Prints catalogue Smith - 7

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Thomas Knipe, by and published by John Smith, after  Michael Dahl, 1712 (1696) - NPG  - © National Portrait Gallery, London

Thomas Knipe
by and published by John Smith, after Michael Dahl
1712 (1696)
NPG D11583

163.
D11583
Thomas Knipe
By and published by John Smith, after Michael Dahl
Mezzotint
13 in. x 9 5/8 in. (330 mm x 245 mm) plate size
1712 (1696)
Lettered in three lines Thomas Knipe S.T.P. / Æ tat. su æ 73.
Below left M. Dahl pinxt 1696.
Below right J. Smith fec. et ex. 1712.

I Before the lettering.
London (BM, large Smith vol. II, p. 9, margins, good), Windsor (RL, RCIN 657659).
II As described.
Amsterdam (RM, RP-P-OB-32-781), Chatsworth (Smith vol. I, fol. 121, fine, trimmed), Eton (CL, Storer Granger, Period VII, classes IV to VII, opp. fol. 39), Glasgow (HAG, GLAHA 16417), London (BM, 1902-10-11-4651 ... 4653), London (NPG, D11583), New York (NYPL, vol. 2, fol. 109), Paris (BN, Ec. 86, fol. 9, cut), Plymouth (CAG, COP16, f. 58, trimmed), Windsor (RL, RCIN 657658).

References: CS 152 II; Wessely 155; BM 1; Nisser 1927, 32.
Location of original painting and related material: Unknown.


 
Anne Kynnesman (née Clarke), by and published by John Smith, after  Godfried Schalcken, 1698 - NPG  - © National Portrait Gallery, London

Anne Kynnesman (née Clarke)
by and published by John Smith, after Godfried Schalcken
1698
NPG D11606

164.
D11606
Anne Kynnesman (née Clarke)
By and published by John Smith, after Godfried Schalcken
Mezzotint
13 1/2 in. x 10 in. (342 mm x 254 mm) plate size
1698
Lettered in two lines Anna, Uxor Francisci Kynnesman, Generosi; Filia & una è
Coh æ redibus, / Guilielmi Clarke, de Soham, in Comitatu Cantabrig æ , Generosi.
Below left towards centre G. Schalken Pinxit.
Below right towards centre I. Smith Fec. et exc.

I Before the lettering.
Windsor (RL, RCIN 657685).
II As described.
Amsterdam (RM, RP-P-OB-32-782), Eton (CL, Storer Granger, Period VI, classes LX, opp. fol. 133), Glasgow (HAG, GLAHA 16290), London (BM, 1902-10-11-4654, small margins, good and 1855-5-12-52, Portraits), London (NPG, D11606), London (UCL, Strang G2057), New Haven (B1974.12.550), New York (NYPL, vol. 1, fol. 141, dated 1698), Oxford (Christ Church, Smith vol. I, fol. 85), Paris (BN, Ec. 86, fol. 117, cut), Plymouth (CAG, COP17, f. 46, 12 mm margins), Windsor (RL, RCIN 657684).
III Plate damaged by spots and scratches.
London (BM, 1902-10-11-4655, grey impression), New Haven (B1978.43.303, with hand colour).
IV Posthumously published. Damages partially erased.

References: CS 153 II; Wessely 156; BM 1; Beherman 1988, 94.
Location of original painting and related material: Unknown (Beherman 1988, 94).


 
John Lambert, by John Smith, after  John Lambert, 1697 - NPG  - © National Portrait Gallery, London

John Lambert
by John Smith, after John Lambert
1697
NPG D3523

165.
D3523
John Lambert
By John Smith, after John Lambert
Mezzotint
11 in. x 7 3/4 in. (280 mm x 197 mm) plate size
1697
Lettered John Lambert Esq.r
Below left se Ipse pinx.
Below right I.Smith fec:

As described.
Amsterdam (RM, RP-P-OB-32-783, good margins), Eton (CL, Storer Granger, Period VI, classes LX, fol. 110, grey impression), London (BM, 1852-2-14-337, Portraits), London (NPG, D3523), New York (NYPL, vol. 1, fol. 127, dated 1697), Oxford (Christ Church, Smith vol. I, fol. 24), Windsor (RL, RCIN 657755).

References: CS 154; Wessely 152; BM 1.
Location of original painting and related material: Whereabouts of the self-portrait by Lambert unknown.


Anthony Leigh, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1689 (1689) - NPG  - © National Portrait Gallery, London

Anthony Leigh
by and published by John Smith, after Sir Godfrey Kneller, Bt
1689 (1689)
NPG D11753

166.
D11753
Anthony Leigh
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
16 3/8 in. x 9 7/8 in. (415 mm x 250 mm) plate size
1689 (1689)
Lettered Anthony Leigh or the Spanish Fryer
Below left I Smith fecit.
Below right Sold by I Smith at ye Lyon & Crown in Rus-sell Street Covent Garden
Within design,below pilaster G Kneller pinx: / 1689

I Before the lettering. Before white lines on floor.
London (BM, 1902-10-11-4656, trimmed to platemark).
II Lettered. With the address: Sold by I Smith and I Savage in the Old Baily.
Amsterdam (RM, RP-P-OB-32-784), Chatsworth (Smith vol. I, fol. 133), London (BM, 1902-10-11-4657, margins, good, and large Smith vol. II, p. 10, margins), London (UCL, Strang G2058, trimmed), New York (NYPL, vol. 1, fol. 65, dated 1689, a scrap of paper with: Whoremaster, Drunkard, Cheat, Theif, Pimp & Lyer, / well put together in one Counting Fryer / Tho: Shadwell).
III As described.
Cambridge (Magdalene, Pepys Collection, vol. III, fol. 20 / 220), Eton (CL, Storer Granger, Period VI, classes LX, fol. 111), Glasgow (HAG, GLAHA 16236), London (BM, 1902-10-11-4658, margins), London (NPG, D11753), Oxford (Christ Church, Smith vol. II, fol. 40), Paris (BN, Ec. 86, fol. 12 and Cd. 12, fol. 36, dated in ink 1689), Windsor (RL, RCIN 657908).
IV Plate cut below: 350 mm x 247 mm
New lettering: NAT. LEE or the SPANISH FRYAR
London (BM, 1902-10-11-4659, margins), Windsor (RL, RCIN 657909).
V Published in Boydell's Heads of Illustrious ... Persons, 1811, opp. p 93. Inscription replaced. In open lettering: ANTHONY LEIGH or the SPANISH FRYAR
Below right corner in small lettering: I.Smith fecit.
London (BM, 1902-10-11-4660 ... 4661), London (NPG, Heinz Archive and Library, Fleming collection), New Haven (YCBA, Dept. of Rare Books), Windsor (RL).

References: CS 155 III; Wessely 158; BM 1; Stewart 428.
Location of original painting and related material: Whole length portrait by Sir Godfrey Kneller, 1689, in the collection of the National Portrait Gallery, London (NPG 1280; Piper 1963, p. 199, pl. 21h; Stewart 428).


Lucy Loftus (née Brydges), Viscountess Lisburne, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1685 - NPG  - © National Portrait Gallery, London

Lucy Loftus (née Brydges), Viscountess Lisburne
by and published by John Smith, after Sir Godfrey Kneller, Bt
1685
NPG D11623

167.
D11623
Lucy Loftus (née Brydges), Viscountess Lisburne
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 1/4 in. x 9 5/8 in. (335 mm x 245 mm) plate size
1685
Lettered Madam Loftus
Below left G. Kneller pinx:
Below left towards centre I. Smith fe:
Below right Sold by I.Smith at the Lyon & Crown in Russell Street Covent Garden

I Before the lettering. Background black.
London (BM, 1902-10-11-4665, cut to 280 mm x 180 mm).
II Finished with landscape background. Before the lettering.
London (NPG, D12008).
III Lettered: Madam Loftus.
Below left: I Smith fec:
Below right: Sold by I Beckett at the golden head in the Old Baily.
Amsterdam (RM, RP-P-OB-32-787), Eton (CL, Storer Granger, vol. IV, part IV, opp. fol. 64), London (BM, 1902-10-11-4666 ...4667, the former with small margins), London (NPG, D12007), Paris (BN, Ec. 84, fol. 45, dark impression, cut), .
IV Reworked. As described, with address of Smith.
Glasgow (HAG, GLAHA 16286), London (BM, 1902-10-11-4668 ... 4669, and 1855-5-12-50, Portraits), London (NPG, D11623 and D12009), New Haven (B1974.12.559), New York (NYPL, vol. 1, fol. 15, dated 1685), Plymouth (CAG, COP17, f. 39, 15 mm margins), Windsor (RL, RCIN 658195).
V Posthumously published.

References: CS 158 III; Wessely 161; BM 1; Stewart 439.
Location of original painting and related material: Unknown. A related three quarter length portrait of Lady Lisburne by Sir Godfrey Kneller, 1686, with Christie's, 19/1/1945, lot 137, and again 13/7/1951, lot 100 (Stewart 439).


John Locke, by John Smith, after  Sir Godfrey Kneller, Bt, 1721 - NPG  - © National Portrait Gallery, London

John Locke
by John Smith, after Sir Godfrey Kneller, Bt
1721
NPG D11501

168.
D11501
John Locke
by John Smith, after Sir Godfrey Kneller, Bt
mezzotint
13 3/4 in. x 9 3/4 in. (348 mm x 248 mm) plate size
1721
Lettered in two lines Johannes Locke. / Ob.A.D.1704. AEtat.72.
Below Ex Autographo G. Kneller Baronti pro Ant. Collins Arm. eodem Anno depicto. Fecit J. Smith, A.o 1721.

I Before the lettering.
London (BM, large Smith vol. II, p. 11, margins, touched in black ink on contours of face).
II As described.
Amsterdam (RM, RP-P-OB-32-786), Glasgow (HAG, GLAHA 16436), London (BM, 1902-10-11-4664, and 1950-5-20-109 and P.8-20, Portraits), London (NPG, D11501), New York (NYPL, vol. 2, fol. 146), Paris (BN, Ec. 86, fol. 35, cut), Plymouth (CAG, COP16, f. 71, cut), Windsor (RL, RCIN 658169).
III Posthumously published.
Windsor (RL, RCIN 658170).

References: CS 157 II; Wessely 160; BM 6; Stewart 441.
Location of original painting and related material: Half length portrait by Sir Godfrey Kneller in the collection of the Virginia Museum of Fine Arts, Richmond, Virginia (acc. no. 60-39-9; Stewart 441, pl. 74). Various versions after Kneller including in the collection of the National Portrait Gallery, London (NPG 550; Piper 1963, pp. 209-10).


Anne Gerard (née Mason), Countess of Macclesfield when Viscountess Brandon, by John Smith, published by  Edward Cooper, after  William Wissing, 1687 - NPG  - © National Portrait Gallery, London

Anne Gerard (née Mason), Countess of Macclesfield when Viscountess Brandon
by John Smith, published by Edward Cooper, after William Wissing
1687
NPG D11628

169.
D11628
Anne Gerard (née Mason), Countess of Macclesfield when Viscountess Brandon
by John Smith, published by Edward Cooper, after William Wissing
mezzotint
13 3/4 in. x 10 in. (350 mm x 253 mm) paper size
1687
Lettered The Lady Brandon
Below left W. Wissing Pinxit.
Below left towards centre I.Smith fecit.
Below centre Cum Privilegio Regis
Below right Sold by E.Cooper at ye 3 Pidgeons / in Bedford street.

I Before the lettering.
London (BM, 1872-7-13-42, trimmed to platemark, and 1902-10-11-4424, trimmed below, in pen and brown ink : Lady Brandon), New York (NYPL, vol. 1, fol. 32, lettered in pen and brown ink and dated 1687, also with the price: 5 shill).
II As described.
Amsterdam (RM, RP-P-OB-32-675), Eton (CL, Storer Granger, vol. IV, part IV, opp. fol. 55), London (BM, 1902-10-11-4425 and 1855-5-12-22, Portraits), London (NPG, D11628 and D11984), New Haven (B1974.12.399, pale impression), Paris (BN, Ec. 86, fol. 132, discoloured, cut), Plymouth (CAG, COP17, f. 36, trimmed), Windsor (RL, RCIN 655084).

References: CS 22 II; Wessley 24; BM 1.
Location of original painting and related material: Three quarter length portrait by William Wissing in the collection of the National Trust, Belton House, Lincolnshire.


John Erskine, 22nd or 6th Earl of Mar, by John Smith, after  Sir Godfrey Kneller, Bt, 1703 - NPG  - © National Portrait Gallery, London

John Erskine, 22nd or 6th Earl of Mar
by John Smith, after Sir Godfrey Kneller, Bt
1703
NPG D11580

170.
D11580
John Erskine, 6th or 11th Earl of Mar
By John Smith, after Sir Godfrey Kneller, Bt
Mezzotint and engraving
18 1/8 in. x 14 1/8 in. (460 mm x 360 mm, lettering cut)
1703
Below left G.Kneller S.R. Imp. et Angl Eques Aur pinx:
Below right I Smith fe 1707

I Below left: G.Kneller S.R. Imp. et Angl. Eques Aur pinx.
Below right: I.Smith fe. 1703
Lettered in two lines: John Earl of Mar ... Colonel of a Regiment of Foot.
Chatsworth (Smith vol. I, fol. 65), London (BM, 1902-10-11-4670, trimmed to platemark), London (NPG, D11580, with a sash drawn in pen and ink, cut below removing lettering), New York (NYPL, vol. 2, fol. 26, printed in red-brown ink), Oxford (Christ Church, Smith vol. I, fol. 78), Oxford (AM, Sutherland collection, Burnet vol. II, pt. VIII, p. 402), Paris (BN, Ec. 85, fol. 111 and Cd. 12 cb, fol. 21).
II Sash added across armour. Date altered to 1707. Arms altered and collar of the Thistle added. Age in ribbon above erased.
Lettered in three lines: John Earl of mar Lord Erskine ... most Ancient and most Noble Order of ye Thistle. &c.
Eton (CL, Storer Granger, Period VIII, Class I-II, fol. 92), Oxford (AM, Sutherland collection, Burnet vol. II, pt. VIII, p. 402), Windsor (RL, RCIN 654194).
III Plate entirely reworked. Worn. Zig zag pattern on armour pronounced. Studs burnished.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. VIII, p. 402).

References: CS 159 I; Wessely 162; BM 1; Stewart 457; Sharp 1996, 529.
Location of original painting and related material: Three quarter length portrait by Sir Godfrey Kneller in the collection of the Earl of Mar and Kellie, Alloa Tower, Clackmannanshire (Stewart 457).


Grizel Hume (née Ker), Countess of Marchmont, by John Smith, after  Sir Godfrey Kneller, Bt, 1699 - NPG  - © National Portrait Gallery, London

Grizel Hume (née Ker), Countess of Marchmont
by John Smith, after Sir Godfrey Kneller, Bt
1699
NPG D11619

171.
D11619
Grisell (Griselda) Hume (née Ker), Countess of Marchmont
By John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 3/8 in. x 9 5/8 in. (340 mm x 245 mm) plate size
1699
Lettered in two lines The Lady Grissell Kar, wife of Patrick Earle of Marchmont &.ct / Lord high Chancellour of Scotland An.o Dni 1698. Aetatis su æ 55.
Below left towards centre G. Kneller Eques pinxit.
Below right I. Smith fecit.

I Before the lettering.
London (BM, large Smith vol. II, p. 12 - with a pronounced horizontal ruled line), Windsor (RL, RCIN 656751).
II As described.
Amsterdam (RM, RP-P-OB-32-788), Edinburgh (SNPG, SP III 57-1, trimmed, worn, dated 1699 in Smith's hand following signature, and SP III 67-2, trimmed, dark impression, with N.V.14 367 in brown ink , below, centre), Eton (CL, Storer Granger, Period VI, classes LX, fol. 121), London (BM, 1902-10-11-4671, trimmed, and 1855-5-12-51, Portraits), London (NPG, D11619), New York (NYPL, vol. 1, fol. 144, dated 1699), Oxford (Christ Church, Smith vol. I, fol. 41), Paris (BN, Ec. 86, fol. 107 and Cd.12 cb, fol. 22).

References: CS 160 II; Wessely 163; BM 1; Stewart 461.
Location of original painting and related material: Unknown.


172.
Patrick Hume, 1st Earl of Marchmont

By John Smith, after Sir Godfrey Kneller, bt
Mezzotint
13 1/4 in. x 9 5/8 in. (340 mm x 247 mm) plate size
1698
Lettered in five lines: Patrick Earle of Marchmont, Viscount of Blasonbberrie, Lord Polwarth of Polwarth,/ ... Ætatis suae 57.
Below right: G.Kneller Eques Pinxit [#] I.Smith Fecit.

As described.
London* (BM, 1902-10-11-4672, trimmed), Oxford (Christ Church, Smith vol. I, fol. 40), Oxford (AM, Sutherland collection, Burnet vol. II, pt. IX, p. 460), Paris (BN, Cd. 12 cb, fol. 23, cut).

References: CS 161; Wessely 164; BM 1.
Location of original painting and related material: Three quarter length portrait by Sir Godfrey Kneller in the Hume Campbell collection, Paxton House, Berwick upon Tweed, Borders. A version with Sotheby's, 21/9/1983, lot 306. CS 161 is a pair to the mezzotint by John Smith of Griselda Countess of Marchmont (CS 160). See also the engraving by Robert White published in 1698 (BM 2).


John Churchill, 1st Duke of Marlborough, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1703 (circa 1700-1703) - NPG  - © National Portrait Gallery, London

John Churchill, 1st Duke of Marlborough
by and published by John Smith, after Sir Godfrey Kneller, Bt
1703 (circa 1700-1703)
NPG D11543

173.
D11543
John Churchill, 1st Duke of Marlborough
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
14 in. x 10 in. (355mm x 255 mm) plate size
1703 (circa 1700-1703)
Lettered in five lines His Excellency John, Duke of Marlborough, / Marquis of Blanford, Earl of Marlborough, / ... & General of ye Confederate Armies.
Below left G. Kneller S. R. Imp. & Angl: Eques Aur pinx:
Below centre I. Smith fe.
Below right Sold by I. Smith at ye Lyon & Crown in Russel street Covent Garden

I Before the lettering.
London (BM, 1902-10-11-4673, trimmed).
II As described.
Amsterdam (RM, RP-P-OB-32-796), Glasgow (HAG, GLAHA 16380), London (BM, large Smith vol. II, p. 13, margins), London (NPG, D11543), London (UCL, Strang G2060, good margins), New York (NYPL, vol. 2, fol. 20, dated 1703), Oxford (Christ Church, Smith vol. I, fol. 36), Oxford (AM, Sutherland collection, Burnet vol. II, pt. II, p. 90), Paris (BN, Ec. 85, fol. 97, cut, and Cd. 12 cb, fol. 30, cut), Plymouth (CAG, COP16, f. 44, 10 mm margins), Windsor (RL, RCIN 652497).

References: CS 162 II; Wessely 177; BM 16; Stewart 464.
Location of original painting and related material: See a related three quarter length portrait by Sir Godfrey Kneller in the collection of the Chequers Trust, Chequers, Buckinghamshire. See the half length portrait attributed to studio of Kneller in the collection of the Earl of Spencer, Althorp, Northamptonshire. See also the mezzotint by Gerard Valck (H. XXXI, 57).


John Churchill, 1st Duke of Marlborough, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1705 (1705) - NPG  - © National Portrait Gallery, London

John Churchill, 1st Duke of Marlborough
by and published by John Smith, after Sir Godfrey Kneller, Bt
1705 (1705)
NPG D11542

174.
D11542
John Churchill, 1st Duke of Marlborough
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 3/4 in. x 9 3/4 in. (348 mm x 247 mm) plate size
1705 (1705)
Lettered in five lines His Excellency John, Duke of Marlborough, Marquis of Blandford, Earl of Marlborough, / ... and General of the Confederate Armies.
Below left G. Kneller S. R Imp. & Angl. Eques Aur. pinx. 1705
Below centre I. Smith fec.
Below right Sold by I. Smith at ye Lyon & Crown in Russel street Covent Garden

I As described.
Amsterdam (RM, RP-P-OB-32-797), London (BM, 1874-8-8-1262 and 1902-10-11-4674 ... 4675), London (NPG, D11542), New York (NYPL, vol. 2, fol. 41, dated 1705), Oxford (Christ Church, Smith vol. II, fol. 51), Oxford (AM, Sutherland collection, Burnet vol. I, pt. XII, p. 765, in pen and ink after Smith's name: 1705), Paris (BN, Ec. 85, fol. 96, cut), Plymouth (CAG, COP16, f. 43, trimmed), Windsor (RL, RCIN 652501).
II Face made older, rounder forehead, mole on upper lip, wig lowered and altered, lace neckcloth altered, faint dimple on chin.
Inscription altered from 'His Excellency' to His Grace.
Glasgow (HAG, GLAHA 16381), London (BM, 1902-10-11-4676 ... 4677), Oxford (AM, Sutherland collection, Burnet vol. I, pt. XII, p. 765, paper discoloured), Paris (BN, Cd. 10, fol.15, cut, and and Cd. 12 c, fol. 21, cut).
III Posthumously published. Burnished corners, plate worn with signs of oxidisation.
London (BM, 1902-10-11-4678).

References: CS 163 I; Wessely 178; BM 9; Stewart 465.
Location of original painting and related material: Unknown. See also the reduced mezzotint version by John Smith (CS 164).


John Churchill, 1st Duke of Marlborough, published by John Smith, after  Sir Godfrey Kneller, Bt, 1705 - NPG  - © National Portrait Gallery, London

John Churchill, 1st Duke of Marlborough
published by John Smith, after Sir Godfrey Kneller, Bt
1705
NPG D11948

175.
D11948
John Churchill, 1st Duke of Marlborough
Published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
7 3/4 in. x 5 3/4 in. (198 mm x 146 mm) plate size
1705
Lettered His Excellency John Duke of Marlborough.
Below left G. Kneller Eques pinx.
Below right Sold by I.Smith at ye Lyon & Crown in Russell street Covent Garden

I Before the lettering.
Oxford (AM, Sutherland collection, Burnet vol. II, p. 310, trimmed).
II As described.
Amsterdam (RM, RP-P-OB-32-798), Eton (CL, Storer Granger, Period VII, Class I-III, opp. fol. 85, cut, and Grammont, opp. fol. 280, cut), Glasgow (HAG, GLAHA 16329), London (BM, 1902-10-11-4679, good margins), London (NPG, D11948), New York (NYPL, vol. 2, fol. 47, dated 1705), Oxford (AM, Sutherland collection, Burnet vol. II, p. 310, two impressions), Plymouth (CAG, COP16, f. 117, 5 mm margins), Windsor (RL, RCIN 652503).
III Retouched, wig reduced and flattened at top and face fuller.
Oxford (AM, Sutherland collection, Burnet vol. II, p. 310).
IV Posthumously published. Plate worn.
London (BM, 1902-10-11-4680, good margins, heavy paper).

References: CS 164 II; Wessely 179; BM 10.
Location of original painting and related material: Unknown. A reduced, reversed version of the mezzotint by John Smith (CS 163).


Sarah Churchill (née Jenyns (Jennings)), Duchess of Marlborough, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1705 (1705) - NPG  - © National Portrait Gallery, London

Sarah Churchill (née Jenyns (Jennings)), Duchess of Marlborough
by and published by John Smith, after Sir Godfrey Kneller, Bt
1705 (1705)
NPG D11544

176.
D11544
Sarah Churchill, Duchess of Marlborough
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 10 in. (347 mm x 253 mm) plate size
1705 (1705)
Lettered Her Grace the Dutchess of Marlborough.
Below left G. Kneller S.R. Imp. & Angl. Eques Aur. pinx. 1705.
Below centre I. Smith fec.
Below right Sold by I. Smith at ye Lyon & Crown in Russel street Covent Garden

I As described.
Amsterdam (RM, RP-P-OB-32-799), Glasgow (HAG, GLAHA 16274), London (BM, 1902-10-11-4681, margins and P. 8-261, Portraits), London (NPG, D11544), London (UCL, Strang G2061, with red ruled lines around platemark, and G2062), New York (NYPL, vol. 2, fol. 42, dated 1705), Oxford (Christ Church, Smith vol. II, fol. 52), Oxford (AM, Sutherland collection, Burnet vol. I, pt. XII, p. 765), Paris (BN, Ec. 86, fol. 102, cut, and Cd. 12 cb, fol. 32, cut), Plymouth (CAG, COP17, f. 22, with 1705 in pen and brown in Smith's hand, 5 mm margins), Windsor (RL, RCIN 652544).
II Posthumously published.

References: CS 165 I; Wessely 180; BM 2; Stewart 472.
Location of original painting and related material: Whole length portrait by Sir Godfrey Kneller in the collection of the Duke of Bedford, Woburn Abbey, Bedfordshire (Stewart 472).


Sarah Churchill (née Jenyns (Jennings)), Duchess of Marlborough, published by John Smith, after  Sir Godfrey Kneller, Bt, 1705 - NPG  - © National Portrait Gallery, London

Sarah Churchill (née Jenyns (Jennings)), Duchess of Marlborough
published by John Smith, after Sir Godfrey Kneller, Bt
1705
NPG D11947

177.
D11947
Sarah Churchill, Duchess of Marlborough
Published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
7 3/4 in. x 5 3/4 in. (198 mm x 146 mm) trimmed to platemark
1705
Lettered Her Grace ye Dutchess of Marlborough
Below left G.Kneller Eques pinx.
Below right Sold by I Smith at ye Lyon & Crown in Russell street Covent Garden

As described.
Glasgow (HAG, GLAHA 16328), London (BM, 1902-10-11-4682 ... 4684, the latter cut around oval and 1868-8-8-1794, Portraits), London (NPG, D11947), New York (NYPL, vol. 2, fol. 47, dated 1705), Oxford (AM, Sutherland collection, Burnet vol. II, pt. VIII, p. 430), Paris (BN, Ec. 86, fol. 101, cut), Plymouth (CAG, COP16, f. 118, 5 mm margins), Windsor (RL, RCIN 652543).

References: CS 166; Wessely 181; BM 3.
Location of original painting and related material: Whole length portrait by Sir Godfrey Kneller in the collection of the Duke of Bedford, Woburn Abbey, Bedfordshire. Reduced, reversed version of the mezzotint by John Smith (CS 165; BM 2).


Countess of Sunderland and Duchess of Marlborough, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1688 (1688) - NPG  - © National Portrait Gallery, London

Countess of Sunderland and Duchess of Marlborough
by and published by John Smith, after Sir Godfrey Kneller, Bt
1688 (1688)
NPG D11546

178.
D11546
Anne Spencer, later Countess of Sunderland, and her sister Henrietta Churchill, Duchess of Marlborough
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
14 1/2 in. x 10 in. (357mm x 255 mm) plate size
1688 (1688)
Lettered The Lord Churchill's two Daughters
Below left Sold by I Smith at ye Lyon & Crown in Russell Street
Below centre G: Kneller Pinx:
Below right I: Smith Fecit

I Lettered, with the address at lower left: Sold by G. Beckett at ye golden head in the Old Baily
London (BM, 1902-10-11-4473, margins), New Haven (B1974.12.424), Paris (BN, Cd. 12 cb, fol. 29, cut).
II As described, with address of Smith.
Amsterdam (RM, RP-P-OB-32-696), Eton (CL, Storer Granger, vol. IV, part IV, fol. 56), Glasgow (HAG, GLAHA 16229), London (BM, 1902-10-11-4472 and 1950-5-20-93 and 1855-5-12-26), London (NPG, D11546, D11982 and D3671-3), London (UCL, Strang G2025, margins), New York (NYPL, vol. 1, fol. 43, dated 1688), Oxford (Christ Church, Smith vol. II, fol. 34), Paris (BN, Ec. 86, fol. 122, worn impression, cut), Plymouth (CAG, COP17, f. 53, 15 mm margins).
III Posthumously published.

References: CS 51 II; Wessely 58; BM 2; Stewart 476.
Location of original painting and related material: Double portrait by Sir Godfrey Kneller, 1688, in the collection of Earl of Spencer, Althorp, Northamptonshire (Stewart 476).


Joseph Martyn, by John Smith, after  Michael Dahl, 1719 (1705) - NPG  - © National Portrait Gallery, London

Joseph Martyn
by John Smith, after Michael Dahl
1719 (1705)
NPG D11689

179.
D11689
Joseph Martyn
By John Smith, after Michael Dahl
Mezzotint
13 5/8 in. x 9 7/8 in. (346 mm x 250 mm) plate size
1719 (1705)
Lettered in three lines Mr Joseph Martyn of / London Merchant / Obijt 9 Nov: 1718 Æ tatis Su æ . 75.
Below left M. Dahll pinx. 1705
Below right J. Smith fec. 1719.

I Before the lettering and coat of arms.
London (BM, large Smith vol. II, p. 14), Windsor (RL, RCIN 658592).
II As described.
Eton (CL, Storer Granger, Period VII, Class I-III, fol. 122, cut), Glasgow (HAG, GLAHA 16255), London (BM, 1902-10-11-4685 ...4687), London (NPG, D11689), New York (NYPL, vol. 2, fol. 135, sheet), Paris (BN, Ec. 86, fol. 37, cut), Plymouth (CAG, COP16, f. 77, trimmed).

References: CS 167 II; Wessely 182; BM 1; Nisser 1927, 35a.
Location of original painting and related material: Unknown. See three quarter length portrait by Michael Dahl with Phillips, 7/6/1988, lot 39.


Queen Mary II, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1695 (1690) - NPG  - © National Portrait Gallery, London

Queen Mary II
by and published by John Smith, after Sir Godfrey Kneller, Bt
1695 (1690)
NPG D11526

180.
D11526
Queen Mary II
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 3/8 in. x 9 7/8 in. (340 mm x 250 mm) plate size
1695 (1690)
Lettered in two lines Serenissima Maria D. G. Angliæ / Scoti æ Franci æ & Hiberni æ
Regina & ct.
Below left G.Kneller Eques ad vivum pinx:
Below centre right Et ab illa sola Originali (dum regnavit) depicta
Below right I. Smith fec: & excud:

I Before the lettering.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. I, p. 34).
II Lettered at lower left: G.Kneller Eques pinx: (before 'ad vivum').
Amsterdam (RM, RP-P-OB-32-793), London (BM, 1902-10-11-4699), New Haven (B1974.12.576), New York (NYPL, vol. 1, fol. 113, dated 1695), Paris (BN, Cd. 12 cb, fol. 26, cut).
III As described.
Cambridge (Magdalene, Pepys Collection, vol. I, fol. 136), Eton (CL, Storer Granger, period VI, class LX, opp. fol. 41), ?Glasgow (GLAHA 16356 looks retouched), London (BM, 1902-10-11-4700 ... 4702, the latter cut removing lettering, 1902-10-11-8367, 1950-5-20-111 and large Smith vol. II, p. 18), London (NPG, D11526), Oxford (Christ Church, Smith vol. I, fol. 10), Oxford (AM, Sutherland collection, Burnet vol. II, pt. I, p. 34), Paris (BN, Ec. 86, fol. 76, fine impression, cut), Plymouth (CAG, COP16, f. 13, cut).
IV Posthumously published. Retouched, particularly around jewels. Curls pronounced.
London (BM, 1902-10-11-4703), New Haven (YCBA, B1974.12.577), Windsor (RL, RCIN 603282).

References: CS 172 II; Wessely 170; BM 36; Stewart 484.
Location of original painting and related material: Whole length portrait by Sir Godfrey Kneller, 1690, in the Royal Collection, Windsor Castle (Millar 1963, 338; Stewart 484). See also the mezzotint by William Faithorne Jr (CS 22).


Queen Mary II, sold by John Smith, after  Sir Godfrey Kneller, Bt, 1715-1724 - NPG  - © National Portrait Gallery, London

Queen Mary II
sold by John Smith, after Sir Godfrey Kneller, Bt
1715-1724
NPG D11923

181.
D11923
Queen Mary II
Published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
7 3/4 in. x 5 5/8 in. (197 mm x 143 mm) plate size
1715-1724
Lettered S. Maria D.G. Ang. Sco. Fran. et Hib. Regina &c.
Below left G. Keneller Eques pinx:
Below centre Sold by I. Smith at ye Lyon & Crown in Russel street Covent Garden

I As described.
Amsterdam (RM, RP-P-OB-32-794), Eton (CL, Storer Granger, period VI, class LX, fol. 41, top left), Glasgow (HAG, GLAHA 16312), London (BM, 1902-10-11-4704, 1902-10-11-8357, cut, and large Smith vol. II, p. 18, margins), London (NPG, D11923, D12027 and D7758-9), New Haven (YCBA, 1994.4.424), New York (NYPL, vol. 2, fol. 7), Oxford (Christ Church, Smith vol. I, fol. 1), Oxford (AM, Sutherland collection, Burnet vol. II, pt. II, p. 100), Paris (BN, Ec. 86, fol. 74, cut), Plymouth (CAG, COP16, f. 101, 5 mm margins), Windsor (RL, RCIN 603239, possibly modern).
II Posthumously published. Plate worn and reworked. Curls pronounced.
Eton (CL, Storer Burnet, vol. III, opp. p. 55, cut), London (BM, 1902-10-11-4705 ...4706, and 1902-10-11-8358, cut), Oxford (AM, Sutherland collection, Burnet vol. II, pt. II, p. 100).

References: CS 173 I; Wessely 171; BM 39.
Location of original painting and related material: Unknown. See three quarter length portrait by circle of Sir Godfrey Kneller with Christie's, 2/11/1984, lot 90. A pair to the mezzotint of William III published by John Smith (CS 273).


Queen Mary II, by John Smith, published by  Edward Cooper, after  Jan van der Vaart, 1690 - NPG  - © National Portrait Gallery, London

Queen Mary II
by John Smith, published by Edward Cooper, after Jan van der Vaart
1690
NPG D11531

182.
D11531
Queen Mary II
By John Smith, published by Edward Cooper, after Jan Van der Vaart
Mezzotint
13 3/8 in. x 10 in. (340 mm x 253 mm) plate size
1690
Lettered in two lines Maria D: G: Angl: Scot: Franc: / & Hiber: Regina &.ct
Below left I: Vandervaart pinxit
Below left towards centre I Smith fecit
Below centre Cum privilegio Regis
Below right Sold by E Cooper at the three / pidgeons in Bedford street.

I Before the lettering.
London (BM, 1902-10-11-4707, margins).
II As described.
Eton (CL, Storer Granger, period VI, class LX, fol. 42), London (BM, 1902-10-11-4708, trimmed to plateline), London (NPG, D11531), New York (NYPL, vol. 1, fol. 70, dated 1690), Paris (BN, Ec. 86, fol. 77, cut).

References: CS 174; Wessely 172; BM 47.
Location of original painting and related material: Unknown. See a half length version attributed (1920) to William Wissing in the collection of the National Trust, Petworth House, West Sussex. For related mezzotints (with addition of pearls in hair) see prints by John Smith (CS 175), John Simon (CS 23, under Faithorne), and by Johann Georg Seiller (H German LVII, 60).


183.
Queen Mary II
By John Smith, published by Edward Cooper, after Jan Van de Vaart
Mezzotint
13 1/4 in. x 9 3/4 in. (340 mm x 250 mm) plate size
1690

I Before the lettering. Unfinished.
London (BM, 1888-5-15-72, in pen and brown ink at bottom left corner: Vandervaart Pinxt., centre, Queen Mary, right, Faithorne fecit).
II Pearls on shoulder at left complete.
London (BM, 1902-10-11-4709, margins, good).
III Lettered in two lines: Maria D:G:Angl: Scot: Franc: / & Hiber: Regina. &. ct
Below left: I Vandervaart Pinxit
Below left towards centre: I Smith fecit
Below right towards centre: Cum Privilegio Regis
Below right: Sold by E Cooper at ye 3 / Pidgeons in Bedford street
Cambridge (Magdalene, Pepys Library, vol. I, fol.136), London (BM, large Smith vol. II, p. 17, dated in pen and brown ink probably by Smith 1690), Plymouth (CAG, COP16, f. 11, trimmed), Windsor* (RL, RCIN 603291).

References: CS 175; Wessely 173; BM 48.
Location of original painting and related material: Unknown. See a half length version attributed (1920) to William Wissing in the collection of the National Trust, Petworth House, West Sussex. For related mezzotints see prints by John Smith (CS 174), John Simon (CS 23, under Faithorne, BM 46), and by Johann Georg Seiller (H German LVII, 60).


184.
Queen Mary II
By John Smith, published by Edward Cooper, after Jan Van der Vaart
Mezzotint
13 1/2 x 10 in. (345 mm x 253 mm) plate size
1690 (1688)

I Before the lettering. Before detailing on glove, pattern on fan and on bodice below jewel.
London (BM, 1902-10-11-4710, in pen and brown ink: Queen Mary), Oxford (AM, Sutherland collection, Burnet vol. II, pt. III, p. 114), Windsor (RL, RCIN 603307, cut).
II Before the lettering. Detail on glove and pattern on fan.
London (BM, P.7-128), Paris (BN, Cd. 9, fol. 72, cut).
III Curtain at right adjusted.
London (BM, 1902-10-11-4713), Oxford (AM, Sutherland collection, Burnet vol. II, pt. III, p. 114), Windsor (RL, RCIN 603305, in pen and ink: I Smith fec. / I Smith fecit).
IV Lettered: Maria D. G. Angli æ Scoti æ Franci æ et Hiberni æ Regina & ct
Below left: Vandervaart Pinxit
Below left towards centre: I: Smith fecit.
Below centre: Cum Privilegio Regis
Below right: Sold by E: Cooper at ye 3 Pidgeons in Bedford Street
Amsterdam (RM, RP-P-OB-32-795), Cambridge (Magdalene, Pepys Collection, vol. I, fol. 137, cut removing lettering), London (BM, Y.5-101., trimmed, 1902-10-11-4711 ... 4712, both trimmed, former one with date in pen and brown ink 1690 after Smith's name, 1902-10-11-8370 and large Smith vol. II, p. 16), Oxford (Christ Church, Smith vol. I, fol. 11), Oxford (AM, Sutherland collection, vol. II, pt. III, p. 114), Windsor* (RL, RCIN 603308).
References: CS 176; Wessely 174; BM 50.
Location of original painting and related material: Half length portrait by Jan Van der Vaart, 1688, in the collection of English Heritage, Audley End, Saffron Walden, Essex.


185.
Queen Mary II
By John Smith, published by Edward Cooper, after William Wissing
Mezzotint
13 1/2 in. 10 in. (345 mm x 255 mm) plate size
1689

I Lettered: Maria D.G. Angliæ [#] Franc: & Hiberniæ Regina &ct
Below left: W.Wissing Pinxit
Below left towards centre: I.Smith fecit
Below centre: Cum Privilegio Regis
Below right: Sold by E.Cooper at ye 3 Pidgeons in Bedford street
Eton (CL, Storer Granger, vol. IV, part III, fol. 25), London (BM, 1902-10-11-4714), Oxford (AM, Sutherland collection, vol. II, pt. V, p. 272, margins, good), Windsor* (RL, RCIN 603252).
II With Scot added to the lettering.

References: CS 177; Wessely 175; BM 58.
Location of original painting and related material: Three quarter length portrait of Mary II when Princess of Orange by William Wissing in the Royal Collection, Windsor Castle (Millar 1963, 323). Numerous versions and variants including NPG 197 in the National Portrait Gallery, London. CS 177 is derived from one such variant. See also the reduced, reversed version of the mezzotint by John Smith (CS 178).


186.
Queen Mary II
By John Smith, published by Edward Cooper, after William Wissing
Mezzotint
9 3/8 in. x 7 in. (240 mm x 178 mm) plate size
1689

I Before the lettering. Unfinished. Before trimmings on the lace. Pompoms unfinished hanging from jewel on shoulder.
Oxford* (Sutherland collection, Burnet vol. II, pt. I, p.10, in pen and ink at lower right: 1689).
II Lettered: Maria D.G. Angli æ Scot: Fran: & Hiber. Regina &.ct
Below left: W. Wissing Pinxit
Below left towards centre : I Smith fecit
Below right towards centre: Cum Privilegio Regis
Below right: E Cooper excudit.
Eton (CL, Storer Granger, vol. IV, part III, opp. fol. 25), Glasgow (HAG, GLAHA 3985 McCallum collection), London (BM, 1902-10-11-4715, margins, good, and 1902-10-11-8364, trimmed), London (UCL, Strang G2064, small margins), Oxford (AM, Sutherland collection, Burnet vol. II, pt. I, p. 10), Paris (BN, Ec. 86, fol. 74, cut), Plymouth (CAG, COP16, f. 99, trimmed), Windsor (RL, RCIN 603250, trimmed).

References: CS 178; Wessely 176; BM 59.
Location of original painting and related material: Three quarter length portrait of Mary II when Princess of Orange by William Wissing in the Royal Collection, Windsor Castle (Millar 1963, 323). Numerous versions and variants including NPG 197 in the National Portrait Gallery, London. CS 178 is derived from one such variant, and is a pair to the print by John Smith of William III (CS 276). See also the larger version of the mezzotint by John Smith (CS 177).


Mary of Modena, by John Smith, published by  Alexander Browne, after  Nicolas de Largillière, 1686 - NPG  - © National Portrait Gallery, London

Mary of Modena
by John Smith, published by Alexander Browne, after Nicolas de Largillière
1686
NPG D11524

187.
D11524
Mary of Modena
By John Smith, published by Alexander Browne, after Nicolas de Largillière
Mezzotint
13 1/2 in. x 10 in. (342 mm x 255 mm) plate size
1686
Lettered in two lines Serenissima Maria Beatrix D.G. Angliæ Scotiæ / Franciæ
et Hiberniæ Regina &ct.
Below left N. de Largillierre Pinxit.
Below left towards centre I Smith fecit
Below centre Cum Priuilegio Regis
Below right Sold by Alex Brown at ye blew / ballcony in little Queen street

I As described. [in this state with a slightly uneven lightly rocked background]
Amsterdam (RM, RP-P-OB-32-792), Eton (CL, Storer Granger, vol. IV, part III, opp. fol. 28), Glasgow (HAG, GLAHA 16353 and 1090), London (BM, 1902-10-11-4695 ...4696, and 1902-10-11-8345), London (NPG, D11524), New York (NYPL, vol. 1, fol. 29, dated 1686), Oxford (Christ Church, Smith vol. I, fol. 6), Oxford (AM, Sutherland collection, Burnet vol. I, pt. XIII, p. 786), Paris (BN, Ec. 86, fol. 78, cut), Plymouth (CAG, COP16, f. 8, cut), Windsor (RL, RCIN 602940).
II Published in Boydell's Heads of Illustrious ... Persons, 1811, opp. p 75.
Edinburgh (SNPG, SPIII 55-1), London (BM, 1902-10-11-4697 ... 4698), London (NPG, Heinz Archive and Library, Fleming collection), New Haven (B1974.12.569), New Haven (YCBA, Dept. of Rare Books), Windsor (RL).

References: CS 171 I; Wessely 168; BM 8; Rosenfeld p.115, fig. 16 b.
Location of original painting and related material: Unknown. See also the mezzotint by Isaac Beckett (CS 71; BM 6).


188.
Mary of Modena
By John Smith, published by Robert Palmer
Mezzotint
10 1/8 in. x 6 1/2 in. (260 mm x 167 mm) plate size
1683
Lettered: Her Royall highnes the Duches of York
Below left: I Smith fe.
Below right: Sold by R. Palmer over against / Somerset house in the Strand

As described.
Chatsworth (Smith vol. II, p. 3, trimmed), New York* (NYPL, vol. I, fol. 3, dated 1683 at lower left).

References: CS 168; Wessely 165; not in BM.
Location of original painting and related material: Unknown. The portrait type is related to Sir Peter Lely's portrait of Mrs Middleton in the collection of the Duke of Richmond, Goodwood House, Sussex. CS 168 is a copy of the engraving by Peter Vandrebanc (BM 14) published by Moses Pitt; a pair to the print by John Smith of James II (CS 141) and part of a series of royal portraits by John Smith published by Robert Palmer. See also the mezzotint published by Alexander Browne (CS 44).


Mary of Modena, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1703 - NPG  - © National Portrait Gallery, London

Mary of Modena
by and published by John Smith, after Sir Godfrey Kneller, Bt
1703
NPG D11523

189.
D11523
Mary of Modena
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 3/4 in. x 10 1/8 in. (348 mm x 256 mm) plate size
1703
Lettered in two lines Serenissima Maria D.G. Angliæ, Scotiæ Franciæ et / Hiberniæ
Regina Inaugurata XXIII.o die Aprilis Anno 1685.
Below left G. Kneller Pinx.
Below centre I. Smith fec
Below right Sold by I. Smith at ye Lyon & Crown in Russel street Covent Garden

I Before the lettering.
London (BM, P.7-132, trimmed to platemark).
II As described.
Amsterdam (RM, RP-P-OB-32-790), Eton (CL, Storer Granger, vol. IV, part III, opp. fol. 26), Glasgow (HAG, GLAHA 16351), London (BM, 1902-10-11-4688 ... 4690, and 1950-5-20-110, in pen and brown ink after Smith's name: 1703), London (NPG, D11523), London (UCL, Strang G2063, sheet), New York (NYPL, vol. 2, fol. 30, dated 1703), Oxford (Christ Church, Smith vol. I, fol. 8), Oxford (AM, Sutherland collection, Burnet vol. I, pt. XII, p. 752), Paris (BN, Ec. 86, fol. 73, cut, and Cd. 12 cb, fol. 28, cut), Plymouth (CAG, COP16, f. 6, cut), Windsor (RL, RCIN 602939).
III Posthumously published.

References: CS 169 II; Wessely 166; BM 2; Stewart 483.
Location of original painting and related material: Three quarter length portrait by Sir Godfrey Kneller in the collection of the National Trust, Chirk Castle, Wrexham, Denbighshire (Stewart 483). See also the reduced, reversed version of the mezzotint published by John Smith (CS 170; BM 3).