Before the lettering.
London (BM, 1902-10-11-4920, small margins).
II As described.
Amsterdam (RM, RP-P-OB-32-879), Eton (CL, Storer Granger, Period VII, Class I-III, opp. fol. 134, trimmed), Glasgow (HAG, GLAHA 16268), London (BM, 1902-10-11-4921...4921*), London (NPG, D11683), New York (NYPL, vol. 2, fol. 130), Paris (BN, Ec. 86, fol. 31, cut), Plymouth (CAG, COP16, f. 146, 15 mm margins), Windsor (RL, RCIN 664186).

References: CS 280; Wessely 279; BM 1; Stewart 863.
Location of original painting and related material: Unknown.


Catherine Wilkinson, by John Smith, after  Thomas Hill, 1706 - NPG  - © National Portrait Gallery, London

Catherine Wilkinson
by John Smith, after Thomas Hill
1706
NPG D4805

278.
D11589
William Woodward
By John Smith, after Jeremiah Taverner
Mezzotint
11 in. x 8 5/8 in. (280 mm x 218 mm) plate size
1690
Lettered on uncleared margin Mr. W.m Woodward
Below left I. Taverner pinx:
Below right I Smith fec:

As described.
Amsterdam (RM, RP-P-OB-32-880), Cambridge (Magdalene, Pepys Collection, vol. III, fol. 124), Chatsworth (Smith vol. I, fol. 125), London (BM, 1902-10-11-4922, margins, good), London (NPG, D11589), New York (NYPL, vol. 1, fol. 68, dated 1690), Oxford (Christ Church, Smith vol. I, fol. 26), Paris (BN, Ec. 86, fol.12, cut), Windsor (RL, RCIN 664224).

References: CS 281; Wessely 280; BM 1.
Location of original painting and related material: Unknown.